Download Free Russias Hero Cities Book in PDF and EPUB Free Download. You can read online Russias Hero Cities and write the review.

World War II, known as the Great Patriotic War to Russians, ravaged the Soviet Union and traumatized those who survived. After the war, memory of this anguish was often publicly repressed under Stalin. But that all changed by the 1960s. Under Brezhnev, the idea of the Great Patriotic War was transformed into one of victory and celebration. In Russia's Hero Cities, Ivo Mijnssen reveals how contradictory national recollections were revised into an idealized past that both served official needs and offered a narrative of heroism. This triumphant narrative was most evident in the creation of 13 Hero Cities, now located across Russia, Belarus, and Ukraine. These cities, which were host to some of the fiercest and most famous battles, were named champions. Brezhnev's government officially recognized these cities with awards, financial contributions, and ritualized festivities. Their citizens also encountered the altered history at every corner—on manicured battlefields, in war memorials, and through stories at the kitchen table. Using a rich tapestry of archival material, oral history interviews, and newspaper articles, Mijnssen provides a thorough exploration of two cities in particular, Tula and Novorossiysk. By exploring the significance of Hero Cities in Soviet identity and the enduring but conflicted importance they hold for Russians today, Russia's Hero Cities exposes how the Great Patriotic War no longer has the power to mask the deep rifts still present in Russian society.
No nation is a stranger to war, but for Russians war is a central part of who they are. Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores how this belief has produced a myth of exceptionalism that pervades Russian culture and politics and has helped forge a national identity rooted in war. While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights one invader after another. Time and again, history has called upon Russia to play the savior—of Europe, of Christianity, of civilization itself—and its victories, especially over the Nazis in World War II, have come at immense cost. In this telling, even defeats lose their sting. Isolation becomes a virtuous destiny and the whole of its bloody history a point of pride. War is the unifying thread of Russia’s national epic, one that transcends its wrenching ideological transformations from the archconservative empire to the radical-totalitarian Soviet Union to the resurgent nationalism of the country today. As Putin’s Russia asserts itself in ever bolder ways, knowing how the story of its war-torn past shapes the present is essential to understanding its self-image and worldview.
The first major Russian novel, A Hero of Our Time was both lauded and reviled upon publication. Its dissipated hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Tolstoy, Dostoyevsky, and Chekhov in Lermontov’s own century, and finds its modern-day counterparts in Anthony Burgess’s A Clockwork Orange, the novels of Chuck Palahniuk, and the films and plays of Neil LaBute.
The mega-bestseller with more than 2 million readers Soon to be a Showtime/Paramount+ series starring Ewan McGregor as Count Alexander Rostov From the number one New York Times-bestselling author of The Lincoln Highway and Rules of Civility, a beautifully transporting novel about a man who is ordered to spend the rest of his life inside a luxury hotel 'A wonderful book' - Tana French 'This novel is astonishing, uplifting and wise. Don't miss it' - Chris Cleave 'No historical novel this year was more witty, insightful or original' - Sunday Times, Books of the Year '[A] supremely uplifting novel ... It's elegant, witty and delightful - much like the Count himself.' - Mail on Sunday, Books of the Year 'Charming ... shows that not all books about Russian aristocrats have to be full of doom and nihilism' - The Times, Books of the Year On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all? A BOOK OF THE DECADE, 2010-2020 (INDEPENDENT) THE TIMES BOOK OF THE YEAR 2017 A SUNDAY TIMES BOOK OF THE YEAR 2017 A MAIL ON SUNDAY BOOK OF THE YEAR 2017 A DAILY EXPRESS BOOK OF THE YEAR 2017 AN IRISH TIMES BOOK OF THE YEAR 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 ONE OF BILL GATES'S SUMMER READS OF 2019 NOMINATED FOR THE 2018 INDEPENDENT BOOKSELLERS WEEK AWARD
Can trauma be inherited? In this luminous memoir of identity, exile, ancestry, and reckoning, an American writer returns to Russia to face a family history that still haunts him. It is this question that sets Alex Halberstadt off on a quest to name and acknowledge a legacy of family trauma, and to end a cycle of estrangement that had endured for nearly a century. His search takes him across the troubled, enigmatic land of his birth. In Ukraine he tracks down his paternal grandfather--most likely the last living bodyguard of Joseph Stalin--to reckon with the ways in which decades of Soviet totalitarianism shaped and fractured three generations of his family. He returns to Lithuania, his Jewish mother's home, to revisit the legacy of the Holocaust and the pernicious anti-Semitism that remains largely unaccounted for, learning that the boundary between history and biography is often fragile and indistinct. And he visits his birthplace, Moscow, where his glamorous grandmother designed homespun couture for Soviet ministers' wives, his mother dosed dissidents at a psychiatric hospital, and his father made a living by selling black-market jazz and rock records. Finally, Halberstadt explores his own story: that of a fatherless immigrant who arrived in America, to a housing project in Queens, New York, as a ten-year-old boy struggling with identity, feelings of rootlessness, and a yearning for home. He comes to learn that he was merely the latest in a lineage of sons who grew up alone, separated from their fathers by the tides of politics and history. As Halberstadt revisits the sites of his family's formative traumas, he uncovers a multigenerational transmission of fear, suspicion, melancholy, and rage. And he comes to realize something more: Nations, like people, possess formative traumas that penetrate into the most private recesses of their citizens' lives.
