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Focuses on the struggles and pressures which attended the literary career of the eighteenth-century figure
In Samuel Johnson and the Life of Reading, Robert DeMaria considers the surprising influence of one of the greatest readers in English literature. Johnson's relationship to books not only reveals much about his life and times, DeMaria contends, but also provides a dramatic counterpoint to modern reading habits. As a superior practitioner of the craft, Johnson provides a compelling model for how to read—indeed, he provides different models for different kinds of reading. DeMaria shows how Johnson recognized early that not all reading was alike—some requiring intense concentration, some suited for cursory glances, some requiring silence, some best appreciated amid the chatter of a coffeehouse. Considering the remarkable range of Johnson's reading, DeMaria discovers in one extraordinary career a synoptic view of the subject. "Enacts Johnson's celebrated variation on a theme from Horace—it does not merely delight and instruct, but rather instructs by delighting us . . . DeMaria proves himself a reader altogether worthy of his subject."—Times Literary Supplement "Fascinatingly perceptive both of Johnson's own reading habits and of their significance in the cultural history of reading."—Modern Language Review "Both a scholarly and an imaginative achievement, combining detailed detective work, abstract categorization, and sympathetic understanding. The finished product re-creates the detailed fabric of Johnson's reading career while locating it in a cultural landscape of rapid publication and growing literacy . . . Eminently readable, learned, and thoughtful."—Modern Philology "An intellectual history of the writer and his age."—Magill's Literary Annual "DeMaria presents an imaginative re-creation of Johnson's library and suggests how his reading habits offered a model for preventing the disappearance of the reader."—Biblio
In this groundbreaking portrait of Samuel Johnson, Nokes positions the great thinker in his rightful place as an active force in the Enlightenment, not a mere recorder or performer, and demonstrates how his interaction with life impacted his work.
The first new biography for a generation of one of the great figures of English literature Poet, essayist, biographer, lexicographer, critic, conversationalist and wit, Dr Johnson is one of the great figures of English literature, perhaps the most quoted English writer after Shakespeare. Our view of Johnson has been overwhelmingly shaped by James Boswell's Life of Samuel Johnson, published in 1791, the most famous biography in the English language. But invaluable as Boswell is as a source, he should not be the last word. This new biography illuminates the Johnson that Boswell never knew: the awkward youth, the unsuccessful schoolmaster, the eccentric marriage, his early years in London in the 1740s scratching a living, the epic struggle to produce the Dictionary. Very much the outsider, rather than the supremely confident dispenser of robust common sense. Using material unknown to previous biographers, Peter Martin describes the psychological knife-edge on which Johnson felt he lived, caused by his severe melancholia and his physical diseases. He explores Johnson's role in the publishing and printing world of the time and he reveals how important women were to Johnson throughout his life. The Samuel Johnson that emerges from this enthralling biography is still the foremost figure of his age but a more rebellious, unpredictable and sympathetic figure than the one that Boswell so memorably portrayed.
A Summer/Fall 2018 Indies Introduce Debut Fiction Selection When Samuel Johnson dies, he finds himself in the body of the man who killed him, unable to depart this world but determined, at least, to return to the son he left behind. Moving from body to body as each one expires, Samuel’s soul journeys on a comic quest through an American half-century, inhabiting lives as stymied, in their ways, as his own. A ghost story of the most unexpected sort, Martin Riker’s extraordinary debut is about the ways experience is mediated, the unstoppable drive for human connection, and the struggle to be more fully alive in the world. Martin Riker grew up in central Pennsylvania. He worked as a musician for most of his twenties, in nonprofit literary publishing for most of his thirties, and has spent the first half of his forties teaching in the English department at Washington University in St. Louis. In 2010, he and his wife Danielle Dutton co-founded the feminist press Dorothy, a Publishing Project. His fiction and criticism have appeared in publications including the Wall Street Journal, the New York Times, London Review of Books, the Baffler, and Conjunctions. This is his first novel.
Samuel Johnson is a writer of such significance that his era — the second half of the 18th century — is known as the Age of Johnson. Starting out as a Grub Street journalist, he made his mark on history as a poet, author, moralist, literary critic, political commentator, and lexiconographer. We, as moderns, need to know this man, and W. Jackson Bate's formidable biography, with its uncanny depth and empathy, is the book that makes that happen. Professor W. Jackson Bate is a lyrical writer who deftly explains the effect Johnson has had on scholars, critics, and readers of all kinds through the past 200 years: "The reason Johnson has always fascinated so many people of different kinds," Bate writes, "is not simply that [he] is so vividly picturesque and quotable . . . The deeper secret of his hypnotic attraction, especially during our own generation, lies in the immense reassurance he gives to human nature." Bate delves deep into the character that formed Johnson's intellect and fueled his prodigious contribution to literature, religion, politics, and our understanding of the nature of humankind, revealing the fascinating nature — both odd and adored — of this literary luminary.
Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.
'If a man is to write A Panegyrick, he may keep vices out of sight; but if he professes to write A Life, he must represent it really as it was.' In the last of his major writings, Samuel Johnson looked back over the previous two centuries of English Literature in order to describe the personalities as well as the achievements of the leading English poets. The major Lives - of Milton, Dryden, Swift, and Pope - are memorable cameos of the life of writing in which Johnson is as attentive to human frailty as to literary prowess. The shorter Lives preserve some of Johnson's most piercing, critical judgements. Unsentimental, opinionated, and quotable, The Lives of the Poets continues to influence the reputations of the writers concerned. It is one of the greatest works of English criticism, but also one of the most humanly diverting. This selection of the Lives of ten of the most important poets draws its text from Roger Lonsdale's authoritative complete edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.