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Life and works of Sayyid Sajjad Haidar Yaldaram, 1880-1943, Urdu fiction and prose writer; includes English translation of his selected writings by Qurratulain Hyder.
Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
THE WAX STATUE AND OTHER STORIES is a translated version of the short stories written by Jeelani Bano. She is one of the most reputed literary figures in SAWNET, known for her supremacy in exposing the flaws of society before the readers. Jeelani Bano keeps the pedal to the metal.Her stories are a mirror of the society of those days,which are relevant even today. Her stories like 'Moum ki Maryam' won great acclaim by the readers and literary men of that age. In her stories she explores the diaspora feelings and the exploitation of the poor. She is a critic of social evils, her vim and vigour portrays the misery and suffering of women in a male dominated society. Her stories are solely objective. She is never didactic in her tone and allows the readers to judge. Her approach is multidimensional and not a storm in a tea cup. Hence their translation into English will spread her message far and wide and serve the purpose of her writings. My aim in translating her short stories into English is to convey the message to the non Urdu readers and to enliven her literary talent in other languages.
One woman's journey through the tumultuous and passionate birth of a new nation.
Urdu and Indo-Persian Thought, Poetics, and Belles Lettres, is a collection on the subject of Urdu poetics, Dastan, translation studies in Urdu, and Indo-Persian. The essays employ interdisciplinary perspectives for exploring the dynamic literary landscape of the South Asian subcontinent since the sixteenth century. The individual topics in the collection depict a plausible picture of how the development of Urdu and Indo-Persian thoughts and poetics have influenced one another for centuries. Contributors are: Satya Hedge, Prashant Keshavmurthy, Pasha M. Khan, Mehr Afshan Faruqi, David Lelyveld, Natalia Prigarina, Carla Petievich, Christina Oesterheld, Baidar Bakht, Frances Pritchett, Gail Minault, Ludmila Vassilieva.
A Collection Of The Sahitya Akademi Award Winning Short Stories By Qurratulain Hyder, One Of The Most Celebrated And Accomplished Contemporary Writers Of Urdu Fiction.She Received The Sahitya Akademi Award In 1968 For The Collection Of Her Stories Titled Patjhar Ki Awaz, Urdu.
This book sheds light on the complex relationship between Hindi and Urdu. Through a detailed reading of a representative set of 20th century short stories in both languages, the author leads the reader towards a clear definition of the differences between Hindi and Urdu. The full translations of the stories have been extensively annotated to point out the details in which the Hindi and Urdu versions differ. An overview of early and contemporary Hindi/Urdu and Hindustani grammars and language teaching textbooks demonstrates the problems of correctly naming and identifying the two languages. This book now offers a detailed and systematic database of syntactic, morphological and semantic differences between the selected Hindi and Urdu stories. A useful tool for all scholars of modern Hindi/Urdu fiction, (socio-)linguistics, history or social sciences.
World Literature is a vital part of twentieth-first century critical and comparative literary studies. As a field that engages seriously with function of literary studies in our global era, the study of World literature requires new approaches. The Cambridge History of World Literature is founded on the assumption that World Literature is not all literatures of the world nor a canonical set of globally successful literary works. It highlights scholarship on literary works that focus on the logics of circulation drawn from multiple literary cultures and technologies of the textual. While not rejecting the nation as a site of analysis, these volumes will offer insights into new cartographies – the hemispheric, the oceanic, the transregional, the archipelagic, the multilingual local – that better reflect the multi-scalar and spatially dispersed nature of literary production. It will interrogate existing historical, methodological and cartographic boundaries, and showcase humanistic and literary endeavors in the face of world scale environmental and humanitarian catastrophes.
"This chapter sets out the located and multilingual approach to literary history employed in the book. It outlines the geographical and historical scope of the book and traces the changing political boundaries of Purab (East), the region east of Delhi in the Gangetic plain of northern India later better known as Awadh, from the fifteenth to the twentieth centuries. The presence of many small towns (qasbas), which were administrative, economic, and cultural nodes, but no capital city until the eighteenth century marks the decentered character of the region. The chapter also makes a case that the multilingual approach 'from the ground up employed in this book can help produce a richer and more textured take on world literature"--
This Important Work Draws On The Family History Of The Kidwais Of Bara Banki District Of The United Provinces To Provide An Engaging And Colourful Account Of Awadh Society In The Nineteenth And Early Twentieth Centuries.