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This edited volume explores the intersection of spirituality with childbirth from 1800 to the present day from a comparative perspective. It illustrates how over this time period in much of the world, traditional practices, home births, and midwives have been overshadowed and undermined by male dominated obstetrics, hospitalization, and ultimately the medicalization of the birthing process itself.
Ananda is a bright youngster with a keen and questioning mind who enjoys life. He and friend Sukarma grow together, but circumstances take them along different paths. Sukarma becomes an ascetic, foreasking worldly pleasures, while Ananda encounters frustrations and tragedies. When his father dies, he follows the rituals, but finds them to be of no avail. He rejects all traditional beliefs, proclaims his atheism and becomes a preacher of hedonism. In the end, Ananda and Sukarma are drawn to a confrontation and the opposing worldviews are brought into the open. This is the story of how Ananda became Cârvâka.
Every human being is born and has gone through a process of birth. This book explores how imagery is used in religious, secular, and nonreligious ways during the contemporary rituals of birth, through analysis of a wide variety of art, iconography, poetry, and material culture.
This book introduces a compelling new personality to the modernist canon, Marisa Mori (1900-1985), who became the only female contributor to The Futurist Cookbook (1932) with her recipe for “Italian Breasts in the Sun.” Providing something more complex than a traditional biographical account, Griffiths presents a feminist critique of Mori's art, converging on issues of gender, culture, and history to offer new critical perspectives on Italian modernism. If subsequently written out of modernist memory, Mori was once at the center of the Futurism movement in Italy; yet she worked outside the major European capitals and fluctuated between traditional figurative subjects and abstract experimentation. As a result, her in-between pictures can help to re-think the margins of modernism. By situating Mori's most significant artworks in the critical context of interwar Fascism, and highlighting her artistic contributions before, during, and after her Futurist decade, Griffiths contributes to a growing body of knowledge on the women who participated in the Italian Futurist movement. In doing so, she explores a woman artist's struggle for modernity among the Italian Futurists in an age of Fascism.
"Demonstrates that ritual can be a potent therapeutic tool for healing difficult emotional/energetic blocks and traumas as well as for finding solutions to stressful everyday problems"--Provided by publisher.
Sacred Pregnancy is part a retrospective on changing paradigms of and feminist discourse on motherhood, part sociological study of changing religious demographics and understandings of religious experience in the United States, and part exploration of the spiritual movements and spiritually guided reproductive health services that bring all these themes together. Resting on the premise that motherhood in general and pregnancy specifically should not be brushed aside as beneath intellectual inquiry or as settled subjects, Ann Duncan explores a new form of religious community: a growing number of diverse movements that blend business with a spiritual approach to the reproductive health of women. This new mode of spiritual ritual is centered not around a particular conception of the divine but by the shared experience of pregnancy and birth as sacred rites of passage and women's reproductive health as an avenue toward spiritual experience, community, and even economic opportunity. These spiritual birth movements are an invitation to further investigate and understand not only the social construction of motherhood and the cultural understanding and practice of pregnancy, but also the life-changing experiences of pregnancy, birth, and motherhood and the concomitant desire for religious ritual in the lives of American women.
Bringing together the prestigious speakers from the inaugural Church in Our Times Lecture Series at Liverpool Hope University, this volume explores key current affairs in ecclesiology.
This book explores the life of Catherine Collins, RSCJ, founder of the Network of Sacred Heart Schools and the Center for Educational Design and Communication in Washington, D.C. “Kit,” as she was called, was a visionary, creative, and influential and educator. Schools of the Sacred Heart owe the articulation of their educational philosophy, Goals and Criteria of Sacred Heart Schools, to her initiative.
This book is a poetic reading of the dialogical philosophy of martin buber. my reading of martin buber takes me to this principal insight: god is not in heaven nor on earth. god is not above nor below. not within and not without. not in the soul or in the flesh. god is not an entity anywhere: god is the between of an i and a thou. these pages are not an academic study in the strict sense. my meditations in this book are not a literal description of buber’s philosophy, for buber would never have approved of taking his words in any way other than in dialogue. buber wrote in-dialogue with the reader, and i read buber in the poetic philosophy of his words. in other words: we can say that the essential thinking in martin buber’s philosophy is that the presence of god in us is always enacted as the presence of god between us. god, like love, like poetry, is a deed we do. the god-deed is actualized not in rituals or temples, but in the practices of the sacraments of the neighbor. for there is nothing we can predicate of god, but we can still meet god in the embrace of the neighbor. we meet god as we meet with one another in genuine relationship. god is not in the relationship, god is the relationship. god is no-thing, but there is nothing that isn't god in the between of an i and a thou.