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Sierra Leone was founded, albeit under British control, with the highest hopes of being a refuge for liberated Africans and freed slaves. When the country received its independence, hopes for the future grew even stronger. Alas, its expectations came crashing down when the country's situation grew steadily worse after repeated military interventions and a devastating ten-year civil war that raged throughout the 1990s. Now that the war is over, there is once again renewed cause for optimism about the country's future, as Sierra Leone becomes an active participant in African and world affairs. This new edition is based primarily on recent research on the country, but covers the earliest known inhabitants, the colonial era, and the period of independence including the very confusing turmoil of the recent past. The chronology briefly traces its history and the introduction provides an essential overview of all the recent developments in the country. Hundreds of cross-referenced dictionary entries describe significant leaders, events, political parties and movements, ethnic groups, and related political, economic, and social aspects. A bibliography is included to facilitate further research.
This book is Peter Tucker’s response to the requests of many of his former co-workers and friends to put on the record for the benefit of posterity his experience in over half a century of public service. Always meticulous and orderly, he begins from his roots in Shebar and goes through the various aspects of his life, describing in simple terms the trials, tribulations and triumphs of his long career in the public Service. He gives a clear and very informative story of the origin of his ancestors, who founded the Tucker Kingdom in the Sherbro region of Sierra Leone, their wealth and power, as well as their relationship with the British Crown. In his peculiar modest way, he describes his life and successes in his beloved St. Edwards School and his triumphs at Fourah Bay College. He entered the Public Service of Sierra Leone in 1955, and in the year of Independence he was deployed in the Prime Minister’s Office, where he was given the responsibility of recruiting and training Sierra Leoneans to replace the expatriate staff of the colonial administration and for the transformation of the Civil Service into one for an Independent State. He describes the way he did it and the immense satisfaction he found in serving his country well at that important turning point in its history. The Author also gives an insider’s account of the 1967 General Elections and the conflict arising therefrom. He candidly describes the events of that period and refutes many of the speculations, distortions and guesses about what really happened in those few days. Working with the NRC, with all the eccentricities of Brigadier Juxon-Smith is an unforgettable experience, and the reader is given a glimpse of it in this book.
Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music. In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms. This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
"Researched with unusual sensitivity, original in approach, illuminating beyond its immediate geographical and theoretical referents, and written in a style that is both carefully crafted and eminently accessible...this is the work of a remarkably talented observer and scholar."—Jane Guyer, editor of Money Matters: Instability, Values and Social Payments in the Modern History of West African Communities, former president of the African Studies Association "The world is currently quite aware of Sierra Leone and its predicament, and it needs this well-informed and beautifully written account of what makes the country so wonderful despite its woes. Ferme's work is truly transcendent, capturing magnificently well some of the most important aspects of an otherwise "difficult" ethnographic case. It is a truthful and honest piece of work, based on a deep grasp of the ethnographer's craft. "—Paul Richards, author of Fighting for the Rain Forest: War, Youth and Resources in Sierra Leone Ferme is a true master in the magic of "things." She gives the study of secrecy new impetus by examining its history, relating that history not only to discourse but also to material conditions. She brilliantly shows how, for Sierra Leone societies, the celebration of ambiguity has been a way to live with permanent danger-from the long history of slavery through the present civil war. —Peter Geschiere, author of The Modernity of Witchcraft, Politics and the Occult in Postcolonial Africa The Underneath of Things is a model of patience, detailed observation, and elegant writing: a theoretically creative study that is keen to track and to disentangle the webs and flows of everyday life.—Achille Mbembe, author of On the Postcolony
Out of War draws on Mariane C. Ferme’s three decades of ethnographic engagements to examine the physical and psychological aftereffects of the harms of Sierra Leone's civil war. Ferme analyzes the relationship between violence, trauma, and the political imagination, focusing on “war times”—the different qualities of temporality arising from war. She considers the persistence of precolonial and colonial figures of sovereignty re-elaborated in the context of war, and the circulation of rumors and neologisms that freeze in time collective anxieties linked to particular phases of the conflict (or “chronotopes”). Beyond the expected traumas of war, Ferme explores the breaks in the intergenerational transmission of farming and hunting techniques, and the lethal effects of remembering experienced traumas and forgetting local knowledge. In the context of massive population displacements and humanitarian interventions, this ethnography traces strategies of survival and material dwelling, and the juridical creation of new figures of victimhood, where colonial and postcolonial legacies are reinscribed in neoliberal projects of decentralization and individuation.
This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.
Based on exclusive interviews, Breakout tells the often riveting personal stories of fourteen popular musicians—some well known, others not—from Zaire, Ghana, Nigeria and Sierra Leone. The first book on African pop music to look closely at the lives of the musicians themselves, Breakout deals with four African musical genres: soukous, highlife, afro-beat, and palm wine. Amid Africa's deepening economic and political crises of the last two decades, African musicians who developed these genres faced the need to cross cultural boundaries, or "break out," and achieve a hit in the international marketplace. Challenging conventional assumptions, Gary Stewart demonstrates for the first time the true dimensions of this struggle to create music that will qualify as both an authentic cultural expression and an export commodity. From accounts of the outrageous Fela, who snipes at African leaders and recounts his days with Isis in ancient Egypt, to S. E. Rogie, who lurches from the pinnacle of stardom in West Africa to delivering pizzas in California, to Olatunji, who finds new life with the Grateful Dead, these are the stories of Africans straddling traditional life and an encroaching modernity—and also the stories of third world musicians surmounting political and economic chaos at home and carrying their music to a world dominated by Western cultural and economic power.