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Cupboard Love explores the fascinating stories behind familiar and no-so-familiar gastronomic terms. Who knew that the word pomegranate is related to the word grenade? Light-hearted and thoroughly researched, packed with linguistic lore and cultural trivia.
Larousse Gastronomique is the world's classic culinary reference book, with over 35,000 copies sold in the UK alone. Larousse is known and loved for its authoritative and comprehensive collection of recipes. Here it is brought up to date for 2009 in an attractive edition containing over 900 new colour and black and white photographs. All chapters have been read and edited by field specialists, and 85 biographies of chefs have been added. Entries have also been regrouped for increased accessibility.Originally created by Prosper Montagnè and published in 1938, this essential addition to any kitchen has withstood the test of time and become an invaluable source of information for every enthusiastic cook. Without the exaggeration and extravagant distractions of many of today's cookery titles, New Larousse Gastronomique contains recipes, tips, cooking styles and origins for almost every dish in history.
We hear the terms steer clear of, hit the deck, don't rock the boat , and to harbor a grudge and give little thought to their origin. Left together on ships for months, and often for years, pirate crews developed expressions that made their way into common usage. Terms for things related to life at sea became idioms used by land lubbers, a term derived from the holes in the platforms surrounding the mast that allowed sailors to avoid climbing the rigging around the platforms. A lubber was someone who was very clumsy, so a land lubber is someone who knows nothing about sailing and rigging.Centuries ago, men wore wigs of length denoting their wealth and importance. Soon, many naval captains, including Sir Henry Morgan and Captain Chaloner Ogle, who killed Black Bart Roberts, began to adopt the style. A law was passed in England declaring that only nobility, judges, and bishops could wear full-length wigs and so was born the term bigwig .Reading through these words and phrases is an abbreviated trip through history, with lists of major naval mutinies, a summary of the slave trade, and even jokes. This dictionary is written to be entertaining as well as informative, to give a flavor of the interesting times from the fifteenth to the eighteenth centuries when pirates controlled many sealanes. It also contains a treasure trove of factual information about life aboard the ship, important pirate haunts, and technical terms.
Balzac's reputation is as a novelist. But short stories make up over half La Comédie humaine, besides scores of other tales and articles. Short forms appear early in Balzac's output, and shape his work throughout his career. Balzac's Shorter Fictions looks at the whole of this corpus, at the nature of short fiction, and at how Balzac's novels developed from his stories - at the links between literary genesis and genre. It explores the roles of short fiction in Balzac's creation, its part in producing effects of virtuality and perspective, and reflects ultimately on the relationship between brevity and length in La Comédie humaine. This, the first complete English-language study of Balzac's work for over forty years, synthesizes recent research on Balzac's practice within the context of modern thought on the author. It is an indispensable book for students and scholars of Balzac, and for all those interested in prose fiction.
From one of America's top wordsmiths, a lively survey of words from abroad that make English a truly international language. With dry wit and remarkable erudition, Eugene Ehrlich's You've Got Ketchup on Your Muumuu takes us on an eye-opening tour of our ever-changing language, showing us how English has, throughout its history, seamlessly sewn words from other languages into its original fabric. The language we call our own has in fact been culled from the languages of ancient invaders, such as the Romans, the Angles, the Saxons, the Jutes, and the French. Ehrlich's comprehensive research and vast lingual experience bring to light the origins of some of our most popular and well-used words. For example, graffiti is shown to come from the Italian word meaning "scratches." The word for one of our favorite French pastries, éclair, means "lightning flash." And ketchup comes from the Chinese Ke-Jap, which means "fish sauce." Ehrlich illuminates the origins, purposes, and meanings of once-foreign words that have become part of the rich texture of our language.
Textes de l'émission Syncope & Apocope diffusée sur Radio Fil de l'eau écrit à la manière de François Rollin.
More than two thousand entries define a variety of words and terms related to eating and foods, describing exotic dishes, cooking techniques, ingredients, and foods.
A majority of the chapters in this book were originally presented as papers at a conference held at Queen's University Belfast in September 2006. The volume explores the oral-written dynamic in the conte français/francophone, focusing on key aspects of the relationship between oral and written forms of the conte. The chapters fall into four broad thematic areas (the oral-written dynamic in early modern France; literary appropriations and transformations; postcolonial contexts; storytelling in contemporary France: linguistic strategies). Within these broad areas, some chapters deal with sources and influences (such as that of written on oral and vice versa), others with the nature of the discourse resulting from an oral-written dynamic (discourse structure, linguistic features etc.), some with the oral-written interface as it affects the definition of genre, others with the role of the 'oral' within the literary or written text (use of storytelling scenarios, the problematics inherent in transcribing/adapting the spoken word etc.). This chronological and methodological range allows us to situate the emergence of the form in socio-cultural and historical terms, and to open up debate around the role of the conte in particular geographical and political contexts: regional, national, European and postcolonial. This book contains contributions in both English and French.
Twelve essays take a playful approach to mathematics, investigating the topology of a blanket, the odds of beating a superior tennis player, and how to distinguish between fact and fallacy.