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Secret Documents of Intelligence Branch on Father of the Nation, Bangladesh: Bangabandhu Sheikh Mujibur Rahman, is a 14-volume set of declassified documents edited by Sheikh Hasina, Honorable Prime Minister of Bangladesh. These are a compilation of the files maintained by the Intelligence Branch of Pakistan Government on Sheikh Mujibur Rahman, who emerged as the sole leader of the country and became Bangabandhu (Friend of Bangladesh). For his long-standing struggle and contribution in fostering notions of Bengali nationhood that led to the independence of Bangladesh, he has been honored as the Father of the Nation. The volumes provide records for period 1948 to 1971 and chronologically elucidate the trajectory of the various movements and political struggles that led to the formation of an independent nation state called People's Republic of Bangladesh. These include the 1952 Bengali Language Movement that catalyzed the assertion of Bengali national identity in the region and became a forerunner to Bengali nationalist movements. Bangabandhu Sheikh Mujibur Rahman led the struggle for independence, first through massive populist and civil disobedience movements and later during the Bangladesh Liberation War. Important events cited in the present volumes include the 1954 United Front election victory, 1966 Six Point Movement, 1968 Agartala Conspiracy Case, 1969 mass uprising, 1970 election victory and 1971 Non-Cooperation Movement among others. These are the first ever declassified documents released by the Government of Bangladesh and will serve as an invaluable historical resource in understanding the liberation of Bangladesh. This 7th volume holds records for the period 1962-1963.
This book showcases cutting-edge research papers from the 8th International Conference on Research into Design (ICoRD 2021) written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world. The theme of ICoRD‘21 has been “Design for Tomorrow”. The world as we know it in our times is increasingly becoming connected. In this interconnected world, design has to address new challenges of merging the cyber and the physical, the smart and the mundane, the technology and the human. As a result, there is an increasing need for strategizing and thinking about design for a better tomorrow. The theme for ICoRD’21 serves as a provocation for the design community to think about rapid changes in the near future to usher in a better tomorrow. The papers in this book explore these themes, and their key focus is design for tomorrow: how are products and their development be addressed for the immediate pressing needs within a connected world? The book will be of interest to researchers, professionals and entrepreneurs working in the areas on industrial design, manufacturing, consumer goods, and industrial management who are interested in the new and emerging methods and tools for design of new products, systems and services.
Includes index.
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
THE BANGLADESH MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE BANGLADESH MCQ TO EXPAND YOUR BANGLADESH KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.
Intimation of Revolution studies the rise of Bengali nationalism in East Pakistan in the 1950s and 60s by showcasing the interactions between global politics and local social and economic developments. It argues that the revolution of 1969 and the national liberation struggle of 1971 were informed by the 'global sixties' that transformed the political landscape of Pakistan and facilitated the birth of Bangladesh. Departing from the typical understanding of the Bangladesh as a product of Indo-Pakistani diplomatic and military rivalry, it narrates how Bengali nationalists resisted the processes of internal colonization by the Pakistani military bureaucratic regime to fashion their own nation. It details how this process of resistance and nation-formation drew on contemporaneous decolonization movements in Asia, Africa, and Latin America while also being shaped by the Cold War rivalries between the USA, USSR, and China.