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Commentary and analysis of the films of independent producer Samuel Goldwyn.
Samuel Goldwyn was the premier dream-maker of his era - a fierce independent force i a time when studios ruled, a producer of silver screen sagas who was, in all probability, the last Hollywood tycoon. In this riveting book, Pulitzer Prize winning biographer A. Scott Berg tells the life story of this remarkable man - a tale as rich with drama as any feature length epic and as compelling as the history of Hollywood itself.
Sam Goldwyn’s career spanned almost the entire history of Hollywood. He made his first film, The Squaw Man, in 1913, and he died in 1974 at the age of ninety-one. In the many years between, he produced an enormous number of films—including such classics as Wuthering Heights, Street Scene, Arrowsmith, Dodsworth, The Little Foxes, and The Best Years of Our Lives—and worked with many luminaries—Gary Cooper, Ronald Colman, Laurence Olivier, George Balanchine, Lillian Hellman, Howard Hawks, John Ford, Eddie Cantor, Busby Berkeley, Danny Kaye, Merle Oberon, and Bob Hope among them. When Samuel Goldfisch was born in the Warsaw ghetto, he was penniless; when Sam Goldwyn died in Los Angeles, he was worth an estimated $19 million. The Search for Sam Goldwyn locates the real Sam Goldwyn and shatters the “hostile conspiracy of silence” that protected his legend. In writing Goldwyn's story, Carol Easton has given us a fine examination of “the civilization known as Hollywood” and how Goldwyn himself shaped that culture.
Discusses the career and films of the colorful and difficult personality, Sam Goldwyn, motion picture producer for much of the twentieth century, who paid those who worked for him lavishly and insisted on high quality.
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
The New York Times–bestselling history of the Jewish immigrants from Russia and Poland who altered the American landscape from New York to Hollywood. The wave of Eastern European Jewish immigrants who swept into New York in the late nineteenth and early twentieth centuries by way of Ellis Island were not welcomed by the Jews who had arrived decades before. These refugees from czarist Russia and the Polish shtetls who came to America to escape pogroms and persecution were considered barbaric, uneducated, and too steeped in the traditions of the “old country” to be accepted by the more refined and already well-established German-Jewish community. But the new arrivals were tough, passionate, and determined, and in no time they were moving up from the ghetto tenements of New York’s Lower East Side to make their marks and their fortunes across the country in a variety of fields, from media and popular music to fashion, motion pictures, and even organized crime. Among the unforgettable personages author Stephen Birmingham profiles are radio pioneer David Sarnoff, makeup mogul Helena Rubinstein, Hollywood tycoons Samuel Goldwyn and Harry Cohn, Broadway composer Irving Berlin, and mobster Meyer Lansky. From the author of “Our Crowd”, comes this treasure trove of fascinating tales and unforgettable “rags-to-riches” success stories that celebrates the indomitable spirit of a unique community.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Three New York Times bestsellers chronicle the rise of America’s most influential Jewish families as they transition from poor immigrants to household names. In his acclaimed trilogy, author Stephen Birmingham paints an engrossing portrait of Jewish American life from the colonial era through the twentieth century with fascinating narrative and meticulous research. The collection’s best-known book, “Our Crowd” follows nineteenth-century German immigrants with recognizable names like Loeb, Sachs, Lehman, Guggenheim, and Goldman. Turning small family businesses into institutions of finance, banking, and philanthropy, they elevated themselves from Lower East Side tenements to Park Avenue mansions. Barred from New York’s gentile elite because of their religion and humble backgrounds, they created their own exclusive group, as affluent and selective as the one that had refused them entry. The Grandees travels farther back in history to 1654, when twenty-three Sephardic Jews arrived in New York. Members of this small and insulated group—considered the first Jewish community in America—soon established themselves as wealthy businessmen and financiers. With descendants including poet Emma Lazarus, Barnard College founder Annie Nathan Meyer, and Supreme Court Justice Benjamin N. Cardozo, these families were—and still are—hugely influential in the nation’s culture, politics, and economics. In “The Rest of Us,” Birmingham documents the third major wave of Jewish immigration: Eastern Europeans who swept through Ellis Island between 1880 and 1924. These refugees from czarist Russia and Polish shtetls were considered barbaric, uneducated, and too steeped in the traditions of the “old country” to be accepted by the well-established German American Jews. But the new arrivals were tough, passionate, and determined. Their incredible rags to riches stories include those of the lives of Hollywood tycoon Samuel Goldwyn, Broadway composer Irving Berlin, makeup mogul Helena Rubenstein, and mobster Meyer Lansky. This unforgettable collection comprises a comprehensive account of the Jewish American upper class, their opulent world, and their lasting mark on American society.
This work is a compilation of interviews with 19 film actors, directors, and producers who were all part of the studio system that made Hollywood such a powerful and illustrious city in the era of the 1950s. Each of the celebrities interviewed for this work have made lasting contributions to the film industry, and some of them continue to do so. Pat Boone, Jeff Corey, Kathryn Grayson, Beverly Garland, Samuel Goldwyn, Jr., Jane Greer, Stanley Kramer, Janet Leigh, Joan Leslie, Sheree North, Janis Paige, Luise Rainer, Paula Raymond, John Saxon, Vincent Sherman, Robert Wise, Jane Withers, Jane Wyatt and Fred Zinnemann speak candidly about their work and experiences in Hollywood and share many of their memories. Each interview is followed by a complete filmography for each film that the actor, director, or producer was a part of, giving such information as the U.S. distributor, year of release, director, producer, screenwriter, editor, composer, running time, and cast for each film.
Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.