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The San Diego Poetry Annual is now part of the permanent collection of every college and university library in the San Diego region, as well as the San Diego County Library system, the San Diego City Library and the libraries of individual cities, including Carlsbad, Oceanside and Escondido. This 4th edition is the biggest and most diversified yet, featuring 146 poets and 222 of the best poems from every corner of San Diego. Copies of each edition of the San Diego Poetry Annual are donated in the name of contributing poets to public and college libraries in San Diego County and to select libraries nationally.
The San Diego Poetry Annual celebrates the diversity of talent found throughout the region. The work of celebrated poets, like Marge Piercy and Steve Kowit, appears next to the poems from those who are published for the first time.
The 3rd edition of the San Diego Poetry Annual features the celebrated — Dorianne Laux, Steve Kowit, Sam Hamod — alongside those who are published here for the first time, revealing the diversity of talent throughout San Diego, across every plane: race, ethnicity, gender, sexual orientation, age, language, economics, location, occupation. To ensure the permanence of this collection, copies of each edition are donated in the name of contributing poets to public and college libraries in San Diego County and to select private libraries nationally.
The Gospel of the Bleeding Woman imagines a life for an interesting, unnamed biblical character: the bleeding woman who touches Jesus in three of the gospel accounts. The first half of this poetry collection is biblical/historical fiction; the second half, after the healing touch, moves into the realm of speculative fantasy (because faith is a strange, strange thing).
2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing.
2009 Poet's Market will give you all the information necessary to research markets and submit your poetry for publication. In addition to market listings, you'll find guidance for preparing and submitting manuscripts, identifying markets, relating to editors, and more. Plus, the book includes additional listings for conferences, workshops, organizations for poets, print and online resources, and the latest trends in poetry writing and publishing.
It's a nervy thing for an anthology to label itself Best New Poets, but once again the collection lives up to its name. It's a rich and readable selection, reflecting no party-line aesthetic, and attesting to the formidable promise of the emerging generation. --David Wojahn.
Navigating CHamoru Poetry focuses on Indigenous CHamoru (Chamorro) poetry from the Pacific Island of Guåhan (Guam). Poet and scholar Craig Santos Perez brings critical attention to a diverse and intergenerational collection of CHamoru poetry and scholarship. Throughout this book, Perez develops an Indigenous literary methodology called “wayreading” to navigate the complex relationship between CHamoru poetry, cultural identity, decolonial politics, diasporic migrations, and Native aesthetics. Perez argues that contemporary CHamoru poetry articulates new and innovative forms of indigeneity rooted in CHamoru customary arts and values, while also routed through the profound and traumatic histories of missionization, colonialism, militarism, and ecological imperialism. This book shows that CHamoru poetry has been an inspiring and empowering act of protest, resistance, and testimony in the decolonization, demilitarization, and environmental justice movements of Guåhan. Perez roots his intersectional cultural and literary analyses within the fields of CHamoru studies, Pacific Islands studies, Native American studies, and decolonial studies, using his research to assert that new CHamoru literature has been—and continues to be—a crucial vessel for expressing the continuities and resilience of CHamoru identities. This book is a vital contribution that introduces local, national, and international readers and scholars to contemporary CHamoru poetry and poetics.