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Travel & holiday.
Samarkand, located along the Silk Road, has a history that is often confused with a fabled image of the East. This book, however, deals with a real city, narrating the changes that took place while it was part of the USSR and in the period following, all the way up to the present. In Samarkand, the passage between these two eras reflects the broader transformation that affected Uzbekistan and the other Central Asian countries, which were internal colonies, first of Russia and then of the Soviet Union, before becoming independent states. Step by step, the reader enters the city, its various districts, private homes, public places, and hears the stories of diverse individuals and families. Based on archival records, interviews and photographs, the book traces the changes in cultures and ways of life in Samarkand over this period, and investigates the tensions of the post-Soviet years. The Russians vanished from the city they had colonised or guided through the years of Soviet “modernisation”, as did many populations that had been deported there during the Second World War, and various local minorities. The city experienced a period of profound crisis, was transformed in terms of the composition of its population, constructed a new national image, rewrote its history and finally emerged ready to receive tourists with their cameras.
“Remarkable: a book about borders that makes the reader feel sumptuously free.” —Peter Pomerantsev In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime. Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off. Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.
The third volume of Jan Kjaerstad's award-winning trilogy finds Jonas aboard the Voyager, a small boat exploring the reaches of the great Sognefjord in Western Norway. Also on board, four young people engaged in a multi-media project to chart all aspects of the fjord - its geography, people, and history. But, like the space probe the boat is named for, Jonas' personal journey of discovery reaches far beyond the usual confines of time and space. With all the breathtaking prowess of a master juggler, Jan Kjaerstad throws episode after episode from Jonas Wergeland's life into the air and holds them, suspended, like planets in solar system. And the reader, once again, is drawn into Wergeland's universe, and taken on a journey - this time with his daughter as guide - to discover finally the truth about his life, and what led to the death of his wife.
Acclaimed journalist Bernard Ollivier continues his epic journey across Persia and Central Asia as he walks the length of the Great Silk Road. Walking to Samarkand is journalist Bernard Ollivier’s stunning account of the second leg of his 7,200-mile walk from Istanbul, Turkey, to Xi’an, China, along the Silk Road--the longest and perhaps most mythical trade route of all time. Picking up where Out of Istanbul left off, Ollivier heads out of the Middle East and into Central Asia, grappling not only with his own will to continue but with new, unforeseen dangers. After crossing the final mountain passes of Turkish Kurdistan, Ollivier sets foot in Iran, keen on locating vestiges of the silk trade as he passes through Persia’s modern cities and traditional villages, including Tabriz, Tehran, Nishapur, and the holy city of Mashhad. Beyond urban areas lie deserts: first Iran’s Great Salt Desert, then Turkmenistan’s forbidding Karakum, whose relentless sun, snakes, and scorpions pose continuous challenges to Ollivier’s goal of reaching Uzbekistan. Setting his own fears aside, he travels on, wonderstruck at every turn, borne by a childhood dream: to see for himself the golden domes and turquoise skies of Samarkand, one of Central Asia’s most ancient cities. But what Ollivier enjoys most are the people along the way: Askar, the hospitable gardener; the pilgrims of Mashhad; and his knights in shining armor, Mehdi and Monir. For, despite setting out alone, he comes to find that walking itself—through a kind of alchemy—surrounds him with friends and fosters fellowship. From the authoritarian mullahs of revolutionary Iran to the warm welcome of everyday Iranians—custodians of age-old, cordial Persian culture; from the stark realities of former Soviet republics to the region’s legendary bazaars—veritable feasts for the senses—readers discover, through the eyes of a veteran journalist, the rich history and contemporary culture of these amazing lands.
Nathaniel, a magician's apprentice, summons up the djinni Bartimaeus and instructs him to steal the Amulet of Samarkand from the powerful magician Simon Lovelace.
As the seventeenth century dawns, the vast Moghul Empire finally encompasses the entire Indian subcontinent. But despite controlling unimaginable wealth and ruling over a quarter of the world's population, the Moghul dynasty finds itself in increasing peril. Devastated by the death of his beloved wife, the once ruthless Shah Jahan has all but abandoned his throne. Where he should be protecting his power, he has instead devoted himself to constructing the elaborate Taj Mahal, a tribute to his wife's memory. Aging, ill and blinded by grief, the Shah cannot see the enmity building between his own sons—ambitious hatred so strong it could bring down the entire empire. Accurate and compelling, Alex Rutherford's The Serpent's Tooth is filled with strikingly human characters and heart pounding action, bringing India's bloody history to life.