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The book of Ruth is a love story. Like all love stories it has twists and turns, tension and resolution, and a happy ending. But it's far more than that because it reveals to us a God who is deeply committed to caring for his people. In Boaz, God provides Ruth with a loving husband to free and provide for her, pointing us to the Bible's grand story of redemption and David’s greatest son, Jesus. Tony Merida's compelling story-telling and Christ-centered insights make this both an accessible and absorbing expository guide to the book of Ruth. It can be used for personal devotions, or for leading small-group studies, or for sermon preparation.
An unusual collection of the same story adapted by thirty-three different cultures with nearly fifty additional story summaries. In addition, The Golden Axe contains scripts for readers theater and/or puppet presentations, a classroom game, interpretive notes, and storytelling tips, charts.
Presents twenty-three stories about women in the Old and New Testaments, including Eve, Rachel, and Ruth.
Reproduction of the original: Lovers' Saint Ruth's and Three Other Tales by Louise Imogen Guiney
A New York Times Book Review Editors' Choice Multilayered, subtle, insightful short stories from the inimitable Booker Prize–winning author, with an introduction by Anita Desai Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures—European, post–Independence Indian, and American—is never more acute. In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation, but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle–aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in The New Yorker in 2013 after her death. The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language, and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature. "The stories—all of them elegantly plotted and unsentimental, with an addictive, told–over–tea quality—are largely character studies of people isolated, often tragically, by custom or self–delusion . . . Vivid, unsparing portraits are leavened with the kind of humanizing moments that evoke a total world within their compression."—Megan O’Grady, The New York Times Book Review