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»The Sad Fortunes of the Reverend Amos Barton« is a novella by George Eliot, originally published in the collection Scenes of Clerical Life in 1857. GEORGE ELIOT , pseudonym for MARY ANN EVANS [1819-1880], was an English novelist. Several of her works are considered among the most important in British literature within a realistic novel tradition. They often unfold in the English countryside and are characterized by a deeply empathetic psychological portrayal that was ahead of its time.
But, my dear madam, it is so very large a majority of your fellow-countrymen that are of this insignificant stamp. At least eighty out of a hundred of your adult male fellow-Britons returned in the last census are neither extraordinarily silly, nor extraordinarily wicked, nor extraordinarily wise; their eyes are neither deep and liquid with sentiment, nor sparkling with suppressed witticisms; they have probably had no hairbreadth escapes or thrilling adventures; their brains are certainly not pregnant with genius, and their passions have not manifested themselves at all after the fashion of a volcano.
»Brother Jacob« is a short story by George Eliot, originally published in in 1864. GEORGE ELIOT , pseudonym for MARY ANN EVANS [1819-1880], was an English novelist. Several of her works are considered among the most important in British literature within a realistic novel tradition. They often unfold in the English countryside and are characterized by a deeply empathetic psychological portrayal that was ahead of its time.
The gentle and unassuming Reverend Maynard Gilfil harbors a deep, unspoken love for a beautiful and delicate woman named Caterina. She, in turn, is consumed by her unrequited love for a dashing young captain who is promised to another. As the tangled web of emotions unravels, passions and jealousies ignite, leading to a tragic turn of events that will forever change the lives of those involved. GEORGE ELIOT, pseudonym for MARY ANN EVANS [1819-1880], was an English novelist. Several of her works are considered among the most important in British literature within a realistic novel tradition. They often unfold in the English countryside and are characterized by a deeply empathetic psychological portrayal that was ahead of its time.
Janet's Repentance George Eliot Mary Ann Evans (1819-1880), better known by her pen name George Eliot, was an English novelist. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological perspicacity. Her first major literary work was the translation of David Strauss' Life of Jesus (1846). In 1857 The Sad Fortunes of the Reverend Amos Barton, the first of the Scenes of Clerical Life, was published in Blackwood's Magazine and, along with the other Scenes, was well received. Her first complete novel, published in 1859, was Adam Bede and was an instant success. Eliot's most famous work, Middlemarch, was a turning point in the history of the novel. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Reading George Eliot as a European novelist among other European novelists, John Rignall explores her use of European travel, scenes and locations in her fiction and also places her novels in conversation with the work of other major European writers. Throughout Rignall shows Eliot's engagement with the cultures of France and Germany, suggestively making the case that Eliot's novels belong to the tradition of the European novel that descends from Cervantes.
Why do readers claim that fictional worlds feel real? How can certain literary characters seem capable of leading lives of their own, outside the stories in which they appear? What makes the experience of reading a novel uniquely pleasurable and what do readers lose when this experience comes to an end? Since their first publication, nineteenth-century realist novels like Pride and Prejudice and Anna Karenina have inspired readers to describe literary experience as gaining access to vibrant fictional worlds and becoming friends with fictional characters. While this effect continues to be central to the experience of reading realist fiction and later works in this tradition, the capacity for novels to evoke persons and places in a reader's mind has often been taken for granted and even dismissed as a naive phenomenon unworthy of critical attention. When Fiction Feels Real provides literary studies with new tools for thinking about the phenomenology of reading by bringing narrative techniques into conversation with psychological research on reading and cognition. Through close readings of classic novels by Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, and the elegies of Thomas Hardy, Elaine Auyoung reveals what nineteenth-century writers know about how reading works. Building on well-established research on the mind, Auyoung exposes the underpinnings of the seemingly impossible achievement of realist fiction, introducing new perspectives on narrative theory, mimesis, and fictionality. When Fiction Feels Real changes the way we think about literary language, realist aesthetics, and the reading process, opening up a new field of inquiry centered on the relationship between fictional representation and comprehension.