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A daring foray into the groundbreaking genre of autobiographical fiction Sad Old Faggot is the absorbing, sometimes embarrassing, always entertaining story of a lonely, self-obsessed, selfish, deluded, impotent 62-year-old gay man named Sky Gilbert who „ despite his best intentions „ cannot help but become a stereotype. SkyÍs main claim to fame is founding Buddies in Bad Times Theatre in 1979. But since leaving Buddies, heÍs fallen on hard times. Sky Gilbert is no longer even remotely famous. He has to fight off his own bitterness as audiences for his plays steadily dwindle. Theatre people dismiss his work as old news and point to the fact that he teaches at the University of Guelph as proof: his descent into academia clearly signals his failure as an artist. All along the way, the book questions our truths and celebrates their mutability. What is really true about each of us? What do we actually know about ourselves? And how much, it asks, of our own personal truth is based on fact „ and how much is rooted in fiction?
Thirty-nine-year-old Fred Lemish had always hoped that love would find him by the age of forty, and with four days to go, he begins a compulsive, yet humorous, search for that love and commitment, in a classic novel of gay life. Reprint.
40th anniversary reprinting of a beloved fable-manifesto from the 1970s queer counterculture.
Draws on eighteen months of research in a racially diverse working-class high school to explore the meaning of masculinity and the social practices associated with it, discussing how homophobia is used to enforce gender conformity.
This fascinating record of how English is spoken in England is now being reprinted. Over 400 maps detail differences in phonology, lexicon, morphology and syntax. The Atlas provides a unique survey of the linguistic geography of England. This volume was inspired by the English Dialect Survey which set out to elicit information about the current dialectical usages of the older members of the farming communities throughout rural England. The Survey secondly mapped this information to illustrate the regional distributions of those features of their speech which persisted from ancient times. Published after Orton's death, the publication of this volume testified to the sustained interest in the lingusitic geography of England.
A police investigation into the violent death of a part-time cathedral verger stalls for lack of incriminating evidence. However, three people have a close interest in clearing the matter up where the police have failed: the victim's sister, and two suspects released without charge and eager to clear their names.
Clementine is in a rut. Overshadowed by her indomitable female relatives - her stern, politically correct mother, Claude, her foulmouthed racist grandmother Mac, and her sassy, brassy aunt Maddy - she spends her time making props for the Drama school (for a pittance) and for her lover Kurt's Art Happenings (for free). Months after graduation, she is still stuck in the soup kitchen which she shares gladly with her housemate, Angus, and less gladly with a horde of free-loading 'guests'. Even her friendship with Jack, her one-time drama teacher, is thrown into jeopardy when a male student accuses him of sexual harassment. When Clem returns early from a visit to her ailing but outrageous grandmother and discovers Kurt and one of his more dangerous disciples 'locked in earnest discussion, their bodies radiating lust', she comes to the conclusion that the situation has to change. Homicide seems like a tempting option, but she opts instead for flight. In a moment of bravado Clem books a plane ticket to Paris and accidentally embarks on a picaresque series of misadventures with unsuitable foreigners, which drives her to the brink of insanity and eventually makes her take stock of who she is and what she really wants out of life.
Bruce Springsteen's melancholy "Meeting Across the River," a song rarely performed but beloved by his countless fans, serves as the inspiration for this eclectic mix of short stories written by an array of acclaimed authors. "Meeting Across the River," from Bruce Springsteen's Born to Run album, is a song with an evocative melody and lyrics that unfold like a noir fable: a man down on his luck but desperate to make things right with his girl tells his buddy, Eddie, that they have to get across the river for a last-chance meeting with someone, all in the hopes of a big score: two grand. With that money, our hero can win back his girl and all will be right with the world-but if he and Eddie screw up, the consequences will be grave. Authors including Eric Garcia, C. J. Box, Barbara Seranella, David Corbett, Gregg Hurwitz, and Steve Hamilton, among others, have written imaginative, heartbreaking, funny, and bold stories based on this classic American story of hope and despair, each a surprisingly different experiment with character and plot. For as familiar as this story is, Springsteen's spare lyrics leave much unsaid. How these authors fill in the absences is what makes this collection, published a month before the thirtieth anniversary of the release of Springsteen's Born to Run, such an unusual treasure, proving that, just as with music, in literature no two performances are alike. Jessica Kaye is a publishing law attorney, occasional writer and the founder and former publisher of the Publishing Mills, an award-winning audiobook company, as well as a lifelong fan of great music and great writing. Richard J. Brewer is an author, actor, and voice-over talent for films and audiobooks.
From the award-winning author of Himself comes a spellbinding and “magically entertaining read” (Good Housekeeping, UK) about a lonely caregiver and a cranky hoarder with a house full of secrets that “will appeal to fans of Tana French and Sophie Hannah, as it charms and unsettles in equal measure” (BookPage). Maud Drennan is a dedicated caregiver whose sunny disposition masks a deep sadness. A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence—until she meets Mr. Flood. Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son. Mr. Flood’s Last Resort is “a rare delight” (Cosmopolitan, UK) examining the space between sin and sainthood, a novel that “perfectly balances tragedy with dark comedy” in which “the dialogue crackles and every detail enchants” (Shelf Awareness).​ Note to readers: In the UK, this book is published under the title The Hoarder.