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Mike Sullivan loves his adopted city of San Francisco, and he loves trees. In The Trees of San Francisco he has combined his passions, offering a striking and handy compendium of botanical information, historical tidbits, cultivation hints, and more. Sullivan's introduction details the history of trees in the city, a fairly recent phenomenon. The text then piques the reader's interest with discussions of 71 city trees. Each tree is illustrated with a photograph--with its common and scientific names prominently displayed--and its specific location within San Francisco, along with other sites; frequently a close-up shot of the tree is included. Sprinkled throughout are 13 sidelights relating to trees; among the topics are the city's wild parrots and the trees they love; an overview of the objectives of the Friends of the Urban Forest; and discussions about the link between Australia's trees and those in the city, such as the eucalyptus. The second part of the book gets the reader up and about, walking the city to see its trees. Full-page color maps accompany the seven detailed tours, outlining the routes; interesting factoids are interspersed throughout the directions. A two-page color map of San Francisco then highlights 25 selected neighborhoods ideal for viewing trees, leading into a checklist of the neighborhoods and their trees.
Juana Briones de Miranda lived an unusual life, which is wonderfully recounted in this highly accessible biography. She was one of the first residents of what is now San Francisco, then named Yerba Buena (Good Herb), reportedly after a medicinal tea she concocted. She was among the few women in California of her time to own property in her own name, and she proved to be a skilled farmer, rancher, and businesswoman. In retelling her life story, Jeanne Farr McDonnell also retells the history of nineteenth-century California from the unique perspective of this surprising woman. Juana Briones was born in 1802 and spent her early youth in Santa Cruz, a community of retired soldiers who had helped found Spanish California, Native Americans, and settlers from Mexico. In 1820, she married a cavalryman at the San Francisco Presidio, Apolinario Miranda. She raised her seven surviving sons and daughters and adopted an orphaned Native American girl. Drawing on knowledge she gained about herbal medicine and other cures from her family and Native Americans, she became a highly respected curandera, or healer. Juana set up a second home and dairy at the base of then Loma Alta, now Telegraph Hill, the first house in that area. After gaining a church-sanctioned separation from her abusive husband, she expanded her farming and cattle business in 1844 by purchasing a 4,400-acre ranch, where she built her house, located in the present city of Palo Alto. She successfully managed her extensive business interests until her death in 1889. Juana Briones witnessed extraordinary changes during her lifetime. In this fascinating book, readers will see California’s history in a new and revelatory light.
FROM BESTSELLING AND PRINTZ-AWARD WINNING AUTHOR NINA LACOUR, PERFECT FOR READERS OF WRITERS AND LOVERS “A study of complex, modern love...Expertly illuminates the trauma that Sara and Emilie are both wrestling with, as well as their hope and healing...Lingers like a perfectly mixed cocktail.” —San Francisco Chronicle “A Carol for our times.” —Harper’s Bazaar Sara Foster runs away from home at sixteen, leaving behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena. The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But soon Sara's old life catches up to her, upending everything she thought she wanted, just as Emilie has finally gained her own sense of purpose. Will their love be more powerful than their pasts? At once exquisite and expansive, astonishing in its humanity and heart, Yerba Buena is a testament to the healing qualities of a shared meal, a perfectly crafted drink, a space we claim for ourselves. Nina LaCour’s adult debut novel is a love story for our time. "Trailblazing...One of my personal favorite authors." —Casey McQuiston, New York Times bestselling author of One Last Stop
About rebuilding San Francisco after the earthquake and fire of 1906.
In 100 Things to Do in San Francisco Before You Die, the authors talk top attractions - the famous Painted Ladies, the bridges, the countless scenic vistas - but they focus on guiding visitors and residents alike to the out-of-the-way places that locals love, places that reveal the soul of this world-class city. Based on personal experience, the authors suggest where to grab a Mission-style burrito, introduce the kids to a giant Pacific octopus, join a sea chantey sing-along, get tipsy on an alcoholic malt, buy tie-dye in Haight-Ashbury, rock out at a free music festival, track down a food cart selling bacon-wrapped hot dogs, and relax in a redwood grove. The book also provides insider info on where to experience yoga on a labyrinth, rent a bike in Golden Gate Park, taste exotic olive oils, soak up spectacular ocean views on an urban hiking trail, brunch on beignets, take a free walking tour, and catch a glimpse of the city's wild parrots on the wing. In short, 100 Things to Do in San Francisco Before You Die reveals many of the reasons why millions of people routinely leave their hearts in this amazing place!
The exhibition "is an investigation into possible alternative futures, particularly those that question or overturn conventional notions of innovation in biological, social, environmental, and technological structures. ... Loosely structured around three thematic strands - the utopian, the speculative and the pragmatic - the exhibition furthers our understanding of how artists are addressing potentiality and the unknown, from the most desired future to the most feared."p. [2]
Futurefarmers propose a collective, playful, inquiry-based approach to art-making that spans multiple disciplines and ways of inhabiting the world, from sailing and farming to environmental design and DIY scientific experimentation. Working in the tradition of social sculpture and participatory art, the coalition of artists, farmers, scientists and designers have called San Francisco and the Bay Area their hub since 1995. Futurefarmers: Out of Place, in Place surveys their practice, with a focus on the creation of a new speculative fog-harvesting machine for today's Bay Area. This richly illustrated catalog includes essays by biologist Albert Colman, anthropologist Michael Taussig, curator and writer Elizabeth Thomas, novelist and critic Cooley Windsor and exhibition curator Lucia Sanroman.
An illustrated study of gardens built on the roofs of buildings traces the history of roof gardens, from the Hanging Gardens of Babylon to the present; explains how to construct safe, durable gardens; and offers tips on selecting plants, garden maintenance, and planting techniques.