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Reprint of the original, first published in 1869.
Throughout the twentieth century, scholars, artists and politicians have accused each other of “historicism.” But what exactly did this mean? Judging by existing scholarship, the answers varied enormously. Like many other “isms,” historicism could mean nearly everything, to the point of becoming meaningless. Yet the questions remain: What made generations of scholars throughout the humanities and social sciences worry about historicism? Why did even musicians and members of parliament warn against historicism? And what explains this remarkable career of the term across generations, fields, regions, and languages? Focusing on the “travels” that historicism made, this volume uses historicism as a prism for exploring connections between disciplines and intellectual traditions usually studied in isolation from each other. It shows how generations of sociologists, theologians, and historians tried to avoid pitfalls associated with historicism and explains why the term was heavily charged with emotions like anxiety, anger, and worry. While offering fresh interpretations of classic authors such as Friedrich Meinecke, Karl Löwith, and Leo Strauss, this volume highlights how historicism took on new meanings, connotations, and emotional baggage in the course of its travels through time and place.
"A special double issue of Publications of the English Goethe Society to celebrate the 70th birthday of Professor Martin Swales (UCL, UK) This volume collects papers from a conference held at the Institute of Germanic and Romance Studies in October 2010. The conference aimed to analyse how literary texts articulate (and give voice to) ideas and ideologies. In contrast to most philosophy, literature rarely makes claims to systematic conceptual rigour. Literary statements are always conjectural; they are also conditioned by the conventions of the genre in which they are made. Because literature is such a hypothetical medium of expression, it is uniquely suited to philosophical experimentation. Indeed, because literature invokes imagined or remembered experience, it functions as a laboratory in which ideas may be tested against experience. Literature's formal qualities, which allow for statement and counter-statement, move and counter-move, make it a highly sophisticated mode of discourse in which to test out ideas. Concepts can be played against each other, and genre conventions may be adhered to or subverted, in order to create multiple layers of signification. The papers presented are published here in this special issue of Publications of the English Goethe Society, and take account of German (or European) poetry, drama or prose literature from 1750 to the present day."
Syllogism is a form of logical argument allowing one to deduce a consistent conclusion based on a pair of premises having a common term. Although Aristotle was the first to conceive and develop this way of reasoning, he left open a lot of conceptual space for further modifications, improvements and systematizations with regards to his original syllogistic theory. From its creation until modern times, syllogism has remained a powerful and compelling device of deduction and argument, used by a variety of figures and assuming a variety of forms throughout history. The Aftermath of Syllogism investigates the key developments in the history of this peculiar pattern of inference, from Avicenna to Hegel. Taking as its focus the longue durée of development between the Middle Ages and the nineteenth century, this book looks at the huge reworking scientific syllogism underwent over the centuries, as some of the finest philosophical minds brought it to an unprecedented height of logical sharpness and sophistication. Bringing together a group of major international experts in the Aristotelian tradition, The Aftermath of Syllogism provides a detailed, up to date and critical evaluation of the history of syllogistic deduction.