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Come and join Sally, a very hungry snake. Sally goes on an adventure to find food and makes some new friends along. Sally the Snake is a great rhyming story with a fun colouring activity at the back. This is the first series of Eric's animal books. About the author: Eric Wood is from Edinburgh, Scotland. He lives in Andes Mountain range of Peru, feeding street dogs. He likes to go on adventures though the mountains to see the Alpacas and llamas, whilst enjoying the beautiful views this magical place has to offer. He loves reading and would love to hear what you thought about his book.
Slither your way through this informative book and learn amazing facts about some incredible snakes and how they live in the wild. Stunning images accompany this fact-filled text that will fascinate young minds.
Simons uses the startle reflex as a revealing model for covering how evolved neurophysiology shapes personal experience, patterns of recurrence in actions, and the systems of meaning people collectively create and transmit. Using diverse sources, Simons observes how biology is expressed in culture.
Verses about various animals, from one right whale calf to eleven gray wolf pups and on to fifty python eggs, present the plight of some threatened species. Includes information about the different animals mentioned.
The Hugo and Nebula Award–winning novel from the New York Times–bestselling author of The King’s Daughter. On an Earth scarred by nuclear war, Snake harnesses the power of venom to cure illnesses and vaccinate against disease. The healer can even ease patients into death with the power of her dreamsnake. But she is not respected and trusted by all, and when she tries to help a sick nomad child, the frightened clan kills her dreamsnake. Ashamed of being misjudged and grieving the loss of her dreamsnake, Snake has one choice to maintain her livelihood: she must travel to the city, which jealously guards its knowledge. And before she faces the prejudices and arrogance of the people there, Snake must make her way across a barren desert, surviving storms and radiation poisoning, helping those she can—all while a madman stalks her every move . . . “[Dreamsnake] is filled with scenes as suspenseful as anyone could wish . . . but most of all it addresses the humanity in all of us.” —The Seattle Times “A haunting, rich, and tender novel that explores the human side of science fiction in a manner that’s all too uncommon.” —Robert Silverberg “A splendid tale, combining the sensitivity and attention to mood of the new generation of SF writers with a gripping and well-worked-out adventure . . . The novel is rich in character, background and incident—unusually absorbing and moving.” —Publishers Weekly “Instead of kicking butt, the lead character is dedicated to saving lives. . . . Snake’s blighted world is expertly drawn, and her encounters with dysfunctional societies can be bracing and challenging reading.” —The Guardian “This is an exciting future-dream with real characters, a believable mythos and, what’s more important, an excellent, readable story.” —Frank Herbert, author of the Dune series
An adorable picture book full of sibilant sounds and other word play, Snakes on a Train is as fun for parents as it is for kids, and sure to be a read-aloud hit. The conductor takes the tickets as the snakes start crawling on. The tracks are checked, the whistle blows. It's time to move along. Hissssssssssss goes the sound of the train.
The protagonist is a young British butterfly collector who, working for the British Museum in London, collected the little-known butterflies and moths at the time in Texas in 1840. The collector teamed with a Spanish seorita to collect them across Texas when traveling in an ox-drawn covered wagon over rough and muddy roads and through the ranges of hostile Native Americans. The book is about their collections and, at times, hazardous adventures. The text is a natural history of the butterfly and moth species pictured. The book is also a history of pioneer Texas of the 1840s as well as the ethnology of Comanche Indians.
Did GrPa kill a bear with his fist? Find out. See the "Bear Facts." Green apple two steps, grabbling crawdads, possum hunting, and acifidity bags. Hog slaughter and pork processing in the backyard. Make a soccer ball from a pig's bladder. Mountain boy conquers abject fear and slays a giant egg-eating snake. The Great Economic Depression: The CCC and Maness Recreational Park. Two second graders wild bus ride and discovery of the big treasure in the ashes of a burned-out house. Growing up in a country house, home alone with Daddy and a war's remorse.
My Creature, My Love begins with a young girl's admiration and deep unrelenting reverence for a serpent she sees close to the foot of a cross on a mountaintop. An unnatural and consecrated attraction and adoration to a skillfully prepared stuffed rattlesnake she insisted her father buy for her in an antique shop in Albuquerque, New Mexico provides a morbid and suspenseful setting for this story. A bizarre and lurid companionship exists between the girl and the reptile. This communal love and veneration relationship is a very strong weapon she uses on anybody to have her own way, especially to hold her widowed father's love for herself and nobody else. Unlike the current-day portrayal of horror in movies and other media, My Creature, My Love conveys a suspenseful illustration of bestiality and the power it has when used to serve the willful desires of the main character.
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he made are visually striking and politically assertive; they include simple yet powerful distillations of tales and memories as well as spare, vibrantly colored abstractions. When Traylor died, he left behind more than one thousand works of art. In Between Worlds: The Art of Bill Traylor, Leslie Umberger considers more than two hundred artworks to provide the most comprehensive and in-depth study of the artist to date; she examines his life, art, and powerful drive to bear witness through the only means he had, pictures. The author draws on a wealth of historical documents--including federal and state census records, birth and death certificates, slave schedules, and interviews with family members-- to clarify the record of Traylor's personal history and family life. The story of his art opens in the late 1930s, when Traylor first received attention for his pencil drawings on found board, and concludes with the posthumous success of his oeuvre"--