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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
The most comprehensive study of this subject to date, A History of Russian Architecture surveys Russian building from the masonry churches of tenth-century Kieven Rus to the prefabricated built environments of the present. Subject to cultural and stylistic influences from both East and West, Russian architecture nonetheless developed its own distinctive approaches to building, as demonstrated in the four parts of the study: early medieval Rus up to the Mongol invasion in the mid-twelfth century; the revival of architecture in Novgorod and Muscovy from the fourteenth to seventeenth centuries; the cultural revolution in architecture in the eighteenth and early nineteenth centuries; and the advent of modern architecture. Analyzing stylistic developments within their historical contexts, this volume serves as a rich cultural history that will be invaluable to scholars and general audiences alike.
A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.
Russian architecture has since Medieval times reflected Russia's history directly. Starting when the powerful nation was the tiny state of Kieven Rus' and culminating in modern Russia, this book examines their architectural works and its relation to the nation's state of affairs. It provides a timeline of Russia's main historical periods, their evolution and impact on the vision of Russia. The biographies of the architects included in the book are the author's attempt to enrich the reader's experience by letting them get a feel for the environment the architects build in.
Russian architecture has since Medieval times reflected Russia's history directly. Starting when the powerful nation was the tiny state of Kieven Rus' and culminating in modern Russia, this book examines their architectural works and its relation to the nation's state of affairs. It provides a timeline of Russia's main historical periods, their evolution and impact on the vision of Russia. The biographies of the architects included in the book are the author's attempt to enrich the reader's experience by letting them get a feel for the environment the architects build in. Whether enjoying this book as an easy read or while using it in academics, you are bound to take a lot away from it. Rich, compelling and evocative, this book will enhance your imagination and pique your curiosity in the architecture of Russia. "Yet, however beautiful the vision drawn up by the words on a page, there is no substitute for the real adventure of Russia unless you visually experience it yourself. Enjoy the trip as much as I have." - KASHIF PARVAIZ
The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country’s capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity’s worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North – he Svir’ River, Lake Onego, the town of Kargopol’ and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen’ – those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.