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Symbols of the Sacred gathers four classic essays by Louis Dupr on the role of symbols in our understanding of the sacred and on their fundamental importance to religious consciousness. A leading philosopher of religion, Dupr here discusses the nature of religious symbols, the importance of language for capturing symbolic meaning, the ancient link between art and expressions of the sacred, and the vital relationship between religious symbol and myth. The volume concludes with a powerful reflection on the innate capacity of human minds to grasp the transcendent. Elegantly expressed, conversant with a wide range of thinkers, and marked by a lifetime of reflection on the subject, Symbols of the Sacred offers profound insights into the religious dimension of human life.
In this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting. George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.