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Cinta itu suatu rasa yang aneh, unik, sukar untuk ditafsirkan dengan kata-kata. Datangnya tidak dijemput dan perginya tidak diusir. Uniknya cinta, manusia berasa bahagia ketika menderita. Begitulah yang dirasakan Anna. Kehadiran Hud yang pada mulanya tidak diumpamakan itu amat memberi erti yang besar dalam dirinya. Perkenalan singkat itu adalah titik mula sebuah kehidupan yang baru. Benarlah, TUHAN tidak akan jadikan sesuatu tanpa sebabnya. Kerana itu dia sedar, kehilangan dan kekecewaan itu adalah rahmat TUHAN. Biarpun berbeza adat dan budaya, tidak sesekali dia mengusir cinta yang datang. Biarpun jarak dan waktu memisahkan, dia akan tetap bahagia merindui lelaki itu. Biarpun memiliki hati lelaki itu seakan mustahil, dia tidak akan pernah kesal mencintai Hud. “Saya bukan siapa-siapa untuk menyayangi awak. Kalaupun saya, sayang tu takkan kekal. Bila-bila masa saja saya akan pergi dan sayang tu akan hilang. Tapi ada yang akan kekal mengasihi awak sampai bila-bila. DIA TUHAN Yang Esa...” – HUD AIDIT
“Keluarga bahagia mirip satu dengan lainnya, keluarga tak bahagia tidak bahagia dengan jalannya sendiri-sendiri.” Novel Anna Karenina adalah kisah tentang tiga keluarga, salah satunya keluarga Karenin. Anna, istri Karenin, menyeleweng dengan seorang opsir muda yang mengaguminya, Aleksei Vronskii, dan akhirnya memutuskan tali perkawinan. Bagi Anna, penyelewengan itu merupakan petaka yang tak dapat ditolak dengan segudang alasan. Salah satunya, di mata Anna, Karenin hanyalah sepotong boneka tanpa jiwa dan harga diri meskipun dia seorang pejabat tinggi. “Dia itu bukan laki-laki, bukan manusia, tapi boneka!... Dia itu bukan manusia, tapi mesin kementerian,” kata Anna tentang suaminya.
This series of books uses a fun and novel way to teach children the fundamentals of music theory. Games and stickers are used to introduce all of the essentials such as staves, clefs, note identification, time signatures, key signatures, note values, and rest values. This child-centered series uses clear and simple instructions, appealing illustrations, and a variety of self-motivating exercises, such as tracing, coloring, and pasting. Includes: Treble Clef Notes * Bass Clef Notes * Notes on the Stave * Bar-Lines and Time Signatures * Rests * Time Names and Time Values * Accidentals * Assessment.
The author's travels through Borneo and Sumatra.
In the first study of the kind, Susan Blackburn examines how Indonesian women have engaged with the state since they began to organise a century ago. Voices from the women's movement resound in these pages, posing demands such as education for girls and reform of marriage laws. The state, for its part, is shown attempting to control women. The book investigates the outcomes of these mutual claims and the power of the state and the women's movement in improving women's lives. It also questions the effects on women of recent changes to the state, such as Indonesia's transition to democracy and the election of its first female president. The wider context is important. On some issues, like reproductive health, international institutions have been influential and as the largest Islamic society in the world, Indonesia offers special insights into the role of religion in shaping relations between women and the state.
Piano Lessons Made Easy feature popular tunes and captivating illustrations to stimulate the child's musical interest and imagination. This is the second book of three in this series.
This volume is the result of a conference held in October 2015 in connection with the Frankfurt Book Fair discussing developments that are considered important in contemporary Indonesian cultural productions. The first part of the book reflects on the traumatic experiences of the Indonesian nation caused by a failed coup on October 1, 1965. In more general theoretical terms, this topic connects to the field of memory studies, which, in recent decades, has made an academic comeback. The focus of the chapters in this section is how certain, often distressing, events are represented in narratives in a variety of media that are periodically renewed, changed, rehearsed, repeated, and performed, in order to become or stay part of the collective memory of a certain group of people. The second part of the book explores how forces of globalisation have impacted upon the local and, linguistically surprisingly, rather homogeneous cultural productions of Indonesia. The main strands of inquiry in this second section are topics of global trends in religion, responses to urban development, the impact of popular literary developments, and how traditions are revisited in order to come to terms with international cultural developments.