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From getting married twice to settling in the exquisite Maya Bhavan, everything went well for Sahadeva and his family until those from Hastinapura put an unacceptable demand before them. Then, while carrying out military expeditions, Sahadeva got the vastest region to cover. Sahadeva knew the future since the past. He hoped for it to never become the present. And then, he realized that HE was a medium in carrying out what Destiny demanded! Yet, from being ‘Sahadeva Undercover’ to doing something exceptional during their thirteenth year of staying undercover, one would hardly not believe that Sahadeva had everything covered. But then, Sahadeva had realized that he was what he hadn’t wanted anyone to be. With a war round the corner, how will Sahadeva come to terms with himself?
Those who have never known the future have always hoped for the best. But Sahadeva, who has known the future since the past, has only hoped for it to never become the present! Not allowed to reveal about this ability of his, the youngest Pandava speaks only when he is asked for responses and opinions. Nevertheless, Sahadeva’s incessant musings about all relevant events across spaces of time prove that he indeed is ‘Sahadeva’. Via Sahadeva’s ability to envision everything about everyone and everything, ‘Sahadeva Undercover’ uncovers the unrevealed, unheard-of struggles of the wisest Pandava, Sahadeva, and explores the unexplored sub-plots of the story of Mahabharata.
Those who have never known the future have always hoped for the best. But Sahadeva, who has known the future since the past, has only hoped for it to never become the present! Not allowed to reveal about this ability of his, the youngest Pandava speaks only when he is asked for responses and opinions. Nevertheless, Sahadeva's incessant musings about all relevant events across spaces of time prove that he indeed is 'Sahadeva'. Via Sahadeva's ability to envision everything about everyone and everything, 'Sahadeva Undercover' uncovers the unrevealed, unheard-of struggles of the wisest Pandava, Sahadeva, and explores the unexplored sub-plots of the story of Mahabharata.
Hinduism: A Reader offers a comprehensive guide to this major world religion through a combination of passages from scriptures and excerpts from the work of leading scholars in the field. Introduces students to the main textual, regional, intellectual, philosophical, historical, and contemporary traditions of the Hindu faith Includes excerpts from both canonical ancient texts and thought-provoking contemporary texts to offer a balanced overview of the religion Features selections that are concise without sacrificing essential material Provides clearly written introductions to each section that help situate the readings within the wider context of Hindu scholarship.
An Emperor Asoka started a project around 260 BC to collate and guard advanced knowledge gathered from around the world over the years. The project ended with making the nine books of secret knowledge and from then on, the nine different men are assigned to guard the nine books. Father Cyprian, a Christian priest, believes that their contents total tip the almost absolute of evil, and wants to burn them, so he invites Jimgrim and his faithful compatriots Ramsden and Ross to help him bring down the secret society that holds the nine books.
This is the story of Bhima, the second son, always second in line -- a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's narrative. M.T. Vasudevan Nair's Bhima is a revelation -- lonely, eager to succeed, treated with a mixture of affection and contempt by his Pandava brothers, and with scorn and hatred by his Kaurava cousins, Bhima battles incessantly with failure and disappointment. He is adept at disguising his feelings, but has an overwhelmingly intuitive understanding of everyone who crosses his path. A warrior without equal, he takes on the mighty Bakasura and Jarasandha, and ultimately Duryodhana, thus bringing the Great War to a close. However, all of Bhima's moments of triumph remain unrecognized and unrewarded. If his mother saw glory only in the skills of Arjuna and the wisdom of Yudhishtira, his beloved Draupadi cared only for the beauteous Arjuna.
Description: The Mahabharata in its present form is equal to about eight times as much as the Illiad and Odyssey put together. The nucleus of the Mahabharata is the great war of eighteen days fought between the Kauravas, the hundred sons of Dhritarashtra and Pandavas, the five sons of Pandu. The epic entails all the circumstances leading upto the war. In this great Kurukshetra battle were involved almost all the kings of India joining either of the two parties. The result of this war was the total annihilation of Kauravas and their party, and Yudhisthira, the head of the Pandavas, became the sovereign monarch of Hastinapura, symbolizing the victory of good over evil. But with the progress of years new matters and episodes relating to the various aspects of human life, social, economic, political, moral and religious as also fragments of other heroic legends came to be added to the aforesaid nucleus and this phenomenon continued for centuries until it acquired the present shape. This very fact that the Mahabharata represents a whole literature rather than one single and unified work, and contains so many and so multifarious things, makes it more suited than any other book to afford us an insight into the deepest depths of the soul of Indian people. In the world of classical literature the Mahabharata is unique in many respects. As an epic, it is the greatest-seven times as great as the Illiad and the Odyssey combined, and the grandest-animating the heart of India over two thousand years in future. It is the mightiest single endeavour of literary creation of any culture in human history. The effort is to conceive the mind that conceived it is itself a liberal education and a walk through its table of contents is more than a Sabbath day's journey.
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.