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This is the ideal companion text to A Political History of Western Europe Since 1945. It is an introductory survey which explains how western Europe built up its postwar prosperity and is moving towards continental integration. Themes treated include: the origins of the EC; consumerism; youth culture and protest; immigration; the oil crisis and its aftermath; and the contrasting experience and expectations of the Nordic world and the Mediterranean south. The book ends with the consequences of Soviet collapse. Designed for general history students, it assumes no formal knowledge of economics, and is notably accessible and user-friendly in its approach.
Re-creates the vanished world of a man who, once regarded as an eccentric, is now recognized as a significant figure in contemporary literature. Traces Leautaud's intimate friendships with many famous writers of the time and gives us a lively panorama of the French literary scene.
Here is an exciting book that provides detailed descriptions of dozens of the most important and unique collections of “theatricana” in the United States and Canada. In Theatre and Performing Arts Collections, distinguished theatre specialists, librarians, and curators describe the unique possessions of the best and largest collections in theatre and performing arts. Each chapter provides detailed descriptions of the collections, as well as important notes about their history--information that is not available in any other source!
“A fine, racy account of the Occupation and Liberation of Paris—a rattlingly good read” (Giles MacDonogh, author of After the Reich). During the fall of 1944, once the Western Allies had gained military advantage over the Nazis, the crown jewel of Allied strategy became the liberation of Paris—the capital of France so long held in captivity. This event, however, was steeped in more complexity when the Allies returned than in 1940 when Hitler’s legions first marched in. In 1944, the city was beset by cross-currents about who was to reclaim it—the French Resistance, the long-suffering Parisians themselves, or the Anglo-American armies which had indeed won the victory. This book punctures the myth parlayed by Is Paris Burning? and other works that describe the city’s liberation as mostly the result of the Resistance insurrection in the capital. Amidst the swirling streams of self-interest and intrigue that beset Paris on the eve of its liberation, this book makes clear that Gen. Leclerc and his 2nd Armored Division were the real heroes of the liberation and that marching on their capital city was their raison d’etre. At issue was the reconstitution of France itself after the dark night of its soul under the Germans, and despite the demands of the Anglo-Americans and France’s own insurrectionists. That a great power was restored is now manifest, with this book explaining how it was ensured. “Gets the full five stars . . . The prose here really does bring wartime France to life.”—War History Online
Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine an overview of Artaud’s life with a focus on his work as an actor and director; an analysis of his key theories, including the Theatre of Cruelty and the double; a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg’s A Dream Play; and a series of practical exercises to develop an approach to theatre based on Artaud’s key ideas. As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
From bestselling author Ross King, a brilliant portrait of the legendary artist and the story of his most memorable achievement. Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Monet intended the water lilies to provide "an asylum of peaceful meditation." Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases (featured in black and white images throughout, as well as a 16-pg color insert) belie the intense frustration Monet experienced in trying to capture the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life. Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then seventy-three, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called “the most prodigious eye in the history of painting”--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture.