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In this volume, the key monuments that form the Theatral Complex, including the Theatral Circle, the Fieldstone Building with its masonry style plaster interior, the marble Doric hexastyle Dedication of Philip III and Alexander IV, the elegant Ionic Porch later attached to the western side of the Dedication, and the remains of dozens of bronze statues that originally framed the Theatral Circle, are presented in their archaeological, architectural, and historical contexts. The potential significance of the Complex within the mystery cult, both as the place that initially gave shape to the group of pilgrims undergoing initiation, and as the place where new initiates ultimately departed the Sanctuary, accords the Theatral Complex on the Eastern Hill a central place in the history of ancient Greek sacred space. Actual-state and reconstruction drawings; photographs; and a catalogue of the small finds, including pottery, lamps, terracotta figurines, coins, metal objects, inscriptions, stone objects, and glass, accompany the text.
New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
Networks and the Spread of Ideas in the Past: Strong Ties, Innovation and Knowledge Exchange gathers contributions from an international group of scholars to reconsider the role that strong social ties play in the transmission of new ideas, and their crucial place in network analyses of the past. Drawing on case studies that range from the early Iron Age Mediterranean to medieval Britain, the contributing authors showcase the importance of looking at strong social ties in the transmission of complex information, which requires relationships structured through mutual trust, memory, and reciprocity. They highlight the importance of sanctuaries in the process of information transmission, the power of narrative in creating a sense of community even across geographical space, and the control of social systems in order to facilitate or stifle new information transfer. Networks and the Spread of Ideas in the Past demonstrates the value of searching the past for powerful social connections, offers us the chance to tell more human stories through our analyses, and represents an essential new addition to the study and use of networks in archaeology and history. The book will be useful to academics and students working in the Digital Humanities, History, and Archaeology.
This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
A Companion to Greek Architecture provides an expansive overview of the topic, including design, engineering, and construction as well as theory, reception, and lasting impact. Covers both sacred and secular structures and complexes, with particular attention to architectural decoration, such as sculpture, interior design, floor mosaics, and wall painting Makes use of new research from computer-driven technologies, the study of inscriptions and archaeological evidence, and recently excavated buildings Brings together original scholarship from an esteemed group of archaeologists and art historians Presents the most up-to-date English language coverage of Greek architecture in several decades while also sketching out important areas and structures in need of further research
As one of the most famous religious centers in the Aegean, the island of Samothrace was visited by thousands of worshippers between the 7th century B.C. and the 4th century A.D. All known inscriptions listing or mentioning Samothracian initiates and theoroi (a total of 169 texts) are presented, including a number of previously unpublished fragments.
After Dark explores the experience of nighttime within ancient urban settings. Contributors present material evidence related to how ancient people manipulated and confronted darkness and night in urban landscapes, advancing our knowledge of the archaeology of cities, the archaeology of darkness and night, and lychnology (the study of ancient lighting devices). Sensory archaeology focuses on the sensual experience of the nocturnal environment—the sights, sounds, smells, tastes, and feel of an ancient city—and the multi-faceted stimuli that diverse urban populations experienced in the dark. Contributors investigate night work—for example, standing guard or pursuing nocturnal trades—and nightlife, such as gambling at Chaco Canyon. They also examine how urban architecture, infrastructure, and the corresponding lighting were inextricably involved in enabling nighttime pursuits and signaling social status. The subjects of the night, darkness, and illumination taken together form a comprehensive framework for analyzing city life. After Dark embraces night as a conceptual lens through which to view the material and visual cultures of the ancient world and, in doing so, demonstrates a wealth of activities, behaviors, and beliefs that took place between dusk and dawn. This perspective greatly enriches the understanding of urban life and its evolution and has much to offer archaeologists in deepening an examination of complexity and inequality. This volume will be of interest to any scholar or student of the past who is interested in urban activities and the significance of the night in urban settings. Contributors: Susan M. Alt, J. Antonio Ochatoma Cabrera, Martha Cabrera Romero, Tiffany Earley-Spadoni, Kirby Farrah, Nancy Gonlin, Anna Guengerich, Christopher Hernandez, John Janusek, Kristin V. Landau, Maggie L. Popkin, Monica L. Smith, Meghan E. Strong, Susan Toby Evans, Robert S. Weiner
This volume sheds new light on the significance and meaning of material culture for the study of pilgrimage in the ancient world, focusing in particular on Classical and Hellenistic Greece, the Roman Empire and Late Antiquity. It thus discusses how archaeological evidence can be used to advance our understanding of ancient pilgrimage and ritual experience. The volume brings together a group of scholars who explore some of the rich archaeological evidence for sacred travel and movement, such as the material footprint of different activities undertaken by pilgrims, the spatial organization of sanctuaries and the wider catchment of pilgrimage sites, as well as the relationship between architecture, art and ritual. Contributions also tackle both methodological and theoretical issues related to the study of pilgrimage, sacred travel and other types of movement to, from and within sanctuaries through case studies stretching from the first millennium BC to the early medieval period.
This edited book examines architectural representations that tie water, as a physical and symbolic property, with the sacred. The discussion centers on two levels of this relationship: how water influenced the sacredness of buildings across history and different religions; and how sacred architecture expressed the spiritual meaning of water. The volume deliberately offers original material on various unique contextual and design aspects of water and sacred architecture, rather than an attempt to produce a historic chronological analysis on the topic or focusing on a specific geographical region. As such, this unique volume adds a new dimension to the study of sacred architecture. The book’s chapters are compiled by a stellar group of scholars and practitioners from the US, Canada, Europe, Asia, and Africa. It addresses major aspects of water in religious buildings, such as, rituals, pilgrimage, water as a cultural material and place-making, hydro systems, modern practices, environmental considerations, the contribution of water to transforming secular into sacred, and future digital/cyber context of water and sacredness. All chapters are based on original archival studies, historical documents, and field visits to the sites and buildings. These examinations show water as an expression of architectural design, its materiality, and its spiritual values. The book will be of interest to architects, historians, environmentalists, archaeologists, religious scholars, and preservationists.