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Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
Mad-dog billionaire, Cantwell Undershaft, was devising the most diabolic scheme in 2,000 years-revival of the bloody and orgiastic Games of Ancient Rome in all their lewd and gory splendor...telecasting from outer space color broadcasts of the grisly spectacles-naked men and girls hacking each other to death, mauled by enraged wild beasts, torn to shreds by half-starved barracudas... His goal, ending forever mankind's lust for war by fulfilling its craving for bloody, sexually sadistic kicks. Was his scheme an insane justification for his own depravity, or were the hundreds of men and girls he slaughtered a realistic safety-valve for the world's repressed desires? That was the problem dread SADISTO agent, Trevor Anderson-0008, had to resolve in a nonstop orgy of sex and mayhem on remote Eros Island.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.
Follow-up to the Edgar Award-nominated Gun in Cheek further celebrates neglected classics of substandard mystery writing, uncovering even more twisted treasures for connoisseurs of hideous prose.