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The first collection of Sabra Field's landmark prints, with commentary by the artist, now in a second edition with thirteen additional images
Bestselling novelist (How the Garcia Girls Lost Their Accents) and children's (The Tia Lola Stories) author Julia Alvarez's new picture book is a beautifully crafted poem for children that gently addresses the emotional side of death. The book asks, "When somebody dies, where do they go? / Do they go where the wind goes when it blows? ... Do they wink back at me when I wish on a star? Do they whisper, 'You're perfect, just as you are'? ..." Illustrated by Vermont woodcut artist, Sabra Field, Where Do They Go? is a beautiful and comforting meditation on death, asking questions young readers might have about what happens to those they love after they die. A Spanish-language edition of the book, ¿Donde va a parar?, is available in paperback.
Sabra Field's latest prints presented in a dazzling new look at her bold, signature creative process
Folklore is a powerful resource that not only manages the past, giving it continuity, but also usefully comments on present cultural and social issues. This thoughtful, incisive work first charts important dimensions in the development of folklore studies from the eighteenth century to the present. Next, it marshals the major theoretical issues of the modern discipline, including performance theory, genre theory, the relationship with culture studies and the study of linguistic and musical art forms, the insights of comparative studies, public folklore, and even the place of folklore in the media. Webber draws heavily on the influential work and maverick charisma of Alan Dundes, world famous folklorist who expanded the definitions of both “folk” and “lore” for thousands of folklore students and underscored why lore should be studied ethnographically and aesthetically. Webber’s aim is to evaluate the study of folklore as a tool for understanding the lived experience of various “folk” and for questioning, rather than reinforcing, the status quo. Her work, which draws from the rich methods and materials of many disciplines, shows originality, breadth, and a firm grasp of the history of folkloristics.
A full-length treatment of poverty and charity in medieval Islamic society.
Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of color set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. Now available for the first time in paperback, this book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output -- including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges -- Hokusai, Prints and Drawings provides a detailed account of the artist's genius.
This book describes the picture of reality given by Newton, and the development of the later picture of reality given by field theory. In telling this story, the author explains what problem each scientist faced, and how the process of solving them led to new discoveries. By this method he gives unique insight into the understanding of Einstein’s special theory of relativity, as he explains exactly what problems led to the invention of the theory, and exactly where Einstein’s solution differed from his predecessors’. A similar analysis is given of the discoveries of Faraday, Maxwell, Hertz and Lorentz. The problem-oriented approach of the book, originally published in 1974, enables the reader to share in the original creative process, and in the excitement of the discoveries. It puts physics problems into new perspective and discusses the philosophical implications of the history - an illuminating account of a great episode in the history of thought.
Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, and an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of his Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. In Edward Hopper in Vermont, Clause details the provenance of the Vermont paintings through the years, tracking the history of sales leading to the works' ultimate homes with private collectors and museums. Showcasing all the Vermont paintings in color, this volume will delight both fans of Hopper's work and those who are fascinated by the story of the creation, collection, and business of producing great art.
"I am about to share here a story about stars that dance. . . . If the very thought of seeing stars dance piques your curiosity at some deep level of your soul, then pay attention to what follows, for the walk to the Field of Stars, to Santiago de Compostela, is a journey that has the power to change lives forever." -- from the introduction "Pilgrimage" is a strange notion to our modern, practical minds. How many of us have walked to a distant holy place in order to draw nearer to God? Yet the pilgrimage experience is growing these days in various parts of the world. Seeking to take stock of his life, Kevin Codd set out in July 2003 on a pilgrimage that would profoundly change his life. To the Field of Stars tells the fascinating story of his unusual spiritual and physical journey on foot across Spain to Santiago de Compostela, the traditional burial place of the apostle James the Greater. Each brief chapter chronicling Codd's thirty-five-day trek is dedicated to one or two days on the road. Codd shares tales of other pilgrims, his own changes of perspective, and his challenges and triumphs along the way -- all told with a disarming candor. Seen through the eyes of a Catholic priest who honors the religious worldview that originally gave rise to these medieval odysseys, "pilgrimage" comes to life and takes on new meaning in these pages.
Recent historical research and new perspectives on the Islamic scientific tradition.