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"Russian Rag " ragtime (based on Sergei Rachmaninoff's Prelude in C♯ minor) by George Linus Cobb, arrangend for Brass Quintet (intermediate level) by Francesco Leone . Score : Bb Trumpets 1-2 , Horn in F, Trombone and Tuba. Audio demo available on www.glissato.it -
Russian Rag: A Unique Ragtime Experience Dive into the vibrant world of ragtime with "Russian Rag," a captivating piece based on Sergei Rachmaninoff's iconic Prelude in C♯ minor. Expertly arranged for saxophone quartet (SATB) by Francesco Leone, this piece bridges the gap between classical elegance and the joyful spontaneity of ragtime. Ideal for intermediate level players, the arrangement offers a unique challenge and an opportunity to explore the fusion of different musical genres. Arrangement Details: Instrumentation: Specially arranged for a saxophone quartet consisting of B♭ Soprano, E♭ Alto, B♭ Tenor, and E♭ Baritone saxophones. This scoring showcases the rich and diverse tonal palette of the saxophone family, making it a perfect piece for ensemble performances. Level: Intermediate. This arrangement is accessible to players with a solid grasp of the fundamentals, looking to delve into more challenging and rewarding repertoire. Score and Parts: Each purchase includes a meticulously prepared score and individual parts, ensuring a seamless rehearsal and performance experience. The clarity of the music notation and practical page layouts are designed to meet the needs of both conductors and performers. Exclusive Online Resources: For a comprehensive understanding and appreciation of "Russian Rag," visit www.glissato.it and enter product code: EG1040. Here, you'll find an audio demo that serves as an excellent reference for interpretation, tempo, and dynamics. This resource is invaluable for both individual practice and ensemble coordination, providing a sonic blueprint for the piece's performance. Discover "Russian Rag" Today: Embark on a musical journey that combines the depth of Rachmaninoff with the playful charm of ragtime. Whether you're performing in a concert, competition, or simply for the love of music, "Russian Rag" is sure to enchant audiences and performers alike. Explore this unique arrangement and bring a touch of innovation to your saxophone quartet's repertoire.
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Vols. for 1981- include as no. 2 of each vol. an issue with title: Contemporary American music.