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Includes contributed articles.
About the book:The Compiler in this handy work has kept out Sanskrit words which are less commonly used and has tried to avoid all technicalitieis as well as words which can easily be seen as simple derivatives of some given words. Thus he has been a
A fascinating comparative account of sacred languages and their role in and beyond religion —written for a broad, interdisciplinary audience Sacred languages have been used for foundational texts, liturgy, and ritual for millennia, and many have remained virtually unchanged through the centuries. While the vital relationship between language and religion has been long acknowledged, new research and thinking across an array of disciplines including religious studies, sociolinguistics, sociology, linguistics, and even neurolinguistics has resulted in a renewed interest in the area. This fascinating and informative book draws on Christian, Islamic, Hindu, Judaic, and Buddhist traditions to provide a concise and accessible introduction to the phenomenon of sacred languages. The book takes a strongly comparative, wide-ranging approach to exploring ways in which ancient religious languages, such as Latin, Pali, Church Slavonic, and Hebrew continue to shape the beliefs and practices of religious communities around the world. Informed by both comparative religion and sociolinguistics, it traces the histories of sacred languages, the myths and doctrines that explain their origin and value, the various ways they are used, the sectarian debates that shadow them, and the technological innovations that propel them forward in the twenty-first century. A comprehensive but succinct account of the role and importance of language within religion Takes an interdisciplinary approach which will appeal to students and scholars across an array of disciplines, including religious studies, sociology of religion, sociolinguistics, and linguistics Provides a strongly comparative exploration, drawing on Christian, Islamic, Hindu, Judaic, and Buddhist traditions Uses numerous examples and ties historic debates with contemporary situations Satisfies the rapidly growing demand for books on the subject among both academics and general readers Sacred Languages of the World is a must-read for students of religion and language, scripture, religious literacy, education and language, the sociology of religion, sociolinguistics. It will also have strong appeal among general readers with an interest comparative religion, history, cultural criticism, communication studies, and more.
Sanskrit has been revived with the advancement in technology and the incorporation of fonts, keyboard character maps, and Samskrita Bharati. This book gives the complete Alphabet, consisting of Vowels and Consonants, Semivowels, Sibilants and the Aspirate. Special attention is paid to the Vedic letter for "da" found in the RigVeda, and the Vedic nasals formed by euphonic combination known as Ayogavahas. The Vedic Accents namely Udata, Anudata and Svarita are also explained. Reading of Avagraha, Ayogavaha, Visarga and Anusvara is given in detail. Computer typesetting, Unicodes, Keyboard Character maps and relevant Fonts are mentioned. A useful and complete book for the novice, the amateur or the Scholar.
The Sanskrit Alphabet consists of 56 Letters. There are Vowels, Semivowels, Consonants, Sibilants and the Aspirate. Additionally we have the Vedic letter for ""da"" and the Vedic Ayogavahas and Accents. Letters are clearly divided into groups and Enunciation is closely connected to Tongue movement. Nasals lend a distinct twang and the Vedic chants are a delight to hear because of Accentuation of the Vowels. Reading an Avagraha, Ayogavaha, Visarga and Anusvara is clearly explained as all letters of the alphabet are laid out threadbare. A relevant and complete book for the novice, the amateur or the Scholar.
The Sanskrit Alphabet consists of 56 Letters. There are Vowels, Semivowels, Row Class Consonants, Sibilants and the Aspirate. The Alphabet is called अक्षरम् in Sanskrit. Each letter is clearly enunciated with correct movement of the Tongue. Nasals lend a distinct twang and the Vedic chants are a delight to hear because of Accented Vowels. Reading an Avagraha, Ayogavaha, Visarga and Anusvara is properly explained as all the letters of the Alphabet are laid out threadbare. A section on Unicodes and Typesetting in Devanagari with fonts and keyboard IME supporting Vedic Extensions adds relevant value. While reading Vedic Texts, we notice some letters, characters and symbols that are in addition to the standard Sanskrit Alphabet. These characters are the accent marks, sandhi symbols, additional letters and punctuation, that are found in Vedic Sanskrit. There are various samhita recensions of the Veda manuscripts available today, and they differ in the usage of accents and symbols, and also in the enunciation while chanting aloud. Each ashram and gurukul and pundit or scholar needs to be aware of the tone and pitch during recitation and chanting of the Vedas. Even university professors and researchers delving into the Vedas need to be aware of the correct meaning and application of these verses. Furthermore, as we move from offset printing and metal type setting to the computer and smartphone era, this book serves as an invaluable resource. This book builds upon our popular title "The Sanskrit Alphabet". Infused with manuscript passages from the Satapatha Brahmana, Vajasaneyi Madhyandina Samhita, Samaveda and Krishna Yajurveda to illustrate Vedic Symbols. A useful and complete book for the novice, the amateur or the Scholar.
The Sanskrit Alphabet consists of Vowels, Semivowels, Nasals, Row class Consonants, Sibilants, Aspirate, and the Ayogavahas, new unseen sounds that result only during Talking and Chanting. In Speech what comes naturally is called Sandhi. As one speaks fluently, there is a merging of sounds of some of the Adjacent Words. A slight change in spelling is noticed accordingly while Speaking, the same when Written down is called Sandhi. Reading aloud an Avagraha and Visarga properly is what makes the language beautiful and lends power and grace to both the Speaker and the Listener. This book covers all major Sandhis, namely Svarana Dirgha, Guna, Vriddhi, Yan, Ayav, Jashtvam, Chartvam, Visarga, Anusvara, and many specific Sandhis used only during word-formation from the Roots. It explicitly mentions the correct Ashtadhyayi Sutra of Panini and lucidly explains the background process. A chapter on Vedic Sandhis covers the sounds known as Ayogavahas in some detail. A useful and complete book for the novice, the amateur or the Scholar.