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In Sacred Dread, Brenna Moore examines the life and writings of Raïssa Maritain (1883-1960), one of the few women to contribute to this French Catholic revival movement.
The Ego and His Own by Steven Tracy Byington Max Stirner, first published in 1907, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The Ego and His Own, the seminal defence of individualism, coloured the thinking of Friedrich Nietzsche, Max Ernst, Henrik Ibsen and Victor Serge, among many others, some of whom would vigorously deny any such influence in later years. Less reticent was Marcel Duchamp, who described Max Stirner as the philosopher most important to his work. Challenging the religious, philosophical and political constraints on personal freedom, Stirner criticizes all doctrines and beliefs that place the interests of God, the state, humanity or society over those of the individual. Anticipating the later work of nihilists, existentialists, and anarchists, The Ego and His Own upholds personal autonomy against all that might oppose it.
The Ego and Its Own is an 1844 work by Max Stirner. It presents a radically nominalist and individualist critique of, on the one hand, Christianity, nationalism and traditional morality, and on the other, humanism, utilitarianism, liberalism and much of the then-burgeoning socialist movement, advocating instead an amoral (although importantly not inherently immoral or antisocial) egoism. Ego emphasizes owness as self-description, past fixed conceptions of the Self and Other, through the recognition of power relations and self-discovery of mind. Johann Kaspar Schmidt (1806-1856), also known as Max Stirner, was a German philosopher who is often considered as one of the pioneers in anarchism, nihilism, existentialism, and postmodernism, and one of the many people who Karl Marx wrote an entire book on just to publicly criticize denounce.
Explores the rise of the idea of nothing in Western modernity and how its figuration is transforming and offering new possibilities. In this groundbreaking, interdisciplinary history of ideas, Andrew W. Hass explores the ascendency of the concept of nothing into late modernity. He argues that the rise of the reality of nothing in religion, philosophy, and literature has taken place only against the decline of the concept of One: a shift from a sovereign understanding of the One (unity, universality) toward the “figure of the O”—a cipher figure that, as nonentity, is nevertheless determinant of other realities. The figuring of this O culminates in a proliferation of literary expressions of nothingness, void, and absence from 1940 to 1960, but by century’s end, this movement has shifted from linear progression to mutation, whereby religion, theology, philosophy, literature, and other critical modes of thought, such as feminism, merge into a shared, circular activity. The writer W. H. Auden lends his name to this O, his long poetic work The Sea and the Mirror an exemplary manifestation of its implications. Hass examines this work, along with that of a host of writers, philosophers, and theologians, to trace the revolutionary hermeneutics and creative space of the O, and to provide the reasoning of why nothing is now such a powerful force in the imagination of the twenty-first century, and of how it might move us through and beyond our turbulent times.
This practical dictionary of the Latin language contains over 100,000 entries in a concise, easy-to-use format. The direction of the translation is from Latin to English. It offers a broad vocabulary from all areas and can be used as a classic reference work.
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.