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When Troll-Son runs away from home, he decides to leave the Shadow Forest behind and move in with his idol, Samuel Blink. Samuel isn't thrilled with the idea of hiding a runaway troll, especially one who copies everything he does, even (ugh!) using his toothbrush. But should Samuel return Troll-Son to the Shadow Forest? After all, he's running from something . . . what danger still lurks there? This engaging adventure showcases Matt Haig's wry sense of humor, drawing readers deeper into the imaginative world introduced in Samuel Blink and the Forbidden Forest.
Every troll child dreads being sent to the Betterer. The Betterer is the most evil troll in Shadow Forest who loves to punish his fellow trolls for their grubby and stupid habits in lots of horrible ways. When one troll boy escapes the forest to be with his favourite human, Samuel Blink, the Betterer is not very happy.
Accompanied by his aunt's Norwegian elkhound, Ibsen, twelve-year-old Samuel ventures into a weird forest filled with strange and dangerous creatures to rescue his younger sister, Martha, who has been mute since their parents' recent death.
Samuel Blink is the hero of this story, but he doesn't know it yet. Right now, he and his sister Martha are in the back of his parents car. He has no idea a giant log is about to fall from the sky and change his life forever. He doesn't know that he and Martha will be forced to move to Norway and eat their Aunt Eda's smelly brown cheese. He hasn't the slightest clue Martha will disappear into Shadow Forest. A forest full of one-eyed trolls, the sinister huldre-folk, deadly Truth Pixies and a witch who steals shadows. A forest ruled by the evil Changemaker. A forest so dangerous that people who enter never return. No. Samuel Blink doesn't know any of this. So don't tell him. It might ruin the book . . .
Rascal is only a baby when young Sterling brings him home. He and the mischievous raccoon are best friends for a perfect year of adventure—until the spring day when everything suddenly changes. A Newbery Honor Book
Having been careful to heed his Aunt Eda's warnings to not enter the dangerous Shadow Forest, twelve-year-old Samuel Blink finds himself in a difficult situation when Troll-Son runs away from his Shadow Forest home to come and live with Samuel, his humanhero.
Ratatouille meets Roald Dahl in the funny and fantastical story of a determined mouse on a mission to procure the world's tastiest cheese. From the author of A Boy Called Christmas–now a Netflix movie starring Kristen Wiig, Maggie Smith and Henry Lawfull! When Nikolas left the only home he had ever known, it was a mouse named Miika who kept him company, and it was Miika who accompanied him on his journey to the Far North, in search of his father. But before the events of A Boy Called Christmas, this little mouse was the hero of his own story. A Mouse Called Miika is an epic adventure story on a miniature scale. It's a tale of mice and men (and more mice). It is about one independent mouse who gets fed up with the other mice, and sets out on a quest of his own to prove that cheese exists, and learns to appreciate other creatures. It is also a tale of great love (of cheese) and great danger. And learning the lesson that, with cheese, as with life, what matters most is not how strongly you smell, but how strong you are on the inside. Funny, cheeky, wise, and packed full of Matt Haig's signature warmth. This is set to become a year-round children's favorite.
A ghost story with a twist, from Matt Haig, the #1 New York Times bestselling author of The Midnight Library. "Matt Haig has an empathy for the human condition, the light and the dark of it, and he uses the full palette to build his excellent stories." —Neil Gaiman, author of American Gods Philip Noble is an eleven-year-old in crisis. His pub landlord father has died in a road accident, and his mother is succumbing to the greasy charms of her dead husband's brother, Uncle Alan. The remaining certainties of Philip's life crumble away when his father's ghost appears in the pub and declares Uncle Alan murdered him. Arming himself with weapons from the school chemistry cupboard, Philip vows to carry out the ghost's relentless demands for revenge. But can the words of a ghost be trusted any more than the lies of the living?
**Don't miss the second series of His Dark Materials on BBC One this November.** A brand new short story set in the world of His Dark Materials and The Book of Dust by master storyteller, Philip Pullman. Serpentine is a perfect gift for every Pullman fan, new and old. 'Lyra Silvertongue, you're very welcome . . . Yes, I know your new name. Serafina Pekkala told me everything about your exploits' Lyra and her daemon Pantalaimon have left the events of His Dark Materials far behind. In this snapshot of their forever-changed lives they return to the North to visit an old friend, where we will learn that things are not exactly as they seem . . . Illustrated throughout by Tom Duxbury, the perfect re-entry for fans of His Dark Materials and a wonderful companion to The Book of Dust. 'It's a stunning achievement, the universe Pullman has created and continues to build on' New York Times 'Pullman is an easeful storyteller and an intricate and inventive world-builder, and everything he has to write is worth reading' Telegraph
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.