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He is relentlessly defiant. He is exceedingly libidinous. His appetite for the outrageous is insatiable. He is Mickey Sabbath, the aging, raging powerhouse whose savage effrontery and mocking audacity are at the heart of Philip Roth's astonishing new novel. Sabbath's Theater tells Mickey's story in the wake of the death of his mistress, an erotic free spirit whose adulterous daring exceeds even his own. Once a scandalously inventive puppeteer, Mickey is now in his mid-sixties and besieged by ghosts - of his mother, his beloved brother, his vanished first wife, his mistress of thirteen years. Bereft and grieving, he embarks on a turbulent journey back into his past, one that brings him to the brink of madness and extinction. But no matter how ardently he courts death, he is too exuberantly alive to succeed at dying. Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero. This book, which presents Philip Roth at the peak of his powers, is sur
'A work of near heroic vitality and cunning' Sunday Telegraph At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction... Winner of the National Book Award for Fiction
The life of an old man who lives for sex. He is Morris Sabbath, 64, a New York puppeteer who made his name with lewd performances. Feeling death approaching, he relives his many amorous adventures in graphic detail. By the author of Portnoy's Complaint.
"Remember the Sabbath day to keep it holy." Yeah, right. Sabbath-keeping seems quaint in our 24/7, twenty-first century world. Life often feels impossibly full, what with work, to-do lists, kid activities, chores, and errands. And laundry... always and forever laundry. But the Sabbath isn't just one of the ten commandments; it is a delight that can transform the other six days of the week. Join one family's quest to take Sabbath to heart and change their frenetic way of living by keeping a Sabbath day each week for one year. With lively and compelling prose, MaryAnn McKibben Dana documents their experiment with holy time as a guide for families of all shapes and sizes. Tips are included in each chapter to help make your own Sabbath experiment successful.
A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.
Provides an examination of the use of the taboo in classic literary works.
John N. Andrews was fifteen years old when he, along with other Advent believers, experienced the Great Disappointment of 1844. A few months later Andrews accepted the truth of the Sabbath after reading a tract and dedicated his life to serving God. By age twenty-three, Andrews had written and published thirty-five articles in the Review, which was the beginning of a prolific writing career. History of the Sabbath establishes that the seventh day is the Sabbath of the Lord. Within the pages of this book, Andrews outlines the truth of the Sabbath through the example of the Creator, the blessing God placed upon the day, and the sanctification or divine appointment of the day to a holy use. The book examines the Sabbath from its inception at Creation to its place in history, showing how Sunday worship usurped the Lord's Day.
This tender and moving memoir by the great Yiddish writer Chaim Grade takes us to the very source of his widely praised novels and poems—the city of Vilna, the "Jerusalem of Lithuania," during the years before World War II. Centered on the figure of Grade's mother, Vella—simple, pious, hard-working—this is a richly detailed account of the ghetto of his youth, of the lives of the rabbis, the wives, the tradesmen, the peddlers, and the scholars. We see Vella, desperate after losing her husband, become a fruit-peddler, struggling to survive poverty and to remain true to her faith in the face of human pettiness and cruelty. We follow Grade as he walks in the footsteps of his scholar father, a champion of enlightenment; we see him entering marriage, and his mother finding some peace of mind in a marriage of her own—all of this in a world recalled with extraordinary physical and emotional intensity. Then, World War II. The partition of Poland between the Soviet Union and Germany is followed by the new German invasion of June 1941. Grade—believing, as do so many others, that the Nazis pose a danger chiefly to able-bodied men like himself—flees into Russia. In his travels on foot and by train he meets a fascinating, kaleidoscopic array of characters: the disillusioned Communist Lev Kogan; the durachok, or simpleton, a young prisoner who, mistaken for a German spy, is shot when he jumps from a train; the once-prosperous lawyer, Orenstein, who virtually becomes a beggar, dies and is buried by strangers in a remote Central Asian village. With the war's end, Grade returns to Vilna—to find the ghetto in ruins, to learn that his wife and his mother have gone to their deaths—and he is left with nothing but memories. But it is here, amid the devastation of a people, that he finds the compulsion and the passion to commit to paper the world that has been lost.
This is novelist Philip Roth's account of his 86-year-old father's last year. Suffering from a brain tumour and fighting death, Herman is accompanied through each fearful stage of his final ordeal by his son, who, marvelling at his father's long, stubborn engagement with life, recounts a relationship full of love and dread. Conspicuous throughout the book are Herman's tough integrity and moments of humour, but it is also an intensely painful story, as Philip Roth has to decide whether or not to terminate his father's life.
The first novel in Roth's Zuckerman Bound trilogy, The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E.I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. --From publisher description.