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A bold reconsideration of the meaning of 1960s San Francisco counterculture
This is a new release of the original 1955 edition.
A comprehensive resource for understanding the various components of spiritual direction. Early mystics of the Near East and northern Africa created the monastic traditions and were the first psychologists, exploring various practices to test the human capacity. In medieval times, spiritual direction was common in the Roman Catholic monastic traditions. It extended significantly into Protestant Christianity in the late twentieth century by predominantly white and affluent organizations. Spiritual direction has progressively become a global, multi-religious and interfaith practice. This book is a comprehensive and concise text from a spiritual director of color, offering inclusive resources and tools to spiritual directors of many faiths and for people of diverse cultures and traditions. Core skills such a deep listening, hospitality, and discernment are presented with cutting-edge lessons on internal liberation, systemic trauma, and imaginative discovery. Spiritual direction is taught by more than 100 educational institutions and spirituality centers in the US alone, but typical curriculum generally does not reflect current cultural reality and growing diversity. This is a textbook for anyone who studies spiritual direction as both preparation for and deepening of their calling.
The End of San Francisco breaks apart the conventions of memoir to reveal the passions and perils of a life that refuses to conform to the rules of straight or gay normalcy. A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent—this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder and anti-assimilationist commentator. Here is the tender, provocative and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons. Using an unrestrained associative style to move kaleidoscopically between past, present and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it. "Mattilda is a dazzling writer of uncommon truths, a challenging writer who refuses to conform to conventionality. Her agitation is an inspiration."—Justin Torres, author of We the Animals “Author Mattilda Bernstein Sycamore is the artistic love child of John Genet and David Wojnarowicz, deconstructing language swathed in unbridled sensuality, while flinging readers into a disrupted, chaotic life of queer anarchy.”—Gay and Lesbian Review "Bring on The End of San Francisco! And Mattilda Bernstein Sycamore, whose new book has reinvented memoir without the predictable gloss of passive resolution. This book is undeniably brave and new, and the internal energy churning at its core is like nothing you've seen, heard or read before. I swear."—T. Cooper, author of Real Man Adventures "We hear so much about coming-of-age narratives that we seldom think about going-of-age—the shutting down and closure, the making sense of where we've been. Written with grace, reserve and the honest tremblings that come when things matter, Mattilda shows us that The End of San Francisco is really the beginning of joy."—Daphne Gottlieb, author of 15 Ways to Stay Alive "It would be easy to describe The End of San Francisco as a Joycean 'Portrait of the Artist as a Young Queer' (although the book's intense stream of consciousness is reminiscent of the later, more experimental, Joyce) . . . but this is misleading. This journey of a life that begins in the professional upper-middle class (both parents are therapists) and the Ivy League and moves to hustling, drugs, activism—Sycamore was active in ACT UP and Queer Nation—and queer bohemian grunge, is profoundly American. At heart, Sycamore is writing about the need to escape control through flight or obliteration."—Michael Bronski, San Francisco Chronicle
An interactive title examines the history, construction, environmental impact, and design of skyscrapers while offering challenges to the reader to build projects and reports about various aspects of building, designing, and maintaining these massive structures. Original.
Caldecott Medalist Brian Selznick and debut children's book author David Serlin create a dazzling new format especially for young children! A New York Times Bestselling Book An Amazon Best Book of the Year A Kirkus Reviews Best Book of the Year Parents Magazine Best Early Reader of the Year "A marvel." --The New York Times "Inventive... fabulously expressive..." --San Francisco Chronicle Who is Baby Monkey? He is a baby. He is a monkey. He has a job. He is Baby Monkey, Private Eye! Lost jewels? Missing pizza? Stolen spaceship? Baby Monkey can help... if he can put on his pants! Baby Monkey's adventures come to life in an exciting blend of picture book, beginning reader, and graphic novel. With pithy text and over 120 black and white drawings accented with red, it is ideal for sharing aloud and for emerging readers.
Kids will learn how things they encounter every day operate by building their own models with this hands-on activity book. Projects include building a working model of the human hand's muscles, bones, and tendons using drinking straws, tape, and string; using a pair of two-liter bottles and a length of rubber tubing to learn how a toilet flushes; and discovering how musical instruments make sounds by fashioning a harmonica, saxophone, drum, flute, or oboe. All devices are designed to use recycled or nearly free materials and common tools. Kids are encouraged to modify and improve the designs, or create an entirely new device using the concepts explored. Each project includes materials and tools lists, step-by-step instructions with photographs, a summary of the science concept demonstrated, and follow-up questions to gauge student understanding for use in the classroom.
Jones is haunted by the specters of Reliability and Validity, motivated by the goals of multivocality and multiple truths, and driven by the music. She is also driven by the mystery and complexity of women's music; a category which is impossible to capture, tame, or pin down. In exploring dynamics of race and gender in the club as an organization, Jones refuses to reduce the richness of her observations to simplistic, categorical statements.
48 Pillars was inspired by a chance encounter at Flax with a close-out sale of deep vertical panels, 48" x 12" x 1 5/8". 24 local Bay Area artists will produce two pieces each on these identically sized panels that will exactly ring the gallery - 48 works total.Featured artists: Jason Avery, Lexie Bouwsma, Elaine Coombs, Robin Denevan, Sara Dykstra, Kim Frohsin, Paul Gibson, Christine Aria Hostetler & Joel Daniel Phillips, Kay Kang, Bruce Katz, Joshua Young Lee, Katja Leibenath, Saundra McPherson, Erika Meriaux, Annamarie Pabst, Silvia Poloto, Gail Ragains, Rachel Sager, Kirsten Tradowsky, Beth Waldman, Ealish Wilson, John Wood, Sandy Yagi, Aoi Yamaguchi. Exhibition: March 11 - April 15, 2017