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This book explores the history of Russian peasant bride theft - abduction, capture - from the adoption of Christianity in Kievan Rus in the late tenth century to the very early twentieth century. It argues that bride theft in eighteenth and nineteenth century Russia was practised in large part by, but not exclusively by, Old Believers, the schismatics who rejected the Church reforms of the mid-seventeenth century and shunned contact with the Orthodox Church; and that the point of bride theft, where the bride was often a willing party, often married secretly at night by an Orthodox priest acting illegally, was to absolve the bride and her parents of the responsibility for engaging in a formal Orthodox ritual which Old Believers regarded as sinful. The book also considers how bride theft originated much earlier in Russia and was a continuing tradition in some places, and how all this fitted into the Russian peasant economy. Throughout the book provides rich details of particular bride theft cases, of Russian peasant life, and of Russian folklore, in particular bridal laments.
John Bushnell's analysis of previously unstudied church records and provincial archives reveals surprising marriage patterns in Russian peasant villages in the 18th and 19th centuries. For some villages the rate of unmarried women reached as high as 70 percent. The religious group most closely identified with female peasant marriage aversion was the Old Believer Spasovite covenant, and Bushnell argues that some of these women might have had more agency in the decision to marry than more common peasant tradition ordinarily allowed. Bushnell explores the cataclysmic social and economic impacts these decisions had on the villages, sometimes dragging entire households into poverty and ultimate dissolution. In this act of defiance, this group of socially, politically, and economically subordinated peasants went beyond traditional acts of resistance and reaction.
This Handbook is the key reference for contemporary historical and political approaches to gender in Central-Eastern Europe and Eurasia. Leading scholars examine the region’s highly diverse politics, histories, cultures, ethnicities, and religions, and how these structures intersect with gender alongside class, sexuality, coloniality, and racism. Comprising 51 chapters, the Handbook is divided into six thematic parts: Part I Conceptual debates and methodological differences Part II Feminist and women’s movements cooperating and colliding Part III Constructions of gender in different ideologies Part IV Lived experiences of individuals in different regimes Part V The ambiguous postcommunist transitions Part VI Postcommunist policy issues With a focus on defining debates, the collection considers how the shared experiences, especially communism, affect political forces’ organization of gender through a broad variety of topics including feminisms, ideology, violence, independence, regime transition, and public policy. It is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Women’s, Gender, and Sexuality Studies and Central-Eastern European and Eurasian Studies.
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
Manchuria, the name given to China’s North-eastern provinces by foreign powers, has been contested by China, Russia and Japan in particular over many centuries. This book surveys the history of Manchuria, focusing particularly on the Russian and Soviet perspective. It outlines early colonisation of the region and examines the importance of the Chinese Eastern Railway, a branch of the Trans-Siberian Railway, and the remarkable railway city of Harbin for consolidating the Russian presence in the region and for developing the region’s economy. It goes on to consider twentieth century developments, including the Japanese invasion and the puppet state of Manchukuo. Throughout, the book reflects on the nature of empire, especially Russian/Soviet imperialism and its similarities to and differences from other nations’ imperial ventures.
This book, based on extensive original research, examines the widespread and violent pogroms against Jews which took place in the Russian Empire in 1905. It briefly surveys the earlier history of Jews in the Russian Empire and the discriminatory policies against them. The work outlines the extent of the killings and lootings in 1905, explores the role of the authorities who were often neutral or complicit in the violence, and highlights Jewish self-defense measures. It relates the pogroms to the place of the Jews in Russian urban and rural life, to social change and modernisation, and to the revolutionary events of 1905, in which Jews played a prominent role, and during which calls for ethnic self-determination arose among many nationalities of the Russian Empire, most broadly and consequentially among Jews. Overall, the book views the pogroms as a consequence not only of Russian antisemitism, but of the broader, revolutionary breakdown of Russian state and society in 1905.
Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.
Research on the East Slavs in the medieval period has considerably changed since the collapse of the Soviet Union. The emergence of new states forced a rethinking of many aspects of the history and culture of the early East Slavs as the subject became increasingly disentangled from the umbrella of Byzantine studies and fruitful collaboration was fostered between scholars worldwide. This book, which brings together scholars from Russia, Ukraine, western Europe and North America, of several generations, presents a broad overview of the main results of the last three decades of research and mutual collaboration. This is important work, providing a much-needed counterbalance to studies of western Europe in the period, which has been the main focus of study, with the lands of the East Slavs relatively neglected.
This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑPetrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.
This book analyzes the last phase of the Warsaw Pact based on unusually large-scale archival research conducted in many countries. Focusing on the changes in the organization’s functioning after Mikhail Gorbachev came to power in the Soviet Union, the author examines the role played by the Warsaw Pact in the final stages of the Cold War, as well as exploring the deepening conflicts between individual member states which resulted from the changing international situation and Gorbachev’s initiatives to reform the East European state-socialist dictatorships. The book argues that the causes of the rapid dissolution of the Warsaw Pact in the early 1990s were due to many complicated factors, not simply the collapse of communist power in Eastern Europe, factors such as the loss from early in the second half of the 1980s of important internal ties and the failure to create new ties, disputes between individual member states, and the questioning of the overall legitimacy of the organization, which was indispensable for its effective functioning. The book also highlights the impact of external pressures and developments on the international scene. Overall, the book reveals how an apparently robust and solid multilateral organization can so quickly and unexpectedly disappear.