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Jenny Nordbak takes us to a place that few have seen, but millions have fantasized about, revealing how she transformed herself from a USC grad lacking in confidence into an elite professional dominatrix who finds her own voice, power and compassion for others. On an unorthodox quest to understand her hidden fantasies, Jenny led a double life for two years. By day she was a construction manager, but at night she became Mistress Scarlett. Working at LA’s longest-running dungeon, she catered to the secret fetishes of clients ranging from accountants to movie stars. She simultaneously developed a career in the complex and male-dominated world of healthcare construction, while spending her nights as a sex worker, dominating men. Far from the standard-issue powerful men who pay to be helpless, Mistress Scarlett’s clientele included men whose fantasies revealed more complex needs, from “Tickle Ed” to “Doggie Dan,” from the “Treasure Trolls” to “Ta-Da Ted.” The Scarlett Letters explores the spectacularly diverse array of human sexuality and the fascinating cast of characters that the author encountered along the way.
In Puritan America, a married woman's illicit affair with a minister landed her in jail. After her release, Hester Prynne was sentenced to forever wear a big red "A" on her dress. Nearly 375 years later, the U.S. continues to be scandalized, tantalized, and perplexed by sex.This book offers:- Former offenders - inspiration and hope- Neighbors and families - knowledge and courage- Public agencies - best practices, leading to improved safety- Professionals - better outcomes for clients- Victims of assault - understanding and empowerment- Lawmakers - ideas about fair, effective policiesIt's time to bring the subject of sex crime out of the Dark Ages, time to help victims shed the shame and trauma of their experience. It's also time to allow offenders an opportunity to show they can change, make amends, and start to earn back trust and acceptance from society.
Like its namesake, Scarlet Letters addresses the hard truths of life in an increasingly "progressive" America where the irrational prejudices of a group can crush the soul of the individual. In both the old and new puritanism, worshippers achieve a sense of moral worth simply by designating themselves among "the elect"--no good works required. To validate that uncertain status, they feel compelled to heap abuse upon the sinner lest they too be thought guilty of the sin. Rather than simply cataloging the neo-puritan assaults on reason and liberty, Scarlet Letters illustrates how the progressive movement came to mimic a religion in its structure but not at all in its spirit while profiling those brave individuals who dared to take a stand against this inquisition. In the neo-puritan world, all conservatives are an awkwardly worded tweet away from being branded a homophobe, a racist, a sexist, an Islamophobe or worse. Progressives force assumptions upon anyone who disagrees with their political and social agenda. Those who dare suggest a violent attack was committed by someone of Islamic faith is an Islamophobe. Those who identify the race of even a wanted criminal is a racist. Those who don't support gay marriage are homophobes with a capitol "H." In the eyes of the progressive neo-puritan, that word - that letter - becomes all that a person is. With real-life examples from sexist Clarence Thomas to Islamophobe Ayaan Hirsi Ali to racist Paula Deen to homophobe Phil Robertson, author Jack Cashill explains how a person's identity is reduced to the cruelest of stereotypes. Falsified narratives and manufactured outrage perpetuate the neo-puritan goals, whether they be affecting a presidential election, or simply undermining an individual's personal opinion in order to drag them down. Discover how progressive forces have eroded traditional American values and how the movement became inquisitional and vengeful. Find out how individuals and organization have found the courage to resist this movement and what you can do to fight back successfully.
