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Translated by Michael R. Katz In this 19th century Russian social novella, two contrasting characters—one a western-educated intellectual, the other a hidebound country squire—find themselves thrown together on a long cross country journey in a primitive but sturdy carriage—a tarantas. Their shared observations as the troubled panorama of the Russian countryside rolls past is the basis for this commentary on the country’s prospects for social change. Renowned translator Michal R. Katz offers the first new translation of this overlooked novella since the late 1800s, shortly after original publication.
This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history, Dmitry S. Likhachev, revered as ‘a guardian of national culture’. Reflections on the Russian Soul is an incredible account of an intellectual’s turbulent journey through twentieth century Russia. Likhachev re-counts the fortunes of people with whom he came into contact and reproduces the air of passed years in Russia. Likhachev vividly portrays his childhood years in St. Petersburg and continues into his student life at Leningrad University that led to an agonizing period of imprisonment and near death. He describes how a harmless prank caught the attention of the Secret Police, resulting in his exile and confinement within the infamous prison island of Solovki. He describes his first-hand experience of brutality in prison during the early Stalin years and the incident that not only saved him but also haunted him for the rest of his life. He reflects on the years after his release from prison and the events leading up to the Second World War. His powerful recollection of the blockade of Leningrad provides the reader with a horrific insight into the harsh effects of war, hunger and survival. Lichachev goes on to describe post-war Russia and how his own livelihood developed from literary editor to a return to Leningrad University as Professor of History. This compelling autobiography finishes with Likhachev’s poignant return to Solovki as a free man.
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Priscilla Hauser, the queen of decorative painting, and Boris Grafov, a Russian-born painter whose native village is world-renowned for its art, have produced a luminous follow-up to their Russian Folk Art Painting. This radiant new volume features bright arrangements of flowers, fruits, and leaves, bordered in gold or silver filigree, and set off by a black lacquered surface. It’s a style with a timeless appeal, and Hauser and Grafov provide comprehensive instructions for creating ten beautiful patterns on furniture and other objects. All the necessary skills are explained, with plenty of advice on preparing the surface, wielding the brush, and mixing colors. Start by painting the intricate borders of wreath and linked motifs, then, make the designs more luscious with every colorful layer.