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This lively commentary encompasses four major books focusing on women in the Hebrew Bible and Apocrypha. Each section in the volume addresses the biblical text in detail, and draws connections from the world of ancient audiences to that of present-day readers. Wolfe's research is motivated by the usual inquiries of biblical scholarship, as well as the questions raised by the many church Bible study groups she has taught. Clergy and laity, students and scholars will benefit from these contemporarily relevant reflections on Ruth, Esther, Song of Songs and Judith. Ruth: The foreign widow who sneaks onto the nighttime threshing floor to find survival for herself and her devastated mother-in-law. Esther: The Jewish orphan-turned-queen who turns Persian banqueting on its head in an effort to defend her people. Song of Songs: The proud and alluring lover who claims her sexuality as her own and joyfully shares it with her beloved. Judith: The pious and beautiful widow who lets the enemy commander's appetite become his downfall in order to save her besieged city. This volume is an opportunity to engage these women's suspense-filled stories, which have sustained faith communities since ancient times.
The five Old Testament books dealt with in this volume of the Commentary occupied a special place in Hebrew tradition as selected readings for major festivals and were accordingly brought together in Hebrew manuscripts to form a group of five scrolls. The books of The Five Scrolls vary greatly; debate about their holiness and authority is recorded from the second century AD onwards, and they pose many problems of interpretation today.
The Old Testament is no ordinary text; it is a revelation of God’s will, character, purpose, and plan, inspired by the Spirit of God. That same Spirit continues to work within God’s people today as they read the Bible, even when the meaning is difficult to discern. In The Law, the Prophets, and the Writings, eighteen evangelical scholars analyze the Old Testament through a historical, literary, and theological hermeneutic, providing new insights into the meaning of the Scriptures. This festschrift in honor of Duane A. Garrett seeks to help Christians faithfully read and understand the Old Testament Scriptures.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
Respectful of traditional biblical scholarship, this collection of essays aims to move beyond it. It brings together two communities that have read their Bibles in isolation from one another, in ignorance of the richness of the other's traditions.
The book of Ruth is probably best known as a romantic love story that, through the expression of loving devotion, overcomes tragedy and ends with the founding of the most famous family in all of biblical Israel. But the book wasn't always this way. In fact, it wasn't a book at all but rather a story told with a very different purpose in mind. Before Ruth, there was the Story of Naomi, a subversive story designed to challenge a male-dominated status quo. Through comedy, sarcastic irony, and unparalleled rhetorical skill the Naomi storyteller holds up for inspection social gender roles and the power of sexuality in a manner that resonates yet today. The Story of Naomi--The Book of Ruth goes behind the literary rendition of the story and recaptures the original oral tale, with script and performance directions that brings to life the humor, tragedy, and transparent honesty shared between the Naomi storyteller and her audience.
Notions of women as found in the Bible have had an incalculable impact on western cultures, influencing perspectives on marriage, kinship, legal practice, political status, and general attitudes. Women and Exilic Identity in the Hebrew Bible is drawn from three separate strands to address and analyse this phenomenon. The first examines how women were conceptualized and represented during the exilic period. The second focuses on methodological possibilities and drawbacks connected to investigating women and exile. The third reviews current prominent literature on the topic, with responses from authors. With chapters from a range of contributors, topics move from an analysis of Ruth as a woman returning to her homeland, and issues concerning the foreign presence who brings foreign family members into the midst of a community, and how this is dealt with, through the intermarriage crisis portrayed in Ezra 9-10, to an analysis of Judean constructions of gender in the exilic and early post-exilic periods. The contributions show an exciting range of the best scholarship on women and foreign identities, with important consequences for how the foreign/known is perceived, and what that has meant for women through the centuries.
This is the first volume to provide a wide range of postcolonial interpretations of and commentaries upon significant texts in the Hebrew Bible. The volume intersects with the work of the key theorists in postcolonial studies such as Fanon, Senghor, Said and Spivak as well as with scholars such as Sugirtharajah, Kwok Pui-lan, and Segovia who have applied this theory to biblical studies. Texts have been chosen specifically for their relevance to postcolonial discourse, rather than seeking to cover each biblical document. This volume is designed to demonstrate how historical criticism, postmodernism, and the important concerns of postcolonial readings may be integrated to obtain an informed explanation of the Hebrew Bible and the writings of early Judaism. The chapters are written by scholars who represent a spectrum of national, indigenous, and diasporic contexts. Taken together these perspectives and the interpretations they yield represent a continued expansion of the manner in which Old Testament texts are read and interpreted through postcolonial lenses, reminding readers that the interpretive trajectories of these texts are almost inexhaustible. As such the volume serves as not only an addition to ongoing scholarship on postcolonialism but also as an expansion of the horizon for dialogue.
What if the way the book of Esther has been taught to us in church and retold to us in films, cartoons, and romance novels has missed the original point of the story? Far from being models of piety and devotion, Esther and Mordecai seem indifferent to the faith of their ancestors. How then did this story become part of the Bible and gain the broad acceptance that it has? If the church should not neglect the story, how should it be read? Esther and Her Elusive God calls Christians to avoid the common attempts to make Esther more palatable and theological, and to reclaim this secular story as Scripture. Readers will be encouraged to see in Esther a profound message of God's grace and faithfulness to his wayward people.
2021 Catholic Media Association Award third place award in academic studies Qoheleth, also called Ecclesiastes, has been bad news for women throughout history. In this commentary Lisa Wolfe offers intriguing new possibilities for feminist interpretation of the book's parts, including Qoheleth's most offensive passages, and as a whole. Throughout her interpretation, Wolfe explores multiple connections between this book and women of all times, from investigating how the verbs in the time poem in 3:1-8 may relate to biblical and contemporary women alike, to noting that if 11:1 indicates ancient beer making it thus reveals the women who made the beer itself. In the end, Wolfe argues that, by struggling with the perplexing text of Qoheleth, we may discover fruitful, against-the-grain reading strategies for our own time.