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Sacred Communities, Shared Devotions takes us behind the gates of six medieval Saxon convents and into the lives of rich and noble nuns going about their daily labour of religion just before the Lutheran Reformation. Drawing on writings by and about the nuns, as well as an analysis of the costly art and architecture of their monasteries, June Mecham reveals how monastic women wielded their wealth to create a ritual environment dense with Christian images and meanings. Mecham argues that nuns chose devotions and rituals within the framework of a distinct material culture, influenced by local religious customs, gender structures, and social protocols. She questions perceived differences between monastic and lay piety, emphasizing instead the shared religious culture in which monastic and laywomen actively participated, and the continuity that shaped female devotion. Looking through lenses of art, history, and spirituality, Mecham describes the spiritual and social tensions caused by women who vowed poverty but lived a seemingly lavish life funded by private income. Medieval reformers, as well as modern scholars, suggested that profligate nuns hastened the decline of medieval convents, but Sacred Communities, Shared Devotions proves that these women did not oppose reform. They simply fought to maintain their traditional devotions and religious environments even as they adapted to new religious sensibilities.
This book examines non-Muslim religious sites, structures and spaces in the Islamic world. It reveals a vibrant portrait of life in the religious sites by illustrating how architecture responds to contextual issues and traditions. Sacred Precincts explores urban context; issues of identity; design; construction; transformation and the history of sacred sites and architecture in Europe, the Middle East and Africa from the advent of Islam to the 20th century. It includes case studies on churches and synagogues in Iran, Turkey, Cyprus, Egypt, Iraq, Tunisia, Morocco and Malta, and on sacred sites in Nigeria, Mali, and the Gambia. With contributions by Clara Alvarez, Angela Andersen, Karen Britt, Karla Britton, Jorge Manuel Simão Alves Correia, Elvan Cobb, Daniel Coslett, Mohammad Gharipour, Mattia Guidetti, Suna Güven, Esther Kühn, Amy Landau, Ayla Lepine, Theo Maarten van Lint, David Mallia, Erin Maglaque, Susan Miller, A.A. Muhammad-Oumar, Meltem Özkan Altınöz, Jennifer Pruitt, Rafael Sedighpour, Ann Shafer, Jorge Manuel Simão Alves Correia, Ebru Özeke Tökmeci, Steven Thomson, Heghnar Watenpaugh, Alyson Wharton and Ethel S. Wolper.
Liturgical, sacramental, and historical, The Sacred Community is a masterful work of theological aesthetics. David Jasper draws upon a rich variety of texts and images from literature, art, and religious tradition to explore the liturgical community gathered around--and most fully constituted by--the moment of the Sanctus in the Eucharistic liturgy. From art and architecture to pilgrimage and politics Jasper places this community in the midst of the contemporary world.
Essays on our spiritual role in the fate of the planet from “the most provocative figure among the new breed of eco–theologians” (Newsweek). Among the contemporary voices for the Earth, none resonates like that of cultural historian Thomas Berry. His teaching and writings have inspired a generation’s thinking about humankind’s place in the Earth community and the universe, engendering widespread critical acclaim and a documentary film on his life and work. This new collection of essays, from various years and occasions, expands and deepens ideas articulated in his earlier writings and also breaks new ground. Berry opens our eyes to the full dimensions of the ecological crisis, framing it as a crisis of spiritual vision. Applying his formidable erudition in cultural history, science, and comparative religions, he forges a compelling narrative of creation and communion that reconciles modern evolutionary thinking and traditional religious insights concerning our integral role in Earth’s society. While sounding an urgent alarm at our current dilemma, Berry inspires us to reclaim our role as the consciousness of the universe and thereby begin to create a true partnership with the Earth community. With Evening Thoughts, this wise elder has lit another beacon to lead us home. “Thomas Berry is an exemplar in a tradition that includes a diverse group of spiritually radiant individuals (Gandhi, the monk Thomas Merton, the Lakota elder Black Elk), visionaries (Jacques Ellul, Terry Tempest Williams, Rachel Carson), and writers (Wendell Berry, Gary Snyder, Rebecca Solnit, Loren Eiseley).” —Barry Lopez, author of Arctic Dreams
Sacred Strategies is about eight synagogues that reached out and helped people connect to Jewish life in a new way—congregations that had gone from commonplace to extraordinary. Over a period of two years, researchers Aron, Cohen, Hoffman, and Kelman interviewed 175 synagogue leaders and a selection of congregants (ranging from intensely committed to largely inactive). They found these congregations shared six traits: sacred purpose, holistic ethos, participatory culture, meaningful engagement, innovation disposition, and reflective leadership and governance. They write for synagogue leaders eager to transform their congregations, federations and foundations interested in encouraging and supporting this transformation, and researchers in congregational studies who will want to explore further. Part 1 of this book demonstrates how these characteristics are exemplified in the four central aspects of synagogue life: worship, learning, community building, and social justice. Part 2 explores questions such as: What enabled some congregations to become visionary? What hindered others from doing so? What advice might we give to congregational, federation, and foundation leaders? The picture that emerges in this book is one of congregations that were entrepreneurial, experimental, and committed to 'something better.'
Weaving archival records, ancient maps and narratives, and the wisdom of the elders, Roberto Cintli Rodriguez offers compelling evidence that maíz is the historical connector between Indigenous peoples of this continent. Rodriguez brings together the wisdom of scholars and elders to show how maíz/corn connects the peoples of the Americas.
The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences. Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.