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One of the critical issues in interreligious relations today is the connection, both actual and perceived, between sacred sources and the justification of violent acts as divinely mandated. Fighting Words makes solid text-based scholarship accessible to the general public, beginning with the premise that a balanced approach to religious pluralism in our world must build on a measured, well-informed response to the increasingly publicized and sensationalized association of terrorism and large-scale violence with religion. In his introduction, Renard provides background on the major scriptures of seven religious traditions—Jewish, Christian (including both the Old and New Testaments), Islamic, Baha’i, Zoroastrian, Hindu, and Sikh. Eight chapters then explore the interpretation of select facets of these scriptures, focusing on those texts so often claimed, both historically and more recently, as inspiration and justification for every kind of violence, from individual assassination to mass murder. With its nuanced consideration of a complex topic, this book is not merely about the religious sanctioning of violence but also about diverse ways of reading sacred textual sources.
Lost for centuries, the Kebra Nagast (The Glory of Kings) is a truly majestic unveiling of ancient secrets. These pages were excised by royal decree from the authorized 1611 King James version of the Bible. Originally recorded in the ancient Ethiopian language (Ge'ez) by anonymous scribes, The Red Sea Press, Inc. and Kingston Publishers now bring you a complete, accurate modern English translation of this long suppressed account. Here is the most startling and fascinating revelation of hidden truths; not only revealing the present location of the Ark of the Covenant, but also explaining fully many of the puzzling questions on Biblical topics which have remained unanswered up to today.
Sacred Languages and Sacred Texts is the first comprehensive study of the role of languages and texts in the religions of the Greco-Roman world, including Judaism and Christianity. It explores bilingualism, language learning, literacy, book production and translation, as well as some of the more explicitly religious factors, including beliefs about language, missionary zeal, ritual, conservatism and the power of a priestly establishment. Sacred Languages and Sacred Texts sheds new light on the role of the power of words, spoken and written, in religion.
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
How did the Bible's sixty-six books become sacred Scripture? How have they been understood and interpreted over the last two thousand years? What was it that led to our acceptance of the Bible as the true word of God? For two millennia, Christians have accepted the importance of the Bible as sacred Scripture, and for as many years they have struggled to comprehend its meaning. Over the centuries the church has expressed the centrality of Scripture in numerous ways, and Christians have studied and interpreted the Bible in a wide variety of faithful approaches. Understanding that process is critical to our ability--and our willingness--to accept the Bible as sacred and true. To that end, Richard Soulen leads us through the history of how Christian understandings of the Bible have changed and developed throughout history.
Covering the major monotheistic religions—Christianity, Judaism, and Islam—as well as selected Eastern religions and Bahá'í, Zoroastrianism, and Mormonism, this cross-cultural book offers excerpts of sacred texts and interprets passages to enable a deeper understanding of these religious writings. Sacred Texts Interpreted: Religious Documents Explained gives readers the opportunity to examine—directly—the primary sources of different religions and to better understand these texts through expert commentary on selected passages. The interpretative material investigates the nature of sacred texts along with the relationship between sacred scripture and canon, and it explains why these sacred texts have enduring significance and influence. The author provides suggestions on how to read a sacred text before turning to the textual selections from 13 religious traditions arranged alphabetically, beginning with the Bahá'í religion and ending with Zoroastrianism. Each chapter is devoted to the primary textual sources of a particular religious tradition and is prefaced by an introduction to the literature that places it within its historical and cultural heritage. The emphasis for each religion is on its foundational scriptures that are often considered sacred by its adherents. Readers will gain a much greater appreciation of how powerful religious texts have always been across human culture and throughout millennia—and of how religious thought and ideology have shaped daily life, built civilizations, inspired art and literature, and incited wars and violence.
An analysis of the development of historical consciousness in antebellum America, using the debate over slavery as a case study.
“In these soaring, open-hearted essays, Vanessa Zoltan writes with fierce brilliance about suffering, survival, and the kind of meaning in life that can withstand real scrutiny.”—John Green, bestselling author of The Fault in Our Stars and The Anthropocene Reviewed A deeply felt exploration of the ways our favorite books can shape and heal us, from the host of Harry Potter and the Sacred Text. Our favorite reads keep us company, give us hope, and help us find meaning in a chaotic world. In this fresh and relatable work, atheist chaplain Vanessa Zoltan blends memoir and personal growth as she grapples with the notions of family legacy and identity through the lens of her favorite novel, Jane Eyre. Informed by her training at the Harvard Divinity School and filtered through the pages of Jane Eyre as well as Little Women, Harry Potter, and The Great Gatsby, Zoltan explores topics ranging from the trauma she has inherited as the granddaughter of four Holocaust survivors to finding hope, meaning, and even magic in our deeply fractured times. Brimming with a love of classic literature and the tenderness of self-reflection, the book also reveals simple techniques for reading any work as a sacred text--from Virginia Woolf to Anne of Green Gables to baseball scorecards. Whether you're an avowed "Eyrehead" or a voracious reader and pop culture fan, this deeply felt and inspiring book will light the way to a more intimate appreciation for whatever books you love to read.
"Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Ken Koltun-Fromm and Assaf Gamzou reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the intersections between religion and comics in ways that critically expand our ability to think about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Organized into four sections--Seeing the Sacred in Comics; Reimagining Sacred Texts through Comics; Transfigured Comic Selves, Monsters, and the Body; and The Everyday Sacred in Comics--the essays explore comics and graphic novels ranging from Craig Thompson's Habibi and Marvel's X-Men and Captain America to graphic adaptions of religious texts such as 1 Samuel and the Gospel of Mark. Sacred Texts and Comics shows how claims to the sacred are nourished and concealed in comic narratives. Covering many religions, not only Christianity and Judaism, this rare volume contests the profane/sacred divide and establishes the import of comics and graphic narratives in disclosing the presence of the sacred in everyday human experience." -- Provided by publisher.