Richly illustrated with often antic images from alphabet books and primers, The Story of A relates the history of the alphabet as a genre of text for children and of alphabetization as a social practice in America, from early modern reading primers to the literature of the American Renaissance. Offering a poetics of alphabetization and explicating the alphabet's tropes and rhetorical strategies, the author demonstrates the far-reaching cultural power of such apparently neutral statements as "A is for apple." The new market for children's books in the eighteenth century established for the "republic of ABC" a cultural potency equivalent to its high-culture counterpart, the "republic of letters," while shaping its child-readers into consumers. As a central rite of socialization, alphabetization schooled children to conflicting expectations, as well as to changing models of authority, understandings of the world, and uses of literature. In the nineteenth century, literacy became a crucial aspect of American middle-class personality and subjectivity. Furnishing the readers and writers needed for a national literature, the alphabetization of America between 1800 and 1850 informed the sentimental-reform novel as well as the self-consciously aesthetic novel of the 1850s. Through readings of conduct manuals, reading primers, and a sentimental bestseller, the author shows how the alphabet became embedded in a maternal narrative, which organized the world through domestic affections. Nathaniel Hawthorne, by contrast, insisted on the artificiality of the alphabet and its practices in his antimimetic, hermetic The Scarlet Letter, with its insistent focus on the letter A. By understanding this novel as part of the network of alphabetization, The Story of A accounts for its uniquely persistent cultural role. The author concludes, in an epilogue, with a reading of postmodern alphabets and their implications for the future of literacy.
These interpretative essays explore different topics and issues in the context of history and culture.
Edited by Joseph Pearce Contributors to this volume: Jennifer Bonsell Richard Harp Regis Martin Mary R. Reichardt Aaron Urbanczyk A key figure in the development of American literature, Nathaniel Hawthorne was also profoundly influenced by his ancestors and the Christianity that underscored their Puritan heritage. A literary classic, The Scarlet Letter presents a profound meditation on the nature of sin, repentance, and redemption, and on how such Christian concepts may be integrated into American democracy. This edition features an introduction by Aaron Urbanczyk, chair of the literature department at Southern Catholic College, that explores themes in ""The Custom-House"" that guide the reader's interpretation of the text of the novel, and several critical articles on the work's major symbols and Christian themes. Mary R. Reichardt, the editor of this edition, is a professor of literature in the Catholic Studies department at the University of St. Thomas in St. Paul MN.
Written by award-winning African novelist Mariama Bâ and translated from the original French, So Long a Letter has been recognized as one of Africa’s 100 Best Books of the 20th Century. The brief narrative, written as an extended letter, is a sequence of reminiscences —some wistful, some bitter—recounted by recently widowed Senegalese schoolteacher Ramatoulaye Fall. Addressed to a lifelong friend, Aissatou, it is a record of Ramatoulaye’s emotional struggle for survival after her husband betrayed their marriage by taking a second wife. This semi-autobiographical account is a perceptive testimony to the plight of educated and articulate Muslim women. Angered by the traditions that allow polygyny, they inhabit a social milieu dominated by attitudes and values that deny them status equal to men. Ramatoulaye hopes for a world where the best of old customs and new freedom can be combined. Considered a classic of contemporary African women’s literature, So Long a Letter is a must-read for anyone interested in African literature and the passage from colonialism to modernism in a Muslim country. Winner of the prestigious Noma Award for Publishing in Africa.
Did Obama write his own books and is the story they tell true? “I've written two books,” Barack Obama told a crowd of teachers in July of 2008. “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.
It's 1699, and the salons of Paris are bursting with the creative energy of fierce, independent-minded women. But outside those doors, the patriarchal forces of Louis XIV and the Catholic Church are moving to curb their freedoms. In this battle for equality, Baroness Marie Catherine D'Aulnoy invents a powerful weapon: 'fairy tales'. When Marie Catherine's daughter, Angelina, arrives in Paris for the first time, she is swept up in the glamour and sensuality of the city, where a woman may live outside the confines of the church or marriage. But this is a fragile freedom, as she discovers when Marie Catherine's close friend Nicola Tiquet is arrested, accused of conspiring to murder her abusive husband. In the race to rescue Nicola, illusions will be shattered and dark secrets revealed as all three women learn how far they will go to preserve their liberty in a society determined to control them. This keenly-awaited second book from Melissa Ashley, author of The Birdman's Wife, restores another remarkable, little-known woman to her rightful place in history, revealing the dissent hidden beneath the whimsical surfaces of Marie Catherine's fairy tales. The Bee and the Orange Tree is a beautifully lyrical and deeply absorbing portrait of a time, a place, and the subversive power of the imagination.