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The Jewish undergorund life in the Soviet Union.
Nathaniel, a magician's apprentice, summons up the djinni Bartimaeus and instructs him to steal the Amulet of Samarkand from the powerful magician Simon Lovelace.
"In antiquity Samarkand was the capital of the Persian province of Sogdiana. Its language, culture, and "Zoroastrian" religion closely approximated those of the Persians. Following its conquest by Alexander, its strategic position and fertile soil made Sogdiana a coveted prize for Late Antique invaders of Central Asia. Around 660 CE - at the dawn of Arab invasion - local king Varkhuman promoted the execution of a unique painted program in one of his private rooms. Each wall was dedicated to a specific population: the north wall, the Chinese; the west, the Sogdians themselves; the east, the Indians and possibly the Turks. The south wall is probably the continuation of the scene on the west wall. In Chinese written sources, some support for this concept of the "division of the world" can be found. Accidentally discovered during Soviet times, the room was named "Hall of the Ambassadors" due to the representations of different peoples. However, many aspects of its painted program remain obscure. This study offers new ideas for better identifications of the rituals celebrated by the people on the different walls during precise moments of the year."--
Acclaimed journalist Bernard Ollivier continues his epic journey across Persia and Central Asia as he walks the length of the Great Silk Road. Walking to Samarkand is journalist Bernard Ollivier’s stunning account of the second leg of his 7,200-mile walk from Istanbul, Turkey, to Xi’an, China, along the Silk Road--the longest and perhaps most mythical trade route of all time. Picking up where Out of Istanbul left off, Ollivier heads out of the Middle East and into Central Asia, grappling not only with his own will to continue but with new, unforeseen dangers. After crossing the final mountain passes of Turkish Kurdistan, Ollivier sets foot in Iran, keen on locating vestiges of the silk trade as he passes through Persia’s modern cities and traditional villages, including Tabriz, Tehran, Nishapur, and the holy city of Mashhad. Beyond urban areas lie deserts: first Iran’s Great Salt Desert, then Turkmenistan’s forbidding Karakum, whose relentless sun, snakes, and scorpions pose continuous challenges to Ollivier’s goal of reaching Uzbekistan. Setting his own fears aside, he travels on, wonderstruck at every turn, borne by a childhood dream: to see for himself the golden domes and turquoise skies of Samarkand, one of Central Asia’s most ancient cities. But what Ollivier enjoys most are the people along the way: Askar, the hospitable gardener; the pilgrims of Mashhad; and his knights in shining armor, Mehdi and Monir. For, despite setting out alone, he comes to find that walking itself—through a kind of alchemy—surrounds him with friends and fosters fellowship. From the authoritarian mullahs of revolutionary Iran to the warm welcome of everyday Iranians—custodians of age-old, cordial Persian culture; from the stark realities of former Soviet republics to the region’s legendary bazaars—veritable feasts for the senses—readers discover, through the eyes of a veteran journalist, the rich history and contemporary culture of these amazing lands.
Russian Rule in Samarkand examines the structures, personnel, and ideologies of Russian imperialism in Turkestan, taking Samarkand and the surrounding region as a case-study. The creation of a colonial administration in Central Asia presented Russia with similar problems to those faced by the British in India, but different approaches to governance meant that the two regimes often stood in stark contrast to one another. While the Russian administration was characterised by corruption and inefficiency, British rule in India was often more violent, and its subjects much more heavily taxed. Opening with the background to the political situation in Central Asia and a narrative of the Russian conquest itself, the book moves on to analyse official attitudes to Islam and to pre-colonial elites, and the earliest attempts to establish a functioning system of revenue collection. Uncovering the religious and ethnic composition of the military bureaucracy, and the social background, education and training of its personnel, Alexander Morrison assesses the competence of these officers vis-à-vis their Anglo-Indian counterparts. Subsequent chapters look at the role of the so-called 'native administration' in governing the countryside and collecting taxes, the attempt to administer the complex systems of irrigation leading from the Zarafshan and Syr-Darya rivers, and the nature and functions of the Islamic judiciary under colonial rule. Based on extensive archival research in Russia, India, and Uzbekistan, and containing much rare source material translated from the original Russian, Russian Rule in Samarkand will be of interest to all those interested in the history of the Russian Empire and European Imperialism more generally.
When Craig Murray arrived in Uzbekistan to take up his post in 2002, he was a young ambassador with a brilliant career and a taste for whisky and women. But after hearing accounts of dissident prisoners being boiled to death and innocent people being raped and murdered by agents of the state, he started to question both his role and that of his country in so-called 'democratising' states. Following his discovery that the British government was accepting information obtained under torture, Murray could no longer maintain a diplomatic silence. When he voiced his outrage, Washington and 10 Downing Street decided he had to go. But Uzbekistan had changed the high-living diplomat and there was no way he was going to go quietly. In this candid and at times shocking memoir, Murray lays bare the dark and dirty underside of the War on Terror.
Be careful what you wish for. Nathaniel is a magician's apprentice, taking his first lessons in the arts of magic. But when a devious hot-shot wizard named Simon Lovelace ruthlessly humiliates Nathaniel in front of his elders, Nathaniel decides to kick up his education a few notches and show Lovelace who's boss. With revenge on his mind, he summons the powerful djinni, Bartimaeus. But summoning Bartimaeus and controlling him are two different things entirely, and when Nathaniel sends the djinni out to steal Lovelace's greatest treasure, the Amulet of Samarkand, he finds himself caught up in a whirlwind of magical espionage, murder, and rebellion.
This is the eagerly awaited new collection of poetry from the Nobel prize-winning author - his first since 'Mandela's Earth' in 1989.
Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have traveled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture--the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments.Here is a marvelous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings.From the Holy Land to the Silk Road, the Yucatan to Angkor Wat, Fagan follows in the footsteps of the great archaeological travelers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.
In the seventh century the kingdom of Samarkand sent formal gifts of fancy yellow peaches, large as goose eggs and with a color like gold, to the Chinese court at Ch'ang-an. What kind of fruit these golden peaches really were cannot now be guessed, but they have the glamour of mystery, and they symbolize all the exotic things longed for, and unknown things hoped for, by the people of the T'ang Empire. This book examines the exotics imported into China during the T'ang Dynasty, and depicts their influence on Chinese life. This book is not a statistical record of commercial imports and medieval trade, but rather a 'humanistic essay, however material its subject matter.'