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Acción, samuráis, aventuras en el Japón feudal y un poco de magia y chicas ligeritas de ropa...
Kyoshiro and Kyo--one a peaceful medicine seller, the other a merciless red-eyed samurai--are two spirits fighting for dominance of the same body as they travel with Yuya, a bounty hunter who helps them look for Kyo's true body.
ついに“紅(あか)の塔”上部に辿り着いた狂(きょう)たちは吹雪(ふぶき)とひしぎ、2人の太四老との闘いに突入!! しかし、ほたると辰伶(シンレイ)は吹雪の圧倒的な力の前に敗れ、狂もひしぎの一撃を受けて意識を失う。絶体絶命の危機のなか、吹雪が辰伶たちに話し始めたのは、壬生(みぶ)一族最大の秘密だった!!
Kyoshiro and Kyo--one a peaceful medicine seller, the other a merciless red-eyed samurai--are two spirits fighting for dominance of the same body as they travel with Yuya, a bounty hunter who helps them look for Kyo's true body.
THE END IS NIGH The stakes are higher than ever before, as the final two Elders emerge to prevent Kyo from reaching the former Crimson King. Even more dangerous is the return of Kyoshiro’s burning vengeance. Terrible secrets, hidden motivations, driving desires–all are brought into the open as the ultimate climax approaches in this white-knuckle, double-stuffed volume! Includes special extras after the story!
1604 A.D. Four years after a devastating civil war, Yuya Shiina earns a living by hunting outiaws. When she captures Mibu Kyoshiro for a small bounty, she has no idea about the dark secret he carries within. Kyoshiro shares his body with the spirit of Onime-no-Kyo, a legendary assassin who has slain a thousand men.
Alison Wilgus's Chronin Volume 1: The Knife at Your Back: is an action-packed, time travel adventure--first in a graphic novel duology. Her name is Mirai Yoshida. She was not born in Japan. She is not supposed to be in 1864. But, through a time-travel mishap, Mirai is stuck with no way out. Help may be found when she befriends Hatsu, a humble tea mistress harboring a dangerous secret. Yet time is running short for the entire nation, because Mirai knows that the shogunate is about to fall. Learning the way of the sword might be her only path towards survival. “Lush historical setting, deft storytelling, and an ear for sharp dialogue.” — Ethan Young, Eisner and Harvey Award-nominated author of Nanjing: The Burning City “A fascinating, intricate story.” — Tony Cliff, author of Delilah Dirk series At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.