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The six archaeological reports in this issue pertain to salvage operations carried out under contract with the Archaeological Survey of Canada, National Museum of Man. Three of the projects were located in southern Alberta, one each in northern and southern Saskatchewan, and one in southern Manitoba.
Salvage logging—removing trees from a forested area in the wake of a catastrophic event such as a wildfire or hurricane—is highly controversial. Policymakers and those with an economic interest in harvesting trees typically argue that damaged areas should be logged so as to avoid “wasting” resources, while many forest ecologists contend that removing trees following a disturbance is harmful to a variety of forest species and can interfere with the natural process of ecosystem recovery. Salvage Logging and Its Ecological Consequences brings together three leading experts on forest ecology to explore a wide range of issues surrounding the practice of salvage logging. They gather and synthesize the latest research and information about its economic and ecological costs and benefits, and consider the impacts of salvage logging on ecosystem processes and biodiversity. The book examines • what salvage logging is and why it is controversial • natural and human disturbance regimes in forested ecosystems • differences between salvage harvesting and traditional timber harvesting • scientifically documented ecological impacts of salvage operations • the importance of land management objectives in determining appropriate post-disturbance interventions Brief case studies from around the world highlight a variety of projects, including operations that have followed wildfires, storms, volcanic eruptions, and insect infestations. In the final chapter, the authors discuss policy management implications and offer prescriptions for mitigating the impacts of future salvage harvesting efforts. Salvage Logging and Its Ecological Consequences is a “must-read” volume for policymakers, students, academics, practitioners, and professionals involved in all aspects of forest management, natural resource planning, and forest conservation.
In 1974, the Salvage Section, Archaeological Survey of Canada, National Museum of Man, instituted nine archaeological salvage projects across the country. These ranged from a brief survey of one portion of the Mackenzie Highway to the extensive survey and excavations on the Suffield Military Reserve in southeastern Alberta. This volume contains summary articles describing these projects.
An interdisciplinary approach to American Jewish ethnic identity in post-Holocaust America. This volume explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of "hybrid" texts—those that exist on the border between ethnography and art—Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust. S. Ansky's ethnographic expedition (1912–1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906–1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportunities for the creation of folk ethnographic hybrid texts. Salvage Poetics looks at classical texts of the American Jewish experience in the second half of the twentieth century, such as Maurice Samuel's The World of Sholem Aleichem (1944), Abraham Joshua Heschel's The Earth Is the Lord's (1950), Elizabeth Herzog and Mark Zborowski's Life Is with People(1952), Lucy Dawidowicz's The Golden Tradition(1967), and Roman Vishniac's A Vanished World (1983), alongside other texts that consider the symbiotic relationship between pre-Holocaust aesthetic artifacts and their postwar reframings and reconsiderations. Salvage Poetics is particularly attentive to how literary scholars deploy the notion of "ethnography" in their readings of literature in languages and/or cultures that are considered "dead" or "dying" and how their definition of an "ethnographic" literary text speaks to and enhance the scientific discipline of ethnography. This book makes a fresh contribution to the fields of American Jewish cultural and literary studies and art history.
The first full-scale study of the international legal framework governing underwater cultural heritage to be published in nearly two decades.
"This three-volume Manual on International Maritime Law presents a systematic analysis of the history and contemporary development of international maritime law by leading contributors from across the world. Prepared in cooperation with the International Maritime Law Institute, the International Maritime Organization's research and training institute, this a uniquely comprehensive study of this fundamental area of international law. Volume I: The Law of the Sea addresses the major issues which arise in the law of the sea. It provides a detailed understanding of the historical development of the law of the sea; the role of the International Maritime Organization; the law surrounding maritime zones; the legal regime of islands; the international sea-bed area; the legal regime governing marine scientific research; the rights and obligations of land-locked and geographically disadvantaged states; the legal regime of Arctic and Antarctic; and the settlements of disputes. This volume also considers the ways in which human rights and the law of the sea interact." --