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From a Western perspective, the Persian Gulf War of 1990-1991 largely fulfilled the first President Bush's objective: "In, out, do it, do it right, get gone. That's the message." But in the Arab world, the causes and consequences of Saddam Hussein's invasion of Kuwait and his subsequent defeat by a U.S.-led coalition were never so clear-cut. The potent blend of Islam and Arab nationalism that Saddam forged to justify the unjustifiable—his invasion of a Muslim state—gained remarkable support among both Muslims and Arabs and continued to resonate in the Middle East long after the fighting ended. Indeed, as this study argues in passing, it became a significant strand in the tangled web of ideologies and actions that led to the attacks of 9/11. This landmark book offers the first in-depth investigation of how Saddam Hussein used Islam and Arab nationalism to legitimate his invasion of Kuwait in the eyes of fellow Muslims and Arabs, while delegitimating the actions of the U.S.-led coalition and its Arab members. Jerry M. Long addresses three fundamental issues: how extensively and in what specific ways Iraq appealed to Islam during the Kuwait crisis; how elites, Islamists, and the elusive Arab "street," both in and out of the coalition, responded to that appeal and why they responded as they did; and the longer-term effects that resulted from Saddam's strategy.
From a Western perspective, the Persian Gulf War of 1990-1991 largely fulfilled the first President Bush's objective: "In, out, do it, do it right, get gone. That's the message." But in the Arab world, the causes and consequences of Saddam Hussein's invasion of Kuwait and his subsequent defeat by a U.S.-led coalition were never so clear-cut. The potent blend of Islam and Arab nationalism that Saddam forged to justify the unjustifiable—his invasion of a Muslim state—gained remarkable support among both Muslims and Arabs and continued to resonate in the Middle East long after the fighting ended. Indeed, as this study argues in passing, it became a significant strand in the tangled web of ideologies and actions that led to the attacks of 9/11. This landmark book offers the first in-depth investigation of how Saddam Hussein used Islam and Arab nationalism to legitimate his invasion of Kuwait in the eyes of fellow Muslims and Arabs, while delegitimating the actions of the U.S.-led coalition and its Arab members. Jerry M. Long addresses three fundamental issues: how extensively and in what specific ways Iraq appealed to Islam during the Kuwait crisis; how elites, Islamists, and the elusive Arab "street," both in and out of the coalition, responded to that appeal and why they responded as they did; and the longer-term effects that resulted from Saddam's strategy.
The shooting war is over in the Persian Gulf. However, the war of words about it is only now beginning. Elaine Sciolino, who has covered the Middle East during the past decade for ``The New York Times'', fires the opening salvo in an effort to explain and analyze how the war came about. She first warned us about Saddam Hussein in 1985 in an article for The New York Times Magazine. Now she tells us how Saddam came to power; why he invaded Kuwait, what effects the war's outcome will have; and what happens to the region's balance of power with Saddam's army destroyed.
The first man to conduct a prolonged interrogation of Saddam Hussein after his capture explains why preconceived ideas about the dictator led Washington policymakers and the Bush White House astray.
One of our most respected and controversial liberal thinkers makes the case for war in Iraq. Written in his trademark contrarian voice, Untitled on Iraq is comprised of Hitchens' essays on the justification for war in Iraq and other related issues written for Slate.com, The Wall Street Journal, The Nation, and more, as well as 25% new material on the war
An account of the forces-historical, religious, ethnic, and political-that produced Saddam Hussein's dictatorship.
The authoritative account of America's most controversial war since Vietnam, a conflict in which "shock and awe" were not confined to the battlefield It was a war like no other the United States had ever fought. It began with the bombing of Saddam Hussein's bunker and ended with statues of the Iraqi dictator being toppled in downtown Baghdad, and it marked a turning point in America's relations with its enemies, its allies, and its sense of itself. Yet most Americans experienced the war as impressionistic and often confusing—the story of one battle here, one unit there, a report from one city, then another, without the larger context we so urgently needed. Each reporter had his "slice" of the war, it seemed, but no one had the whole story or the broad view. A Time of Our Choosing fills that gap brilliantly, drawing on the unparalleled resources and reportage of The New York Times. Todd S. Purdum, one of the paper's most gifted storytellers, traces the war in Iraq from the first rumblings after 9/11, to the diplomatic recriminations at the United Nations, to the battles themselves and their aftermath. He deftly rolls out the whole canvas before our eyes, showing how the individual "slices" fit together into a single, gripping drama. Purdum also explores the complex legacy of America's near-unilateral action. Since the 9/11 attacks, President George W. Bush has vowed that the United States would confront its enemies "at a time of our choosing," and Purdum shows in vivid terms what this choice has meant for our now transformed world.
Presents a description by a lieutenant colonel in the 1st Battalion, 22nd infantry regiment of the strategies and resources used in the hunt for Saddam Hussein, which resulted in his capture in December of 2003 in Operation Red Dawn.
“Essential . . . one for the ages . . . a must read for all who care about presidential power.” —The Washington Post “Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today.” —LA Times One of BookPage's Best Books of 2020 To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naïveté, craven groupthink, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. Robert Draper’s fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. There are no cheap shots here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara W. Tuchman’s The Guns of August and Marc Bloch’s Strange Defeat, To Start A War will stand as the definitive account of a collective scurrying for evidence that would prove to be not just dubious but entirely false—evidence that was then used to justify a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.
One morning Mustafa Ali Noman, a teacher in Baghdad, is arrested as he reaches the school gates. For the next 15 months he is brutally interrogated and barred from contacting his family. The question of guilt or innocence clearly irrelevant, Mustafa must fight to retain a grip on reality. 'How do I know that I am not dreaming this?' he asks.