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Happily ever after comes to Fairyland when the Storybook Fairies save the day! Once upon a time in Fairyland. . . .Jack Frost is up to his old tricks again. He has sent his goblins to steal the Storybook Fairies' magic objects -- and now readers' favorite stories are all mixedup.Rachel and Kirsty only have one more magic object left to find. After they return Ruth's basket, their favorite stories will be back to normal!
Jack Frost is up to his old tricks again. He has sent his goblins to steal the Storybook Fairies' magic objects - and now readers' favorite stories are all mixed up. Rosalie's magic hairbrush is missing - and only Rachel and Kirsty can help her get it back!
Jack Frost is up to his old tricks again. He has sent his goblins to steal the Storybook Fairies' magic objects - and now readers' favorite stories are all mixed up. Mariana needs Rachel and Kirsty's help to save her magic spoon from the troublemaking goblins.
"Followed by a wolf, a huntsman, and a porridge-sampling nuisance called Goldie, Red embarks on a quest to find a magical cure for her aili ailing grandmother."--
This collection of exemplary essays by internationally recognized scholars examines the fairy tale from historical, folkloristic, literary, and psychoanalytical points of view. For generations of children and adults, fairy tales have encapsulated social values, often through the use of fixed characters and situations, to a far greater extent than any other oral or literary form. In many societies, fairy tales function as a paradigm both for understanding society and for developing individual behavior and personality. A few of the topics covered in this volume: oral narration in contemporary society; madness and cure in the 1001 Nights; the female voice in folklore and fairy tale; change in narrative form; tests, tasks, and trials in the Grimms' fairy tales; and folklorists as agents of nationalism. The subject of methodology is discussed by Torborg Lundell, Stven Swann Jones, Hans-Jorg Uther, and Anna Tavis.
When Petunia, youngest of the dancing princesses, is ambushed by bandits in wolf masks on her way to visit an elderly neighbor, the line between enemies and friends becomes blurred as she and her sisters get a chance to end their family's curse once and for all.
Reveals the intricate sexual politics, moral ambiguities, and philosophical underpinnings of the folktale, tracing its history from the court of Louis XIV to its applications in modern marketing, and showing how it has served as a measure of social and sexual mores for women. 25,000 first printing.
Ruth's grandmother lives in the forest, banished there for the "evil" that the townsfolk believed she practiced. But if studying the stars, learning about nature, and dreaming of flying is evil, then Ruth is guilty of it too. Whenever Ruth took food and supplies to her grandmother, she would sit with the old woman for hours, listening and learning. When she wasn't in the woods, Ruth was learning the trade of her father, a blacksmith, now that her brother would never return from the Crusades. Amidst those dark days, a new man enters Ruth's life. William is a noble with a hot temper and a bad name, and he makes her shiver. But the young man is prey to his heritage, a curse placed on his family ages ago, and each male of the family has strange blood running in his veins. Now Ruth must come face-to-face with his destiny at Grandma's house