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History of Samoa, Settlement of Samoans, Culture and tradition, Introduction to the history of Samoa: The following discussion focuses on Samoa since European contact. For additional treatment in a regional context, see Pacific Islands, history of. Early period Polynesians traveling in outrigger canoes arrived in the Samoan archipelago about 1000 bc, as indicated by Lapita pottery shards found in Mulifanua Lagoon on Upolu. Characteristics of the Samoan language indicate that the settlers probably came from Tonga. Local pottery manufacturing ceased by about ad 200, by which time Samoa had become central too much of the settlement of eastern Polynesia. Find out more in the book "Samos History, Culture and Tourism"
Long recognized as the premier travel writer to the South Pacific, author David Stanley narrows and deepens his focus in Tonga-Samoa Handbook. Covering the lush, tropical Samoas, the ancient Kingdom of Tonga, and lonely little Niue, this book provides: -- Penetrating coverage of the unique histories, cultures, and mores of the region -- Practical tips on flights to Tonga-Samoa and interisland travel -- Extensive accommodations listings, from the colorful International Dateline Hotel in Nuku'alofa to low-budget guesthouses in Apia -- Tips on where and what to eat: traditional Samoan palusami, the gargantuan Tongan feasts of Vava'u, and the pizzerias and mountainous ice-cream cones of Pago Pago -- 32 detailed maps
Samoa is a Polynesian island country located in the South Pacific Ocean. It consists of two main islands, Upolu and Savai'i, along with several smaller islands. The capital and largest city is Apia, located on the island of Upolu. The population of Samoa is approximately 200,000, with the majority being of Samoan descent. The official languages are Samoan and English, with Samoan being widely spoken in everyday life. Samoa's economy is primarily based on agriculture, tourism, and remittances from Samoans living abroad. The country also has a strong cultural heritage, with traditional Samoan customs and practices still widely observed. One of the most famous aspects of Samoan culture is the fa'a Samoa, which emphasizes respect for family, community, and elders. Samoa is also known for its traditional Samoan dance and music, including the fire knife dance, which is performed by young men using long, sharp knives that are set on fire. Overall, Samoa is a unique and vibrant island nation that is rich in culture and natural beauty.
What happens when an old man wakes up one morning and finds that everything around him now fills with revulsion? What happens when Faleasa Osovae, the highest ranking alii in the village of Maalaelua, feigns madness and throws away his responsibilities as a chief?
This companion volume to Moyle's acclaimed 1987 book Tongan Music provides the most comprehensive published account of the music of western Polynesia's largest island group. Combining extensive fieldwork and exhaustive coverage of historical sources and museum holdings, the book features a thorough examination of songs, song texts and translations, dances, children's songs, and musical instruments.
In 1928 Margaret Mead published Coming of Age in Samoa, a fascinating study of the lives of adolescent girls that transformed Mead herself into an academic celebrity. In 1983 anthropologist Derek Freeman published a scathing critique of Mead’s Samoan research, badly damaging her reputation. Resonating beyond academic circles, his case against Mead tapped into important public concerns of the 1980s, including sexual permissiveness, cultural relativism, and the nature/nurture debate. In venues from the New York Times to the TV show Donahue, Freeman argued that Mead had been “hoaxed” by Samoans whose innocent lies she took at face value. In The Trashing of Margaret Mead, Paul Shankman explores the many dimensions of the Mead-Freeman controversy as it developed publicly and as it played out privately, including the personal relationships, professional rivalries, and larger-than-life personalities that drove it. Providing a critical perspective on Freeman’s arguments, Shankman reviews key questions about Samoan sexuality, the alleged hoaxing of Mead, and the meaning of the controversy. Why were Freeman’s arguments so readily accepted by pundits outside the field of anthropology? What did Samoans themselves think? Can Mead’s reputation be salvaged from the quicksand of controversy? Written in an engaging, clear style and based on a careful review of the evidence, The Trashing of Margaret Mead illuminates questions of enduring significance to the academy and beyond. 2010 Distinguished Lecturer in Anthropology at the American Museum of Natural History “The Trashing of Margaret Mead reminds readers of the pitfalls of academia. It urges scholars to avoid personal attacks and to engage in healthy debate. The book redeems Mead while also redeeming the field of anthropology. By showing the uniqueness of the Mead-Freeman case, Shankman places his continued confidence in academia, scholars, and the field of anthropology.”—H-Net Reviews
The overall purpose of this book is to provide a foundation for Samoan students to become the custodians of the historical narrative based on Archaeological research.
"The book has a broad sweep, covering all facets of the Samoan arts, including canoe and housebuilding, siapo (tapa), weaving, tattooing, oratory, adornment, all forms of performance art, the visual arts and literature"--Inside front cover.
The Routledge Handbook of Tourism and Indigenous Peoples presents an up-to-date, critical and comprehensive overview of established and emerging themes around Indigeneity and connections between Indigenous peoples and tourism development. Offering socio-cultural perspectives and multidisciplinary insights from leading Indigenous and non-Indigenous scholars and tourism practitioners, the book explores contemporary issues, challenges and trends. Organised into six sections, the handbook explores Indigenous community involvement in tourism, Indigenous entrepreneurship and innovation, Indigenous tourism policies and politics, and the complexities of colonialism and decolonisation issues. This text focuses on the active role that Indigenous peoples have in the industry and uses international case studies and experiences to explore the global context of Indigenous tourism. This handbook fills a notable gap by offering a critical and detailed understanding of the role of Indigenous practitioners and societies in tourism and how they interact within the tourism nexus. It will be of interest to scholars, students, tourism practitioners and policymakers working in tourism, development studies, anthropology, human geography and sociology.
The expansion of international tourism is changing the relationship between ethnic groups and states around the globe. Yet tourism’s importance for the understanding of ethnicity in the modern world has been generally neglected within the field of ethnic studies. This pioneering volume investigates how international tourism development, state policies of ethnic management, and the active responses of local ethnic groups intersect to reshape ethnic identities and ethnic relations in Asian and Pacific societies. It analyzes the ways in which the very meaning of ethnicity and culture are being contested and reworked in the wake of tourism’s impact. Following an introduction that explores the close but often ambivalent relationship between tourism promotion and state ethnic policies, individual contributors examine tourism’s varied effects in China, Singapore, Malaysia, Thailand, Indonesia, and the island Pacific in rich ethnographic detail.