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The influence of Salomon de Brosse upon the development of French seventeenth-century architecture was of paramount importance and his stature was recognized by many early critics. But since the eighteenth century, he has been undeservedly neglected because of the destruction of many of his buildings. Though the architect of the Luxembourg Palace, one of the principal buildings in Paris, he is not as well known today, even in France, as many less significant architects; the only monograph hitherto published, appeared sixty years ago, when almost none of the material used in this present study was available. There has recently been a revival of interest in de Brosse's work, particularly with regard to its relevance to the early architecture of Francois Mansart. Equally important, however, is de Brosse's relationship to his own predecessors. His debt to and his startling breakaway from the style of the late sixteenth century and the influences which encouraged this break are now examined for the first time. Against this background, all de Brosse's buildings are analyzed in detail in the text. In addition the book contains, for more specialized study, an alphabetical Catalogue of Works listing all sources and giving a chronology for each building. The volume includes 216 half-tone illustrations and 5 text-figures.
Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.
An examination of Inigo Jones's work within the context of the European early seventeenth century classicist movement. Includes a broad survey of contemporary architecture in Italy, Germany, France and the Netherlands, as well as a close examination of Jones's buildings.
This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.
The sixteenth and seventeenth centuries in France were an epoch of spectacular artistic activity, exemplified by the chateaux of the Loire valley, the palace of Versailles, the paintings of Poussin and Claude, and the sculpture of Coysevox, which echo the political and cultural importance of France and the "Sun King." Anthony Blunt presents major artists and their principal works chronologically, provides an overview of the main projects of the period and of the artistic personalities behind them, and clearly sets the historical context. This new edition, of one of the classics of the Pelican History of Art series, has been revised and updated with color illustrations and a new bibliography.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Die Wirkung Martin Luthers auf den Calvinismus war enorm. In diesem Band dokumentieren namhafte Autoren auf dem Gebiet der Lutherforschung und der reformierten Theologie die internationale Forschung zur Rezeption Martin Luthers im Calvinismus. Umfassend analysieren sie das Bild Luthers in unterschiedlichen calvinistischen Kontexten. Als Experten gelingt es ihnen, die zentralen Zusammenhänge zwischen lutherischem und calvinistischem Denken nachvollziehbar und präzise aufzuzeigen. Mit ihrem nachdrücklichen Hinweis auf die immense Wirkung Luthers auf den Calvinismus leisten sie insgesamt einen Meilenstein auf dem Weg zur Erforschung der Bedeutung Martin Luthers für die Geistesgeschichte Europas.
This book gathers the proceedings of the 7th International Conference on Architecture, Materials and Construction (ICAMC), held in Lisbon, Portugal on October 27-29, 2021. ICAMC serves as an international forum for the presentation of the latest technological advances and research results in the fields of architecture and urban planning, civil and structural engineering, and materials manufacturing and processing. As such, it explores highly diverse topics, including innovative construction technologies (computer and digital manufacturing) and materials (polymers, composites, etc.); traditional materials (glass, wood, steel, concrete, stone, brick, etc.) and its harmonic combination which can be achieved by evaluating their structural and non-structural properties; the key concepts of efficiency and sustainability related to the architectural design and engineering of new buildings; analysis, rehabilitation and restoration of buildings. The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaborations.