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Touted as progress, postwar redevelopment spawned a new age in Sacramento, California. As city planners designated areas of urban blight and directed bulldozers to make way for commercial districts and pedestrian malls, the churches, jazz clubs and family homes of the West End and Japantown were upended and residents scattered. Displaced families and businesses reestablished themselves and redefined their communities around new cultural centers. Historian William Burg weaves oral histories with previously unpublished photographs to chronicle the resurgence of Sacramento's art, music and activism in the wake of redevelopment. Celebrate the individuals and organizations that defined an era: the beatniks and Black Panthers of Oak Park, Southside Park's "League of Nations," George Raya of Lavender Heights and the Royal Chicano Air Force in Alkali Flat.
Though once scheduled for demolition, Midtown Sacramento battled back to become the city's geographic and cultural center--a beacon for offbeat artists, progressive thinkers and independent spirits. This eclectic neighborhood made history through social progress and artistic innovation. Through the hippie counterculture of the 1960s, the irreverent power of punk rock in the 1970s and '80s and the social and political consciousness of Generation X in the 1990s and beyond, Midtown always led the way. Now Sacramento historian and Midtown resident William Burg tells the story of the diverse generations of Sacramentans who shaped this trailblazing neighborhood.
From its founding, K Street mirrored the entrepreneurial development of California's capital city. Initially the storefront for gold seekers trampling a path between the Sacramento River and Sutter's Fort, K Street soon became the hub of California's first stagecoach, railroad and riverboat networks. Over the years, K Street boasted saloons and vaudeville houses, the neon buzz of jazz clubs and movie theaters, as well as the finest hotels and department stores. For the postwar generation, K Street was synonymous with Christmas shopping and teenage cruising. From the Golden Eagle and Buddy Baer's to Weinstock's and the Alhambra Theatre, join historian William Burg as he chronicles the legacy of Sacramento's K Street, once a boulevard of aspirations and bustling commerce and now home to a spirit of renewal.
Sacramentos Southside Park neighborhood sits south of Californias state capitol and north of the Old City Cemetery. Built on a former slough, it was inhabited by generations of immigrants and working-class families. The neighborhoods many ethnic communities, including Portuguese, Italian, Mexican, and Japanese, came together in Southside Park, the neighborhoods namesake. Whether for fireworks displays on the Fourth of July, for a trip back to Gold Rush days at Roaring Camp, or simply to paddle the lake in a rented boat, Southside Park provided a place of respite and recreation in this bustling city. The neighborhood surrounding the park faced many challenges as Sacramento grewincluding freeway construction, urban renewal and redevelopment, and problems with crimebut its residents faced these challenges with a tradition of political activism, community participation, and a strong sense of civic pride that is still evident today.
Sacramento resident and Gold Country native Christopher Arns shares tips on how to best enjoy the sights (and some of the best weather in the country). Using his extensive knowledge of the area, Arns provides original trip ideas to help visitors make the most of their time, including Sacramento on Wheels, Wine Country Road Trip, and Gold Country Adventure. From a visit to Apple Hill or an afternoon at Fairytale Town to dirt biking and kayaking through breathtaking scenery, Moon Sacramento & the Gold Country gives travelers the tools they need to create a more personal and memorable experience.
The first book-length study of the Royal Chicano Air Force maps the history of this vanguard Chicano/a arts collective, which used art and cultural production as sociopolitical activism.
Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development and present a typological survey of Venetian architecture. A review of sculptors and their works follows. Norbert Huse opens the next section, on painting, by describing the changed situation of painters at the end of the fifteenth century. He explores the different forms and functions of Venetian paintings in three distinct periods. With over three hundred illustrations and an exhaustive bibliography, this volume successfully fills a gap in art historical scholarship. -- From publisher's description.