It was September, 1932. Gerasimovka, Western Siberia. Two children are found dead in the forest outside a remote village. Both have been repeatedly stabbed and their bloody bodies are covered in sticky, crimson cranberry juice. Who committed these horrific murders has never been proved, but the elder boy, thirteen-year-old Pavlik Morozov, was quickly to become the most famous boy in Soviet history - statues of him were erected, biographies published, and children across the country were exhorted to emulate him. Catriona Kelly's aim is not to find out who really killed the boys, but rather to explore how Stalin's regime turned Pavlik into a hero designed to produce good Soviet citizens. Pavlik's story is intriguing and multi-layered: did he denounce his own father to the authorities? Was he murdered by members of his own family? Did he ever belong to the Pioneers, the Communist youth organization who claimed him as member No. 001? This is the first book in English on Pavlik's legend, using previously inaccessible local archives.
The turning point of World War II came at Stalingrad. Hitler's soldiers stormed the city in September 1942 in a bid to complete the conquest of Europe. Yet Stalingrad never fell. After months of bitter fighting, 100,000 surviving Germans, huddled in the ruined city, surrendered to Soviet troops. During the battle and shortly after its conclusion, scores of Red Army commanders and soldiers, party officials and workers spoke with a team of historians who visited from Moscow to record their conversations. The tapestry of their voices provides groundbreaking insights into the thoughts and feelings of Soviet citizens during wartime. Legendary sniper Vasily Zaytsev recounted the horrors he witnessed at Stalingrad: "You see young girls, children hanging from trees in the park.[ . . .] That has a tremendous impact." Nurse Vera Gurova attended hundreds of wounded soldiers in a makeshift hospital every day, but she couldn't forget one young amputee who begged her to avenge his suffering. "Every soldier and officer in Stalingrad was itching to kill as many Germans as possible," said Major Nikolai Aksyonov. These testimonials were so harrowing and candid that the Kremlin forbade their publication, and they were forgotten by modern history -- until now. Revealed here in English for the first time, they humanize the Soviet defenders and allow Jochen Hellbeck, in Stalingrad, to present a definitive new portrait of the most fateful battle of World War II.
The “gripping story” of a Nazi blockade, a Russian composer, and a ragtag band of musicians who fought to keep up a besieged city’s morale (The New York Times Book Review). For 872 days during World War II, the German Army encircled the city of Leningrad—modern-day St. Petersburg—in a military operation that would cripple the former capital and major Soviet industrial center. Palaces were looted and destroyed. Schools and hospitals were bombarded. Famine raged and millions died, soldiers and innocent civilians alike. Against the backdrop of this catastrophe, historian Brian Moynahan tells the story of Dmitri Shostakovich, whose Seventh Symphony was first performed during the siege and became a symbol of defiance in the face of fascist brutality. Titled “Leningrad” in honor of the city and its people, the work premiered on August 9, 1942—with musicians scrounged from frontline units and military bands, because only twenty of the orchestra’s hundred members had survived. With this compelling human story of art and culture surviving amid chaos and violence, Leningrad: Siege and Symphony “brings new depth and drama to a key historical moment” (Booklist, starred review), in “a narrative that is by turns painful, poignant and inspiring” (Minneapolis Star-Tribune). “He reaches into the guts of the city to extract some humanity from the blood and darkness, and at its best Leningrad captures the heartbreak, agony and small salvations in both death and survival . . . Moynahan’s descriptions of the battlefield, which also draw from the diaries of the cold, lice-ridden, hungry combatants, are haunting.” —The Washington Post