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A comprehensive guide to Saint-Saens' SAMSON AND DELILAH, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with French/English side-by side, and over 25 music highlight examples.
(Faber Piano Adventures ). An excellent collection of symphonic and operatic works by the great composers. The pieces were chosen for their appealing melodies and rhythmic vitality. Includes: Theme from Don Giovanni (La ci darem la mano) by Mozart * Egyptian Ballet Dance (from the opera Sanson & Delilah ) by Saint Saens * Liebestraum by Liszt * The Merry Widow Waltz (from the opera The Merry Widow ) by Lehar * Minuet (Op. 14, No. 1) by Paderewski * Canon by Pachelbel * Spring (from The Four Seasons ) by Vivaldi * Suitor's Song (from the operetta The Gypsy Baron ) by J. Strauss, Jr. * Theme from Symphony No. 1 (Third Movement, "Frere Jacques" theme) by Mahler * Prince of Denmark's March (Trumpet Voluntary) by Clarke.
A silly story that presents an assortment of animals and an orchestra.
Samson is a peculiar character. He is the most powerful of the Israelite judges and three whole chapters in the book of Judges are allocated to him. Yet he demonstrates many weaknesses, not least for the charms of women. In the international conference “Samson: Hero or Fool?” organised at the University of Nijmegen in April, 2008, the texts of Judges 16-18 were studied from different perspectives, investigating how the complex character of this (anti)hero lived on in various ways in the later traditions about him. The contributions discuss also the reception history of the Samson traditions in later Jewish, Christian and Islamic literature, as well as his representation in figurative and performing arts
Discover the fascinating story of Walter Damrosch in this incredible work. He was an accomplished American musician whose family profoundly influenced New York's music scene. As the son of Leopold Damrosch, who co-founded the New York Oratorio Society and was friends with Liszt and Wagner, Walter had a rich musical upbringing. He later founded the Damrosch Opera Company, which presented renowned operas like The Scarlet Letter and Gotterdammerung. The readers will learn in detail about the enduring legacy of the Damrosch family and their impact on classical music in America.
Flannery O'Connor (1925-1964) was an American author. Wise Blood was her first novel and one of her most famous works.
Camille Saint-Saëns began as a child prodigy and was acclaimed in his lifetime as the incarnation of French genius. His was one of the longest careers in musical history, stretching from the traditions of Beethoven to the innovations of the twentieth century, including one of the earliest film scores. As a virtuoso pianist he achieved international fame, while Liszt proclaimed him the world's greatest organist. A prolific composer, there is much more to him than his best-known work, the witty Carnival of the Animals, of which he forbade performances in his lifetime. Among his most notable achievements are the opera Samson et Delila and the Organ Symphony, while the Danse Macabre, second piano concerto and first cello concerto remain much loved.As a young man, he supported the 'new music' of Liszt, Wagner and Berlioz and introduced the symphonic poem into French music. He championed an up-and-coming generation of French composers, most notably Fauré, and played a unique part in transforming French taste from grand opera and operetta to the classical forms of symphony and chamber music, at the same time reviving interest in the music of Bach and Rameau.His personal life was combative, tragic and surrounded by rumour: as a boy during the Revolution of 1848, serving as a National Guard in the war of 1870, and eventually becoming something of an icon of the Third Republic, used in diplomacy as a symbol of French culture.This fascinating book (Chatto & Windus 1999) places his long and controversial career in a turbulent period when music, no less than politics, was undergoing sensational and often stormy change.
"The often violent extremes of opinion which he aroused in others created a legacy of prejudices and assumptions which has for three-quarters of a century remained largely unchallenged and has militated against a more sober assessment of his music and its place in musical history."--BOOK JACKET. "Stephen Studd's biography offers just such an assessment. Together with an extensive bibliography, appendices with selections from the composer's essays and poetry, and an up-to-date discography of the ever-growing number of recordings, this biography is much needed and timely."--BOOK JACKET.
Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.