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Wooden sculptures and relief paintings of saints such as St. Francis, the Blessed Virgin, and Apostles of Christ have for centuries been objects of devotion and worship in the Southwest Catholic culture. This centuries-old heritage is celebrated here through photographs, essay, and literary quotes that beautifully bring the devotion into focus. Crafting saints has always been seen as a high calling. These santeros and santeras (saint makers) created santos—images of saints, Christ, the Trinity, and Holy Family—painting them on wooden panels called retablos. They carved and painted wooden sculptures called bultos. And if they built a home chapel, they carved and painted an altar screen, or altar retablo, called a reredos, that was made up of smaller retablos and sometimes adorned with bultos. John Annerino is the author and photographer of seventeen distinguished photography books and thirty-two single-artist calendars, including The Virgin of Guadalupe (Gibbs Smith), Ancient America, New Mexico Wild & Scenic, Arizona Wild & Scenic, and the awardwinning books Desert Light, Indian Country, Grand Canyon Wild, Canyons of the Southwest, The Wild Country of Mexico, and Roughstock: The Toughest Events in Rodeo (acclaimed by the Rodeo Hall of Fame). He lives in Tucson.
Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another. Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
GOD HAS BEEN GOD FOR US In 1929, just at the onset of the Great Depression, San Antonio diocesan priest, Peter Baque, pastor of St. Peter Prince of the Apostles Catholic Church on North Broadway, found himself unable to meet the needs of a segment of his parish then known as "Cementville." This small village was a company town under the auspices of the Alamo Portland Cement Company whose residents all worked in the cement quarry on the northern edge of Baque's parish. Baque, believing that the people of Cementville would be receptive to the ministry of women religious, decided that this was the time to begin a community of women who would be especially ready to "reach out with a loaf of bread in one hand and the love of Christ in the other." With the help of Eugenie Olivier Edwards, the widowed mother of nine living children who professed her vows as Mother Theresa, Baque began the Missionary Servants of St. Anthony. God Has Been God for Us chronicles the eighty-year history of this religious community. From the depression years until the present day, the Sisters have supported Father Baque's dream to foster devotion to St. Anthony de Padua through the Shrine to St. Anthony which is now an adoration chapel on their property in front of St. Anthony de Padua Parish. Other ministries of the Missionary Servants established during these 80 years include a home for Catholic working girls in downtown San Antonio; a day nursery now celebrating 75 years of service; Padua Place, a home for infirm or aging priests in its 50th year of operation; and a retreat center located at the motherhouse property at 100 Peter Baque Road. Relying solely on the providential care of God, the Missionary Servants of St. Anthony evidence the character of missionaries instilled in them by Father Baque and the humility and simplicity of servitude modeled for them by Mother Theresa. Their story will inspire the reader to say with them "God has been God for me." Sister Diane Langford, CDP, a Sister of Divine Providence for 30 years, writes, gives retreats, and teaches adult Catholics who want to grow in the faith. This is her third book. She has written a manual to be used in teaching adults who are preparing to be Catholics and The Tattered Heart, a historical fiction biography of Mother St. Andrew Feltin, Texas foundress of the Sisters of Divine Providence of San Antonio, Texas.
Where did your surname come from? Do you know how many people in the United States share it? What does it tell you about your lineage? From the editor of the highly acclaimed Dictionary of Surnames comes the most extensive compilation of surnames in America. The result of 10 years of research and 30 consulting editors, this massive undertaking documents 70,000 surnames of Americans across the country. A reference source like no other, it surveys each surname giving its meaning, nationality, alternate spellings, common forenames associated with it, and the frequency of each surname and forename. The Dictionary of American Family Names is a fascinating journey throughout the multicultural United States, offering a detailed look at the meaning and frequency of surnames throughout the country. For students studying family genealogy, others interested in finding out more about their own lineage, or lexicographers, the Dictionary is an ideal place to begin research.
A current reference work that reflects the changing times and attitudes of, and towards the indigenous peoples of all the regions of the Americas. --from publisher description.
When European notions about angels and demons were exported to the New World, they underwent remarkable adaptations. Angels and demons came to form an integral part of the Spanish American cosmology, leading to the emergence of colonial urban and rural landscapes set within a strikingly theological framework. Belief in celestial and demonic spirits soon regulated and affected the daily lives of Spanish, Indigenous and Mestizo peoples, while missionary networks circulated these practices to create a widespread and generally accepted system of belief that flourished in seventeenth-century Baroque culture and spirituality. This study of angels and demons opens a particularly illuminating window onto intellectual and cultural developments in the centuries that followed the European encounter with America. The volume will be of interest to scholars and students of religious studies, anthropology of religion, history of ideas, Latin American colonial history and church history.
William Taylor explores the use of local and regional shrines, and devotion to images of Christ and Mary, including Our Lady of Guadalupe, to get to the heart of the politics and practices of faith in Mexico before the Reforma.