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SOME ARE SCIENCE-FICTION TALES The Church exiles deviants off-planet. Humans sail the seas in living ships. A woman willingly becomes victim to tribal aliens. A time machine changes a couple's marriage. Humorous insanity in a religious dystopia. A man discovers the perfect woman. The Soviets race to beat the Americans to the moon--and beyond. A woman needs a high-tech solution to her marital problems. OTHERS ARE FANTASY TALES An undead woman hopes of being chosen by the Zombie King. A man weds a mermaid in a union destined to end in a year. A frustrated woman finds a supernatural cure for her woes. Four women offer godhood to a wino. A girl is sworn to celibacy, and her suitors risk death if they defile her. A princess kidnapped by a dragon is desperate for rescue by her one true love. A captured werewolf faces a bizarre deal. SEVERAL ARE HORROR TALES A voyeur sees more than he expects. An Ancient Demigod demands human sacrifices. A couple receive night visits from demons. A serial killer experiences a supernatural threat. A man flees a creature not quite his wife. A plague blackens the glass in a man's house. Strange auras tell a man to strangle a woman he's never met. ALL ARE SALACIOUS TALES And all of these stories have one thing in common: an erotic theme. Sex isn't the whole story, but it's always part of the story. These salacious tales will take you on journeys across genres, from romance to lust, from teases and titillations to explicit stories and graphic sex. There's something for everyone... and probably more stories for you than you might expect. FEATURING 22 TALES by J.T. Beckett Milena Benini Julie Dixon David M. Fitzpatrick Jane Gallagher Janix Jenn Amy Judkins Holly Knight E.W. Lee William Markly O'Neal Corwin Merrill Robert M. Palmer Frances Pauli Dalibor Perkovic Aleksandar iljak and JOHN GRANT, two-time Hugo Award winner and winner of the Locus Award and World Fantasy Award
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
Prem G Nath’s collection of short stories, A Bagful of Tales, is as entertaining, riveting and well written as his earlier books. This is the third collection of short stories published by the author. The first was Twists and Turns which was published in 2017, and the second, Thrills & Chills, published in 2019.
Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction identifies a new genre of American fiction, the rape novel, that recenters narratives of sexual violence on the survivors of violence and abuse, rather than the perpetrators. The rape novel arose during the women’s liberation movement as women writers collectively challenged the traditional erasure of female subjectivity and agency found in earlier representations of sexual violence in American fiction. The rape novel not only foregrounds survivors and their stories in a textual centering that affirms their dignity and self-worth, but also develops new narratological strategies for portraying violent, disturbing subject matter. In bringing together many key women’s texts of the last decades of the 20th century, the rape novel demonstrates the centrality of sexual assault to women’s fiction of this era. The rape novels of the 21st century continue the political activism inherent in the genre—educating readers, offering community to survivors, and encouraging social activism—as the stories of male survivors are increasingly told. A radical reconsideration of late twentieth-century American novels, Writing the Survivor underscores the importance of women’s activism upon the novel’s form and content and reveals the portrayal of rape as rape to be an interethnic imperative.
From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement’s abstinence-only rhetoric in everything from Easy A to Taken. Casey Ryan Kelly tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. As he demonstrates, these movies are particularly disempowering for young women, concocting plots in which the decision to refrain from sex until marriage is the young woman’s primary source of agency and arbiter of moral worth. Locating these regressive sexual politics not only in expected sites, like the Twilight films, but surprising ones, like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood films have taken a significant step backward in recent years. Abstinence Cinema offers close readings of movies from a wide spectrum of genres, and it puts these films into conversation with rhetoric that has emerged in other arenas of American culture. Challenging assumptions that we are living in a more liberated era, the book sounds a warning bell about the powerful cultural forces that seek to demonize sexuality and curtail female sexual agency.
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Harlequin Medical Romance brings you a collection of three new titles, available now! Enjoy these stories packed with pulse-racing romance and heart-racing medical drama. This Harlequin Medical Romance box set includes: THE SURGEON’S SURPRISE BABY by Tina Beckett Neurologist Luca Venezio’s world is rocked when surgeon Elyse Tanner walks back into his life…with his baby daughter! HER SECRET MIRACLE by Dianne Drake Her son’s heart condition means Dr. Michi must fly him to New York for treatment—and tell guarded bachelor Eric he’s a father… FROM MIDWIFE TO MOMMY by Deanne Anders Midwife Lana Sanders is about to adopt her foster daughter when oh-so-tempting pediatrician Trent Montgomery arrives claiming to be Maggie’s uncle!
This book compares selected Romans of the late Republic with American Founders in the style of Plutarch, encouraging readers to rethink how we view heroes and villains and their conceptions of republicanism. Through entertaining yet informative short comparisons, this volume demonstrates the humanity of heroes and villains from different times and places through their often idiosyncratic similarities and differences. Readers gain not only a fuller understanding of the late Roman and early American Republics and their leaders but also an appreciation for comparative biography in its ability to make connections across the human experience. The book provides a way to connect two different areas of study, focusing on how republicanism shaped both Romans and American Founders and providing a previously unexplored contribution to a growing trend of broadening historical exposure. In doing so, Baughman and Poston demonstrate the continued need for connecting different fields of history while also helping students understand their connection to the ancient past. This book is suitable for students and scholars interested in the late Roman and the early American Republics and also appeals to readers of varied interests across historical times and places, particularly those studying the connections between the classical past and modern world.
"By bringing together historians of Britain and France to examine the dynamics of the conflict between the two nations in this period, this book measures its impact on their domestic political cultures, and its effect on their perceptions of each other. In so doing it will encourage scholars to examine in more detail aspects of popular mobilization which have hitherto been largely ignored, such as the resurgence of loyalism in 1803, and to see contributions in the light of the dual contexts of domestic political conflict and their war with each other. The book contributes both new detail to our understanding of the period and a better overall understanding of the complex place that each nation came to occupy in the consciousness of the other."--BOOK JACKET.