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Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.
"In Samuel Johnson and the Making of Modern England Nicholas Hudson argues that Johnson not only came to personify English cultural identity but did much to shape it. Hudson examines his contribution to the creation of the modern English identity, approaching Johnson's writing and conversation from scarcely explored directions of cultural criticism - class politics, feminism, party politics, the public sphere, nationalism, and imperialism. Hudson charts the career of an author who rose from obscurity to fame during precisely the period that England became the dominant force in the Western world. In exploring the relations between Johnson's career and the development of England's modern national identity, Hudson develops new and provocative arguments concerning both Johnson's literary achievement and the nature of English nationhood."--book jacket
European literary history teems with prejudices. Nowhere perhaps is bias more evident than in the field of Anglo-French relations of the eighteenth century. In England looms the formidable figure of Samuel Johnson, while the French-speaking world is dominated by Rousseau, Voltaire, and Diderot. Samuel Johnson thought little of Voltaire and never mentioned Diderot. That he wanted to banish Rousseau to the American colonies is well known. All three men were, in Johnson's mind, infidels to the Christian order of society. In Samuel Johnson and Three Infidels, Mark Temmer reevaluates dogmatic views and critical commonplaces that have encrusted these relationships by comparing representative works of the three Continental authors to corresponding works and realities embodied and created by Samuel Johnson. After reviewing existing harmonies and dissonances between France and England, Temmer turns to the lives of Johnson and Rousseau, interpreting them as ontological masterpieces made visible mainly in Rousseau's Confessions and in biographies of Johnson by James Boswell and Hester Piozzi, both of whom insist on remarkable affinities between the two men. In the words of Mrs. Piozzi, they were "alike as sensations of frost and fire." Despite their opposing doctrines, Temmer reveals a pietism in Rousseau that often matches in intensity Johnson's otherworldly yearnings. Temmer moves from this comparison into a discussion of Candide and Rasselas, works published within months of each other in 1759. Integrating Voltaire's satire and Johnson's moral tale into the philosophical history of the age, Temmer goes on to uncover shared moments of laughter and music, ringing out against the gray background of a life in which, for both men, "much is to be endured and little to be enjoyed." Finally, exploring Johnson's Life of Richard Savage and Diderot's Le Neveu de Rameau, Temmer suggests the strong possibility that Diderot's masterpiece may have been influenced by Johnson's biography as well as by Savage's own An Author to be Lett. In this book, Temmer moves beyond the boundaries that have traditionally defined eighteenth-century scholarship on either shore of the English Channel. Creating a cross-cultural conversation bounded only by the lives and interests of his subjects, Temmer relates Johnson to Continental literature and defines his innovative role in a tradition that leads to Hegel, Dostoevsky, and Nietzsche.
Lackbrain, oysterwench, wantwit, clotpoll--Samuel Johnson's famous dictionary of 1755 contained some of the ripest insults in the English language. In Samuel Johnson's Insults, Jack Lynch has compiled more than 300 of the curmudgeonly lexicographer's mightiest barbs, along with definitions only the master himself could elucidate. Word lovers will delight in flexing their linguistic muscles with devilishly descriptive vituperations that pack a wicked punch. Many of these zingers have long lain dormant. Some have even come close to extinction. Now they're back in all their prickly glory, ready to be relished once more.
This project overall attempts to recast Appalachian literature in terms of a ‘lost tradition’ of texts that are generally out-of-print though of central importance to understanding the history of the region and its current environmental and cultural challenges. The epilogue will also consider the way that ecological-based literary criticism offers a vital language for how antebellum travel writers sought to frame the region from a 19th-century environmental point of view. The book aims to resituate the field of Appalachian Studies to an earlier historic genesis in the 19th-century and bring to light several books which have received scant scholarly attention in the canon of Appalachian and American literature, respectively. The book centers on the argument that mid-19th-century travel writers going through or from the Appalachian region drew on familiar versions of 18th-century European, mainly British, landscape aesthetics that would help make the readerly experience less alien to their erudite regional and Northern audiences. These travel writers, such as Philip Pendleton Kennedy and David Hunter Strother, consciously appropriated such aesthetic tropes as the pastoral as a way to further dramatic the effect in their nonfiction accounts of Appalachia, while the reader could find such references comforting as they considered whether to domesticate or tour the Appalachian region.
The eighteenth century produced a remarkable array of thinkers whose influence in the development of free societies and free institutions is incalculable. Among these thinkers were Mandeville, Hutcheson, Smith, Hume, and Burke. And their time is known as the Age of Johnson. Samuel Johnson: Political Writings contains twenty-four of Johnson’s essays on the great social, economic, and political issues of his time. These include “Taxation No Tyranny”—in which Johnson defended the British Crown against the American revolutionaries—and “An Introduction to the Political State of Great Britain,” “Thoughts on the Coronation of King George III,” and “The Patriot,” which is one of Johnson’s principal writings during the American Revolution. In his introduction, Donald J. Greene writes, “it may help to understand [Johnson’s] political thinking if we view it in the tradition of what might be called ‘skeptical’ (or ‘radical’ or ‘empirical’) conservatism, the essential feature of which is distrust of grandiose a priori theory and dogma as the basis for political action.” The Liberty Fund edition is a paperback version of Volume 10 in The Yale Johnson.
A one-volume collection of the prose and poetry of eighteenth-century Britain’s pre-eminent lexicographer, critic, biographer, and poet Samuel Johnson Samuel Johnson was eighteenth-century Britain’s preeminent man of letters, and his influence endures to this day. He excelled as a moral and literary critic, biographer, lexicographer, and poet. This anthology, designed to make Johnson’s essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. In most cases, texts are included in full rather than excerpted. The anthology includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson’s Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. Some parts are arranged thematically, allowing readers to focus on such topics as religion, marriage, war, and literature. The anthology includes a biographical introduction, and its ample annotation updates and enlarges the commentary in the Yale Edition.
Writers have always aspired to immortality, using their works to preserve their patrons, their loved ones, and themselves beyond death. For Pindar, Horace, and Shakespeare, the vehicle of such preservation was poetry. In the eighteenth century, figures such as Joseph Addison, Edward Young, Samuel Richardson, Laetitia Pilkington, Samuel Johnson, and James Boswell invented a new kind of literary immortality, built on the documentary power of prose. For eighteenth-century authors, the rhythms and routines of daily lived experience were too rich to be distilled into verse, and prose genres such as the periodical paper, novel, memoir, essay, and biography promised a new kind of lastingness that responded to the challenges and opportunities of Enlightenment philosophy and evolving religious thought. Prose Immortality, 1711-1819documents this transformation of British literary culture, spanning the eighteenth century and linking journalism, literature, theology, and philosophy. In recovering the centrality of the afterlife to eighteenth-century culture, this prizewinning book offers a versatile and wide-ranging argument that will speak not only to literary scholars but also to historians, scholars of religion, and all readers interested in the power of literature to preserve human experience through time. Winner of the Walker Cowen Memorial Prize for an Outstanding Work of Scholarship in Eighteenth-Century Studies
In this groundbreaking portrait of Samuel Johnson, Nokes positions the great thinker in his rightful place as an active force in the Enlightenment, not a mere recorder or performer, and demonstrates how his interaction with life impacted his work.