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Salonica, located in northern Greece, was long a fascinating crossroads metropolis of different religions and ethnicities, where Egyptian merchants, Spanish Jews, Orthodox Greeks, Sufi dervishes, and Albanian brigands all rubbed shoulders. Tensions sometimes flared, but tolerance largely prevailed until the twentieth century when the Greek army marched in, Muslims were forced out, and the Nazis deported and killed the Jews. As the acclaimed historian Mark Mazower follows the city’s inhabitants through plague, invasion, famine, and the disastrous twentieth century, he resurrects a fascinating and vanished world.
Through the poetry of Bouena Sarfatty (1916-1997), An Ode to Salonika sketches the life and demise of the Sephardi Jewish community that once flourished in this Greek crossroads city. A resident of Salonika who survived the Holocaust as a partisan and later settled in Canada, Sarfatty preserved the traditions and memories of this diverse and thriving Sephardi community in some 500 Ladino poems known as coplas. The coplas also describe the traumas the community faced under German occupation before the Nazis deported its Jewish residents to Auschwitz. The coplas in Ladino and in Renée Levine Melammed's English translation are framed by chapters that trace the history of the Sephardi community in Salonika and provide context for the poems. This unique and moving source provides a rare entrée into a once vibrant world now lost.
This unique and moving source provides a rare entrée into a once vibrant world now lost.
Silaem is like a younger brother to Midhel despite the span of time separating them. Midhel has been walking the lands of Salonika for hundreds of years while Silaem has yet to see a century. Still, the two wizards have grown close so close that Midhel reveals to Silaem his closely guarded secret. Then all hell breaks loose. Readers can witness exciting events unfold in Salonika, a riveting fantasy novel by Stephen Gibbs. Silaem is furious when Midhel reveals the existence of a gateway to another worlda world where there is little understanding of magic but where their weapons of war could reduce countries to rubble. Silaem is convinced that wizards are given power in order to control others. Midhel, however, believes in helping others fi nd their own destinies. He has no wish to abuse his power and has vowed to prevent the knowledge of either world escaping its boundaries by controlling and preventing the use of the gateway. Consumed by his lust for power, Sialem confesses that he has been exploring other dark paths of magic. Midhel is stunned by this revelation and knows that Silaem would now be a bitter enemy he must oppose. Troubled by glimpses of possible futuresall of which are darkMidhel fi nds a glimmer of hope in a fl eeting vision of a warrior in black battling Silaem. But where will he fi nd this warrior, and can he fi nd him in time before all of Salonika falls under Silaems dark rule? Readers can fi nd out as they immerse in this intriguing page-turner.
'The Gardeners of Salonika' as Clemenceau contemptuously labelled them, could well be called the forgotten army of the First World War. Yet the Macedonian Campaign was, in Lord Hankey's words, 'the most controversial of all the so-called sideshows.' In his definitive The First World War (1999) Sir John Keegan hailed Alan Palmer for having written 'the best study of the Macedonian Front in English.' Palmer tells the story of this extraordinary polyglot army (it included, at various times, contingents from seven countries) from the first landing at Salonika in 1915 to the peace in 1918. He also illuminates the political and strategic background: the ceaseless argument in London and Paris over the army's future and the maze of Greek politics within which it and its commanders were enclosed. 'A masterly and colourful account of this, the most controversial and neglected sideshow of them all.' Guardian 'Not only a valuable contribution to history, but also an enthralling book' Sunday Times
This book was written during the last three months of 1915, and the first month of 1916 in the form of letters from France, Greece, Serbia, and England. The author visited the French Front and was also on the French-British front in the Balkans.
This book is a pioneering study of the often forgotten Sephardi voices of the Holocaust. It is an account of the Sephardi Jewish community of the Greek city of Salonika, which at one point numbered 80,000 members, but which was almost completely annihilated during the German occupation of Greece in the Second World War. Through her systematic series of interviews with the remnants of this once-flourishing community, the author reawakens the communal memory and is able to show how individual identities and memories can be seen to have been shaped by historical experience. She traces the radical demographic and political changes Salonika itself has undergone, in particular the ethnic and religious composition of the city's population, and she interprets the narratives of the Salonikan Jewish survivors in the context of this changing landscape of memory and as part of contemporary Greece. With the vivid power of oral history and ethnography, this book highlights a significant aspect of the Jewish experience.
Touted as the "Jerusalem of the Balkans," the Mediterranean port city of Salonica (Thessaloniki) was once home to the largest Sephardic Jewish community in the world. The collapse of the Ottoman Empire and the city's incorporation into Greece in 1912 provoked a major upheaval that compelled Salonica's Jews to reimagine their community and status as citizens of a nation-state. Jewish Salonica is the first book to tell the story of this tumultuous transition through the voices and perspectives of Salonican Jews as they forged a new place for themselves in Greek society. Devin E. Naar traveled the globe, from New York to Salonica, Jerusalem, and Moscow, to excavate archives once confiscated by the Nazis. Written in Ladino, Greek, French, and Hebrew, these archives, combined with local newspapers, reveal how Salonica's Jews fashioned a new hybrid identity as Hellenic Jews during a period marked by rising nationalism and economic crisis as well as unprecedented Jewish cultural and political vibrancy. Salonica's Jews—Zionists, assimilationists, and socialists—reinvigorated their connection to the city and claimed it as their own until the Holocaust. Through the case of Salonica's Jews, Naar recovers the diverse experiences of a lost religious, linguistic, and national minority at the crossroads of Europe and the Middle East.
The Salonika Front by William Thomas Wood, first published in 1920, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.