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The poems of Angela O'Donnell's Saint Sinatra swing and shimmer with the beat, the yearning, the soul of a great singer: their music gestures at deeper harmonies.
The Catholic intellectual tradition is broad, and covers a wide array of academic disciplines. In their book, John Piderit, Melanie Morey, and their contributors take a disciplinary approach to the Catholic intellectual tradition. Each chapter focuses on one academic discipline or major that is taught at the undergraduate level in most colleges or universities, including English literature, political theory, psychology, business economics, and law.
This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, / for they deepen my senses."
These poems remind us that “home” is a way of being in this world. It finds expression in the inner light that carries us through dark seasons and in what inspires us to risk life in the face of death. Many of these poems come from a long looking at the familiar and the ordinary, a patient listening for traces of a beauty that might still save us. They ponder the resilience that lies at the heart of the natural world, as well as in our desire to thrive amid the distractions that pressure us in our lives. In an over-saturated age like ours, they invite us to linger at the edges of silence, and wonder what it means that we are not made for reason alone, but “for what song can bring of solace and delight.” “Call these meditative poems Burrows’ ‘Yes’ to the given world, his ongoing record of those instances of connectedness when we are at ‘home’ in what Pessoa called ‘the astonishing reality of things...’” —Robert Cording, poet and author of Walking with Ruskin and Only So Far “Mark S. Burrows’ poems offer the reader both invitation and gift - when you say yes, the treasures lay themselves out like a banquet for the heart.” —Christine Valters Paintner, Online Abbess of Abbey of the Arts and author of The Wisdom of the Body: A Contemplative Journey to Wholeness for Women
The World Is Charged: Poetic Engagements with Gerard Manley Hopkins is the first book to demonstrate the centrality of Gerard Manley Hopkins as an influence among contemporary poets.
Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. This volume represents the first attempt to set Levertov's poetry within the framework of her often tumultuous life.
This collection of daily and weekly readings goes through the liturgical seasons of winter — including Advent, Christmas and Epiphany. New voices such as Amit Majmudar and Scott Cairns are paired with well-loved classics by Dickens, Andersen, and Eliot. “For years I have been seeking a book which weaves scripture, prayer and the finest poetry and fiction into the devotional experience of Advent, Christmas, and Epiphany. Finally I have found it: an elegant and accessible gem with some classic texts and a rich selection from contemporary literature. This is not only a useful book, it is edifying and exciting reading—the perfect way for the literature lover to focus, meditate and celebrate this time of year.” — Jill Peláez Baumgaertner, poet; Professor of English and Dean of Humanities and Theological Studies, Wheaton College “Maybe it’s not right to think of feasting during the somewhat penitential season of Advent, but that is what this book is: a sumptuous feast.” –Lauren F. Winner "In our individual darknesses we long for more light. Sarah Arthur understands this, and, as if pulling together scores of candles with burning wicks, she illuminates our whole year with the gift of flaming words. A treasure of enlightenment." -Luci Shaw, author of Breath for the Bones and Adventure of Ascent "A beautifully navigated journey through a treasury of literary wisdom - a book to cherish." -Jeremy Begbie, professor of theology and director of Duke University Initiatives in Theology and the Arts Sarah Arthur is a fun-loving speaker and author of nine books, including The One Year Coffee With God and At the Still Point. A graduate of Wheaton College and Duke Divinity, she lives in Michigan with her pastor-husband Tom and their two small sons. www.saraharthur.com
Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.
A Boston Globe Best Poetry Book of 2011 Winner of the 2011 Griffin Poetry Prize Winner of the 2011 Poetry Now Award Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other "hermit songs" that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled "Route 101" plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular. Human Chain also includes a poetic "herbal" adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.